In this episode I'm joined by Valentina Gaio. Like myself, Valentina's research interests are broad, from popular culture to crime and horror, and we initially discuss the contemporary 18th century media depiction of the French Revolution. Our main topic today, however, centres on Victorian views of food (specifically slum inhabitants' diets), and the similarities to contemporary 21st century food campaigns. Specifically, we focus on Valentina's study on Jamie Oliver's public campaign, and how Victorian/19th century attitudes towards poverty, disadvantaged communities, diet, and how to help marginalised people maybe have not changed as much as we might initially imagine About my guest: Valentina is a PhD student at Queen’s University in Kingston, Ontario, who's currently preparing for her comprehensive exams. Her field of interest is Modern Popular Culture with a focus on crime and horror. She is interested in queer themes, social structures and hierarchies, and grief. She is currently working on an investigation of contemporary English reporting of the French Revolution. In addition to her academic work, she is an editor of the literary journal The Lamp and a prose writer. She received her BA in Modern Foreign Cultures and Languages at the University of Parma, her MA in English Studies at the University of Venice, and her MFA in Creative Writing from the University of St Andrews in Scotland For more information on Valentina's work, check out the details below:Instagram: @popcompromphttps://queensges.wordpress.com/reps/"Let Them Eat Nuggets": https://20vg41.wixsite.com/thedoldrums/post/let-them-eat-nuggets Check out Valentina's suggestions: (lInks to these can all be found in Valentina's article above)Love and Toil: Motherhood in Outcast London by Ellen Rosson"Food and the Cooking of the Working Class about 1900" by Eunice Schofield"The provision of school meals since 1906: progress or a recipe for disaster?" by Alan Finch"Jamie Oliver's War on Nuggets" by Dan Olson Sunless Skies, a Lovecraftian videogame with a Neo-Victorian setting.Valentina is helping to organise the Queen's Graduate Conference in Literature, so here is the live CFP: https://queensges.wordpress.com/queens-graduate-conference-in-literature-2/ Episode Credits: Episode Writer, Editor and Producer: Emma Catan Music: Burning Steaks (by Stationary Sign) - obtained via EpidemicSound Check us out at the following social media pages and websites! Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Dr Danielle Dove, whose research focuses on dress and fashion history, material culture, and literary celebrity. We consider how dress can be linked to the uncanny, utilising new materialism and object-oriented ontology theories to explore the idea that objects (such as items of dress) have a form of agency, and how neo-Victorian sartorial objects seem to have an impact or effect on the protagonists. Particularly, they often have a form of memory (physical or psychological) of past wearers. We think about how second hand or vintage clothes evoke memories of the Victorian period, and the wearers who came before us. We consider the continued fascination with period dress, despite the impracticalities of wearing some of those outfits today, and the enduring legacy of the 19th century in relation to dress and material culture.About my guest: Dr Danielle Dove is Lecturer in Nineteenth-Century Literature at the University of Surrey. Her research and publications centre on Victorian and neo-Victorian literature with a specific emphasis on dress and fashion history, material culture, and literary celebrity. She is the co-editor of Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film (2022, Palgrave Macmillan) and is currently working on her monograph provisionally titled Victorian Dress in Contemporary Historical Fiction (forthcoming with Bloomsbury).For more information on Danielle's work, check out the details below:Twitter: @Danielle_M_DoveAcademic profile: https://www.surrey.ac.uk/people/danielle-mariann-doveCheck out Danielle's suggestions:Richard Flanagan - WantingDiana Souhami - Gwendolen: A NovelBarbara Ewing - The Petticoat MenEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Céleste Callen, who researches into time and temporal experience in 19th century literature. Specifically, we discuss her PhD which utilises the works of Henri Bergson as a lens through which to read the works of Charles Dickens. We discuss how for Bergson, time is a subjective experience rather than linear, and how this impacts on the standard novel construction, in addition to narrative voice (such as in David Copperfield). We think about how time became more standardised and important for the Victorians (and other 19th century societies), with the introduction of the railways, Greenwich Mean Time, all of which show how temporality intersected with (and impacted from) modernity. We discuss how the pandemic impacted our sense of time, and how the 19th century constructions (such as working weeks, timetables etc) endure in different ways today.About my guest: Céleste Callen is a PhD candidate at the University of Edinburgh. Her research interests revolve around time and subjective temporal experience in nineteenth-century fiction. She holds a BA in English from King’s College London, where she wrote a dissertation exploring the deconstructed boundaries between childhood and adulthood in Dickens and Barrie. Her postgraduate dissertation explored the self's relationship to time in the works of Balzac, Stevenson and Wilde, which inspired her current doctoral project. Her PhD research explores subjective temporal experience in Dickens’ fiction, and more specifically argues that Dickens anticipates modern philosophy’s conception of temporal experience by reading his fiction through the lens of French philosopher Henri Bergson’s philosophy of time.For more information on Céleste's work, check out the details below:https://www.ed.ac.uk/profile/celeste-callenCheck out Céleste''s suggestions:Shola von Reinhold: LoteHonoré de Balzac, La Peau de Chagrin (1831)Charles Dickens, The Chimes (1844) and The Haunted Man (1848)Episode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by a special panel: Dr Madeline Potter, Theadora Jean, and Dr Daniel Kasper, who all research into Gothic literature (specifically, Dracula!) We discuss how their interest in Dracula began, and the different academic (and side) projects they have worked on. We focus on the positive and negative aspects of adaptations, and the assumptions we have (perhaps incorrectly gained) about the Dracula figure. Discussions also include ideas of monstrosity and how this is not reflected in adaptations; ideas of cultural sensitivity, especially when considering the Romanian folklore and setting, and whether the novel can be considered feminist.TRIGGER WARNING: This episode features discussions around sexual assault/rape, and references to racism in literature.About the panel: Madeline Potter is a postdoctoral fellow at Edge Hill University’s EHU19. She works on Irish Gothic literature and theology. Her first academic monograph, ‘Theological Monsters: Religion and Irish Gothic’ will be published by University of Wales Press, and she is currently editing a collection on vampires and theology. Theadora Jean is a Gothic scholar and writer. She is currently studying for a Critical & Creative Writing PhD at the Royal Holloway, University of London, on the 'New Woman' in Dracula. Her own gothic tales are published under a pseudonym, T.S.J. Harling. Daniel Kasper is an English Instructor at the University of Texas Arlington. He studies a wide range of Gothic texts including Dracula, with specific interests in feminist and biopolitical studies. He's been most recently published in Women’s Studies and Shirley Jackson: A CompanionFor more information on our panel, check out the details below:Thea's Twitter: @theadorajean / @tsjharling Thea's writing portfolio: https://tsjharling.squarespace.com/Listen with Audrey: https://www.listenwithaudrey.com/Check out the panel's suggestions:Sheridan Le Fanu: Carmilla; Uncle SilasBram Stoker: The Jewel of Seven Stars; The Lair of the White WormMidnight Mass - Netflix showFlorence Marryat: The Blood of the VampireUriah Derick D'Arcy : The Black Vampyre: A Legend of St DomingoEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Dr Tom Ue, who has researched into authors such as George Gissing, Oscar Wilde, Arthur Conan Doyle, and Edward Prime-Stevenson. We begin by discussing how Tom developed his PhD from his previous studies into George Gissing, and how Gissing's diaries show how well-read and well-connected he was. We consider Gissing's shift from working-class writing, and the ethical issues that still exist today surrounding writing about disadvantaged people, and possibly for them, rather than giving them agency. We marvel at how a nineteenth-century author like Gissing recognised this problem, and how this is a legacy that continues to be unpacked and challenged. About my guest: Dr Tom Ue is Assistant Professor in Literature and Science at Dalhousie University. He is the author of Gissing, Shakespeare, and the Life of Writing (Edinburgh University Press, forthcoming) and George Gissing (Liverpool University Press, forthcoming); the editor of George Gissing, The Private Papers of Henry Ryecroft (Edinburgh University Press, forthcoming); and an editor of the journal Global Nineteenth-Century Studies (Liverpool University Press, 2022-present). Ue has held the prestigious Frederick Banting Postdoctoral Fellowship and he is an Honorary Research Associate at University College London.For more information on Tom's work, check out the details below:https://dal.academia.edu/TomUeTwitter: @GissingGeorgeCheck out Tom's suggestions:Susanna Clarke: Jonathan Strange and Mr NorrellGeorge Gissing - New Grub StreetEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Dr Louise Creechan, who has researched into Victorian and Neo-Victorian Studies. We begin by discussing her PhD in illiteracy and how the nineteenth century saw the rise of mass literacy in England, and the creation of 'normative' standards of achievement. This coincided with capitalist models for a 'productive workforce.' We think about this persists today, with funding dependent on school grades' success, and also how the hierarchical nature of the academy can limit potential for neurodiverse people, and other academics who may have barriers such as dyslexia. We consider the legacies of Victorian systems on class structures and social inequality, and also look at innovative approaches such as Louise's forthcoming monograph, and her funded Neo-Victorian musicals projects, which were a great form of public engagement. About my guest: Dr Louise Creechan is a Lecturer in the Literary Medical Humanities at Durham University, specialising in Victorian literature, neurodiversity, and the history of (not) reading. She is an AHRC/BBC New Generation Thinker and her current project, The Legacy of the Dunce’s Hat, is about how the Victorians quantified stupidity and how these ideas saturate our current understandings of intelligence. She is the co-founder of the Narratives of Neurodiversity Network and she is also working on an edited collection, (Neuro)Divergent Textualities, that will attempt to define what a neurodivergent approach to literary scholarship would look like. Louise is also queen of the musicals and has published on and staged various Neo-Victorian musicals in the name of public engagement. She is also the co-host of the academic comedy podcast, LOL My Praxis.For more information on Louise's work, check out the details below:https://www.durham.ac.uk/staff/louise-creechan/LOLMyPraxis (Twitter): @lolmypraxisCheck out Louise's suggestions:Sweeney Todd (Sondheim musical version)Cliff Richard's HeathcliffGeorge Gissing - Workers in the DawnEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Dr Richard Jorge Fernández, who researches into the nineteenth-century Irish Gothic, especially the short story. We talk about how his interest in Irish literature began, and also about his current project which compares Galician literature and Irish literature, due to his own roots, and the similarities in these regions. We think about the issues colonial countries face, as well as immigrants and second-generation immigrants. Specifically, we consider how language comes into play, such as conflicting feelings about parent languages, how people react to hearing different accents, all of which play into the Othering concept. We discuss how these ideas were present in both 19th century contexts and today, and the importance of recognising privilege, and how literature can challenge this.About my guest: Richard Jorge Fernández received his BA in English Studies at the University of the Basque Country (UPV/EHU) and later on proceeded to enhance his knowledge in the field of literature with an MA in Anglo-Irish Literature and Drama at University College Dublin, where his minor thesis on the relation of Joseph Sheridan Le Fanu and the Gothic tradition was supervised by Declan Kiberd. He completed his PhD at the University of Santiago de Compostela researching the relationship between the short story and the Irish Gothic tradition in the writings of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker. He is currently teaching at the Department of Philology in the University of Cantabria. For more information on Richard's work, check out the details below:https://www.estudiosirlandeses.org/contributor/richard-jorge-fernandez/Check out Richard's suggestions:Joseph Sheridan Le Fanu - In a Glass Darkly; Carmilla: The House by the ChurchyardBram Stoker - Dracula's GuestKate Morton - The Forgotten Garden; The Distant HoursM.R. James - Collected Ghost StoriesMaria Edgeworth - Castle RackrentMarcial Valladares - MaxinaEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Manon Burz-Labrande, who researches into the circulation of penny bloods and penny dreadfuls. We talk about how her research looks at how there are issues around canonicity, due to many publications being hidden still, meaning we return to the 'classics' . We observe how there were different ways of circulation beyond publishing, and how contemporary sources like Henry Mayhew reported on this. This leads to the different ways of consuming stories, communal reading, giving and lending books, and oral storytelling traditions. About my guest: Manon Burz-Labrande is a doctoral researcher and lecturer at the University of Vienna, Austria. Specialising in Victorian popular literature and culture, her PhD focuses on the exploration of the concept of circulation in and of the penny bloods and penny dreadfuls, through a literary and cultural analysis of their literary content, the discourses they triggered in nineteenth-century criticism, their place in the Victorian literary landscape and their circulation into Neo-Victorian fiction. She has written articles and reviews for Victorian Popular Fictions Journal, Polysèmes, Revenant Journal and Wilkie Collins Journal, entries for the Palgrave Encyclopedia of Victorian Women’s Writing (ed. Lesa Scholl), and two chapters in upcoming edited collections on Victorian popular fiction. Her broader research interests include sound studies and the Gothic, and in 2021 she co-edited a special issue for Short Fiction in Theory & Practice entitled “More than Meets the Ear: Sound & Short Fiction.” She is also the managing editor of the forthcoming London’s East End: A Short Encyclopedia, edited by Kevin A. Morrison (McFarland, 2022). For more information on Manon's work, check out the details below:https://manonburzlabrande.com/Spectral Sounds: Unquiet Tales of Acoustic Weird (part of British Library Tales of the Weird) - out in September 2022Check out Manon's suggestions:Vivian Shaw - Strange PracticeAmbrose Perry - The Way of All FleshE.S. Thomson - Beloved PoisonEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Azza Hussen, who researches into the works of Charles Dickens. We talk about how her resarch looks at how Dickens' work engaged with or challenged contemporary 19th century dream theories, in novels like Oliver Twist, Dombey and Son. We observe how some 19th century dream theories had a moralistic viewpoint, in that moral people couldn't have bad dreams. About my guest: Azza is a second year PhD student at the University of Leicester, researching Dickens and nineteenth century dream theories .For more information on Azza's work, check out the details below:https://le.ac.uk/victorian-studies/people/phd-studentsCheck out Azza's suggestions:Charles Dickens -"The Lazy Tour of Two Idle Apprentices" (1857) (with Wilkie Collins)Elizabeth Macneal - The Doll FactoryEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

In this episode I'm joined by Alora Hayward, who researches into Victorian literary works such as Christina Rossetti, George Gissing, Amy Levy and Charlotte Bronte. We talk about academic study in the pandemic and how this has helped us to reevaluate things, and also how nineteenth century attitudes towards gender, class and sexuality can be reflected today.About my guest: Alora Hayward graduated from The University of Winnipeg with her Bachelor of Arts (Honours) in June 2021 and is a current MA student at Queen’s University finishing up her degree. She will be graduating in the latter half of 2022. Alora considers herself to be a junior scholar whose research interests are: Victorian Prose and Poetry, Gender and Sexuality, Class, The New Woman, The Fallen Woman, The Odd Woman, and The Woman Question. Though Alora is not completing her PhD in academia, she is pursuing her love of creative writing by applying for PhD’s in the UK for the 2023 year. Her focus in that area is creative non-fiction, and free-verse poetry. For more information on Alora's work, check out the details below:Twitter: @alorajadeInstagram: @deargentlesoul_ Blog: http://www.alorajadeswriting.wordpress.com Check out Alora's suggestions:George Gissing: Workers in the Dawn, The Nether World, The Odd WomenCharlotte Bronte: VilletteAnne Bronte: Agnes GreyThe Irregulars (TV series)Wilkie Collins - The Woman in WhiteEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com