After a month at sea, Keiko pops up near a Norwegian fishing village, causing a stir among the residents and his own team of caretakers. They figure that if they wait until spring, maybe Keiko will swim off again with a wild pod. If they can all just make it to spring.
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Keiko disappears in Icelandic waters, swimming east for four weeks. Unobserved, with no human contact. Since nobody knows what happened to Keiko during that mysterious time, we decided to recreate it — as a musical. From Keiko’s perspective, naturally.
Watch the music video for "The Ballad of Keiko" here: https://www.youtube.com/watch?v=s1k1TQ2Lh0o
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A fresh training team takes a hard-line approach and doubles down on breaking Keiko’s bond with humans. By summer it seems to be working, until one day Keiko swims away. This is the moment they’ve all been waiting for.
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Keiko finally arrives in Iceland, where years of preparation will be put to the test when Keiko gets his first chance to interact with orcas in the wild — something he hasn’t done since he was a calf. It does not go according to plan.
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Keiko has a new tank in Oregon and a dream team of experts that gets him into shape. But soon they start fighting over what a realistic future looks like for this golden retriever of an orca.
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When the movie “Free Willy” is released, word gets out that the star, a killer whale named Keiko, is sick and living in a tiny pool at a Mexican amusement park. An environmentalist sets out to give the fans what they want: their favorite celebrity orca back in the sea.
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After the movie “Free Willy” became a hit, word got out that the star of the film, a killer whale named Keiko, was sick and living in a tiny pool at a Mexican amusement park. Fans were outraged and pleaded for his release. “The Good Whale” tells the story of the wildly ambitious science experiment to return Keiko to the ocean — while the world watched. An epic tale that starts in Mexico and ends in Norway, the six-episode series follows Keiko as he’s transported from country to country, each time landing in the hands of well-intentioned people who believe they know what’s best for him – people who still disagree, decades later, about whether they did the right thing.
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The criminal case against the men accused of planning the Sept. 11 attacks is the one aspect of Guantánamo that would seem to make sense – until you start watching it.
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Majid Khan spent years locked away in CIA black sites. What would he tell the world when he finally got the chance to speak?
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One reporter has been covering Guantánamo since the day the prison opened. The military would like her to go home now.
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After the worst happens at Guantánamo, the warden tries to explain it to the outside world – and to himself.
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A new warden comes to Guantánamo and decides to make some changes. A prison’s a prison, he thinks. How hard could this be?
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The case against a young airman gets even weirder when the government pulls in two fresh investigators. Part 2: A bride, an FBI agent, and a polygraph machine.
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An Arabic-speaking airman is sent to Guantánamo to translate, and soon finds himself at the center of a major scandal. Part 1: Suspicion swallows evidence.
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In 2002, an elite interrogation team secretly staged Guantánamo’s most elaborate intel operation — to try to get a single detainee to talk.
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Maybe you have an idea in your head about what it was like to work at Guantánamo, one of the most notorious prisons in the world. Think again.
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From Serial Productions and The New York Times, Serial Season 4 is a history of Guantánamo told by people who lived through key moments in Guantánamo’s evolution, who know things the rest of us don’t about what it’s like to be caught inside an improvised justice system. Episodes 1 and 2 arrive Thursday, March 28.
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The lawyers settle with the county, which agrees to pay the kids who were wrongfully arrested and illegally jailed; the hard part is actually getting the kids paid.
From Serial Productions and The New York Times in partnership with ProPublica and Nashville Public Radio, “The Kids of Rutherford County” is reported and hosted by Meribah Knight, a Peabody-award winning reporter based in the South.
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Wes Clark reads a telling line in a police report about how Rutherford County’s juvenile justice system really works. He and his law partner Mark Downton realize they have a massive class action on their hands.
From Serial Productions and The New York Times in partnership with ProPublica and Nashville Public Radio, “The Kids of Rutherford County” is reported and hosted by Meribah Knight, a Peabody-award winning reporter based in the South.
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A young lawyer named Wes Clark can’t get the Rutherford County juvenile court to let his clients out of detention — even when the law says they shouldn’t have been held in the first place. He’s frustrated and demoralized, until he makes a friend.
From Serial Productions and The New York Times in partnership with ProPublica and Nashville Public Radio, “The Kids of Rutherford County” is reported and hosted by Meribah Knight, a Peabody-award winning reporter based in the South.
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A police officer in Rutherford County, Tenn., sees a video of little kids fighting, and decides to investigate. This leads to the arrest of 11 kids for watching the fight. The arrests do not go smoothly.
From Serial Productions and The New York Times in partnership with ProPublica and Nashville Public Radio, “The Kids of Rutherford County” is reported and hosted by Meribah Knight, a Peabody-award winning reporter based in the South.
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For over a decade, one Tennessee county arrested and illegally jailed hundreds, maybe thousands, of children. A four-part narrative series reveals how this came to be, the adults responsible for it, and the two lawyers, former juvenile delinquents themselves, who try to do something about it.
From Serial Productions and The New York Times, “The Kids of Rutherford County” is reported and hosted by Meribah Knight, a Peabody-award winning reporter based in the South. Get it everywhere you get your podcasts on Thursday, October 26th.
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In fertility treatment, a successful outcome is defined as a healthy baby. In this story, the outcomes are complicated for everyone involved.
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What we know about what happened at the clinic.
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At the nurse’s sentencing hearing, the patients learn a shocking detail that forces them to confront the limits of their compassion.
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The patients know what happened to them. Now they learn who did it. The story of the nurse whose own pain was also unseen.
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Patients at a fertility clinic experience excruciating, unexpected pain. For months the reason for that pain remains hidden. Then they get a letter from the clinic.
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The patients in this story came to the Yale Fertility Center to pursue pregnancy. They began their I.V.F. cycles full of expectation and hope. Then a surgical procedure called egg retrieval caused them excruciating pain.
Some of the patients screamed out in the procedure room. Others called the clinic from home to report pain in the hours that followed. But most of the staff members who fielded the patients’ reports did not know the real reason for the pain, which was that a nurse at the clinic was stealing fentanyl, and replacing it with saline.
From Serial Productions and The New York Times, The Retrievals is a five-part narrative series reported by Susan Burton, a veteran staff member at “This American Life” and author of the memoir “Empty.”
Susan details the events that unfolded at the clinic, and examines how the patients’ distinct identities informed the way they made sense of what happened to them in the procedure room. The nurse, too, has her own story, about her own pain, that she tells to the court. And then there is the story of how this all could have happened at the Yale clinic in the first place.
Throughout, Burton explores the stories we tell about women’s pain. How do we tolerate, interpret and account for it? What happens when pain is minimized or dismissed?
Episode 1 of The Retrievals arrives Thursday, June 29th.
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Kim interviews Fred Lamb and takes a fresh look at the case.
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Kim takes stock of the evidence against Fred Lamb and gets to the bottom of the stories she’s heard about him — including one from his wife of more than 30 years.
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Kim examines the bizarre interrogation that led to Fred Lamb’s arrest.
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Kim talks to someone who confessed to Shelli’s murder from a jail in Arizona.
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Kim digs into the early stages of the investigation into Shelli’s murder and follows up with old suspects.
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Kim heads to Laramie and hears two very different versions of the case against Fred Lamb.
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Kim talks to Shelli’s former roommate, who connects Kim with a man who was at the crime scene and has troubling memories about Fred Lamb and the police.
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A Times investigative reporter, Kim Barker, revisits the murder of Shelli Wiley — a long-unsolved case from Kim’s time in high school. She reaches out to Shelli’s family to understand why the police arrested a man named Fred Lamb for Shelli’s murder in 2016, and why prosecutors abruptly dropped the charges against him.
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Kim Barker, a Pulitzer Prize-winning investigative reporter for The New York Times, revisits an unsolved murder that took place while she was in high school in Laramie, Wyoming, nearly 40 years ago. She confronts the conflicting stories people have told themselves about the crime because of an unexpected development: the arrest of a former Laramie police officer accused in the murder. All eight episodes of "The Coldest Case in Laramie," a new show from Serial Productions and The New York Times, are available on Thursday, February 23rd wherever you get your podcasts.
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Rachel goes back to California, to the place where she grew up and where her brother and father died, to find answers.
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Rachel retraces how her family, over decades, fell apart and came back together.
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Rachel goes back to California, to the place where she grew up and where her brother and father died, to find answers.
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A three-part series from This American Life producer Nancy Updike. When Rachel McKibbens’s father and brother died suddenly last fall, two weeks apart, from Covid, she’d had no idea her father was sick, and no idea her brother was dying. They were unvaccinated, but the story of what happened started long before that. All three episodes of "We Were Three," a new show from Serial Productions and The New York Times, are available now wherever you get your podcasts.
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The Improvement Association PAC’s power in the county is threatened when an unlikely candidate enters the race for county commissioner. Plenty of people outside the PAC now have their own ideas about how to build Black political power here. Zoe examines what this election could mean for the PAC’s future.
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With the PAC’s reputation suffering because of years of cheating accusations and resentment stirring within its ranks, a prominent member turns against the leadership. Nevertheless, Horace and his closest allies make a bold move by supporting a political upset at the center of the county.
Zoe delves into one of the most serious allegations against the Bladen Improvement PAC: an accusation about stealing votes from vulnerable people that goes back 10 years. In trying to track down the veracity of this particularly persistent rumor, she comes to understand how and why election cheating allegations are so sticky.
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Zoe talks to people in the county who believe the Bladen Improvement PAC has been cheating for years. She tries to get beyond the rumors and into specifics, and comes face to face with the intense suspicion and scrutiny leveled against the organization. In the middle of another election, Zoe goes out with members of the PAC to watch how they operate and try to make sense of all these allegations against them.
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Following a notorious case of election fraud in Bladen County, North Carolina, in 2018, the reporter Zoe Chace gets an invitation from Horace Munn, the leader of the Bladen County Improvement Association PAC, a Black political advocacy group whose name was dragged into the scandal. Horace asks Zoe to come down and investigate for herself and find out who is really cheating.
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Listen to the trailer for our newest show, "The Improvement Association." From Serial Productions and The New York Times, hosted by Zoe Chace.
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Chana has traced the history of the school from its founding and come to the present. But now: One unexpected last chapter. Last year, the school district for BHS mandated a change in the zoning process to ensure all middle schools would be racially integrated. No longer can white families hoard resources in a few select schools. Black and Latino parents have been demanding this change since the late 1950s. The courts have mandated it. Chana asks: How did this happen? And is this a blueprint for real, systemic change?
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Public schools are inequitable because the school systems are maniacally loyal to white families. We can’t have equitable public education unless schools limit the disproportionate power of white parents. But is that even possible? Chana finds two schools that are trying to do just that, and both are actually inside the 293 building. One is downstairs in the basement, where a charter school called Success Academy opened about 7 years ago. The other is upstairs at BHS, the newly renamed SIS.
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Chana Joffe-Walt explores how white parents can shape a school — even when they aren’t there.
She traces the history of I.S. 293, now the Boerum Hill School for International Studies, from the 1980s through the modern education reforms of the 2000s. In the process, Chana talks to alumni who loved their school and never questioned why it was on the edge of a white neighborhood. To them, it was just where everyone went. But she also speaks to some who watched the school change over the years and questioned whether a local community school board was secretly plotting against 293.
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Chana Joffe-Walt searches the New York City Board of Education archives for more information about the School for International Studies, which was originally called I.S. 293.
In the process, she finds a folder of letters written in 1963 by mostly white families in Cobble Hill, Brooklyn. They are asking for the board to change the proposed construction of the school to a site where it would be more likely to be racially integrated.
It’s less than a decade after Brown v. Board of Education, amid a growing civil rights movement, and the white parents writing letters are emphatic that they want an integrated school. They get their way and the school site changes — but after that, nothing else goes as planned.
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It’s 2015 and one Brooklyn middle school is about to receive a huge influx of new students.
Reporter Chana Joffe Walt follows what happens when the School for International Studies’s 6th grade class swells from 30 mostly Latino, Black and Middle Eastern students, to a class of 103 —an influx almost entirely driven by white families.
Everyone wants “what’s best for the school” but it becomes clear that they don’t share the same vision of what “best” means.
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“You’re beginning to figure it out now, aren’t you?”
“Since everyone around here thinks I’m a queer anyway.”
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“Nobody’ll ever change my mind about it.”
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“If anybody could find it, it would be me.”
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“Tedious and brief.”
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“Has anybody called you?”
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“If you keep your mouth shut, you’ll be surprised what you can learn.”
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The state of Ohio decides where Joshua belongs.
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A teenager decides to cooperate.
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If you listen closely to the trash-talking, you start to get the message.
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Life after you put a cop in jail.
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Don’t tell the judges, but the prosecutors have the most power in the building.
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What happens when the right evidence points to the wrong man?
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The smell of raw marijuana + acting nervous + hands in pockets = ?
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When a judge believes he knows you better than you know yourself.
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A young woman at a bar is slapped on the butt. So why’s she the one in jail?
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The Season Two finale: What is Bowe’s fault, and what isn’t?
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Are you hearing what I’m hearing?
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You don’t make peace with your friends.
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Woulda, coulda, shoulda…
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It makes sense if you’re Bowe Bergdahl.
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Why did Bowe Bergdahl walk off?
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This is probably the best podcast ever made. Both seasons 1 and 2 were entertaining from start to finish. They explore cold cases where there seems to be some unanswered questions that leave doubt in anyone's mind. This show took a turn for the worse in collaborating with 'This American Life' and creating 'S-Town'. I'm hoping 'Serial' comes back with a season 3, unencumbered by collaborations.
It's this podcast that first captured my interest & began my journey into the world of podcasts. Very thorough on the research for both season 1 & 2! I am eagerly awaiting season 3!