Becky Hunter's debut novel is 'One Moment'. It looks at best friends Scarlet and Evie, incredibly close until a tragic accident changes everything. It talks about why just one moment makes a huge difference. It's already been sold across the world, and we talk about how this has finally happened. It took Becky a while to get published, and it was only when she stopped thinking about what was on trend and what might sell, that she found the space to write something personal that got her published.

Becky works in the publishing industry, helping others sell their own book, we chat about how she feels now the shoe is on the other book. You can hear why lockdown gave her a very idyllic place to write, why a simple colour change really helps her day, how she dealt with rejection, and why a mix-up let to her plot.

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Tim Weaver is a Sunday Times million copy bestseller, he's been nominated for a National Book Award, is a Richard and Judy Book Club Pick, and has been shortlisted for a CWA Dagger Award.

He's just published his 12th David Raker book, 'The Blackbird'. It follows the story of Cate and Aidan Gascoigne, whose car plunges into a ravine, but the couple vanish. We talk about the challenges writing disappearing persons thrillers, how do you have new ideas about what's happening, and who might be next. We talk about why this is a whydunnit, rather than a whodunnit.

His 13th Raker book, 'The Last Goodbye' is out later this year, and he's currently half way through another one. You can hear how he copes having so many plotlines in his head at the same time, and given he's right in the middle of writing... how he deals with the baggy middle.

You can hear how much he knows about the plot, why he doesn't like to plot too much, and what happens when it all comes together. We get some details about book contracts too, the low-level anxiety he's currently feeling, and why every author always gives the worse advice possible.

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This week, we chat to Danya Kukafka. Her first debut, 'Girl in the Snow', was released in 2017 and was extremely successful. It was a national bestseller, translated in many languages, and then the pressure came. The pressure of that difficult second book... how do you follow up on success?

Danya started to write furiously, and along came 'Notes on an Execution'. It tells the story of Ansel Packer, who is scheduled to die in twelve hours. He knows what he's done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn't want to die; he wants to be celebrated, understood. Through a kaleidoscope of women--a mother, a sister, a homicide detective--we learn the story of Ansel's life.

We talk about why her writing routine has changed since that book, how she's hopefully made it calmer and healthier. You can hear about her first idea for the story and how it was mostly the feeling of the plot rather than all the details that became clear.

We chat through her process journal, how working in publishing helps her write, and why what she thinks will happen in the book rarely comes true.

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LC North's new book is 'The Ugly Truth'. It tells the story of Melanie, trapped and convinced she's kidnapped... meanwhile her father says she is in danger and thinking of her own safety. It's inspired by documentaries about similar real-life cases, featuring members of Royalty and even the most famous of celebrities.

We talk about why her writing life is organised, but the other stuff in regular life isn't, also hear why her planning process is like colour by numbers, and how much she analyses the commercial hook of the book... if you want it to sell, you need to think about why people will buy it.

You can hear about why her writing is influenced by her lessons in psychology and also her fascination with celebrity and fame. We chat about why she starts and finishes early and how she gets to know characters even when she's writing out of order.

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Abdulrazak Gurnah was forced to flee Zanzibar when he was 18. He draws on that experience to write stories that address colonialism from different angles. His book 'Paradise' was shortlisted for the Booker Prize. His book 'By The Sea' was longlisted for the Booker Prize. He's Professor Emeritus of English and Postcolonial Literatures at the University of Kent, and was awarded the 2021 Nobel Prize for Literature. He only had 9 minutes warning about that, by the way!

The new book tells the story of Ilyas, stolen from his parents by German colonial soldiers, who must now find his way home.

We talk about why he needs a blank wall to write, why he's never bothered with a word count, and how teaching full-time affected his ability to write stories.

You can hear how much he thinks about plot points, how he gets to know his characters, and all about the Nobel Prize.

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Eva Rice has returned with a new novel, 'This Could Be Everything', after a little while away. Her book, 'The Lost Art of Keeping Secrets', was a runner up in the Richard and Judy Book of the Year Prize 2006.

The new one is about February, who has lost everyone and is rudderless, but when a small yellow bird flies into her life, it seems to offer a glimmer of hope.

We talk about the frustration of writing words you know will be cut. Also, why she doesn't like the first bits of plotting, how the characters decided how long they'd stick around for, and why Adrian Mole picks her out of any creative slump.

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Sally Page's debut is 'The Keeper of Stories'. It's been extremely successful, tapping into book clubs across the country. It's about Janice, who is used to hearing other people's stories, until the elusive, mysterious Mrs B wants her to tell her own.

Sally has done a lot, worked in a flower shop, started a fountain pen business, and hopes that a successful debut will let her write full-time forever. We talk about how prepared she is to write in this genre for a while, and how old manuscripts have her well prepared for the future. Also, why being signed and published means she's no longer doing it alone.

You can hear why she's been surprised by the support of twitter, how she deals with crying while writing on trains, why she becomes obsessive over writing, and why she started research a year before actually writing.

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Ava Glass has worked with spies and understands the mechanics of their job. She has taken all that experience and written 'The Chase'. It's the first in the 'Alias Emma' series, and tells the story of a brand new spy, tasked with transporting a wanted Russian target across London in less than a day. The book has already been Amazon's Book of the Month, and is optioned for TV.

We talk about how the logistics of travelling quickly through a big city without being noticed became much clearer as she wrote. You can hear why a switch in timeframe saved the book for her, and why even though she wanted to treat it like a regular job, she had to mix things up.

You can heard how she got to know her character through flashbacks, why she plotted it very tightly for adrenaline, and how the idea all came on a frantic plane-ride.

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This week, we chat to multi-million New York Times and Sunday Times bestseller, Gregg Hurwitz. He's written many screenplays, comic books, took charge of Batman, and is known for the 'Orphan X' series. The newest one, 'The Last Orphan', sees Evan Smoak, the Nowhere Man, on one last mission after he was taken from a group home as an orphan and trained as an assassin.

We discuss how he made a plan at the start of his career, in order to make writing a regular job so it could last as long as possible. Also, you can hear how he's managed to get back to a state of pure writing, without any of the distractions that surround success. We chat about how even though he's written and published many books, he still gets stuck in the baggy middle like everyone else.

Gregg runs through his extensive research, which has seen him jump from planes, train with Navy SEALS, and go under cover in mind control cults.

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Georgina Moore has worked in PR and publishing throughout her career. She understands how books are sold, where they are place and what makes them commercial. She has just published her first novel, 'The Garnett Girls'. It tells the story of Rachel, Imogen and Sasha, struggling to escape their alienated family. It's set across the wild beaches of the Isle of Wight and the glamour of luxurious London. It asks whether children can ever escape the mistakes of their family.

We discuss how to make sisters as characters that are similar, but also different and unique. You can hear how tough it is to realise some characters aren't as fully developed as others - how much do you need to change things and alter your plot to flesh them out more.

We chat about her busy life in PR and how well that has set her up for a career as an author, and how she balances a social life with waking up early to write. She also reveals some embarrassment about what she has asked writers to do for publicity in the past, and why now she's an author herself, she's realised how much more pressure she must have placed on their time.

Send over the best book you have read this year! Suggestions to writersroutine.com please.

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