- Publisher |
- Verbal Diorama
- Media Type |
- audio
- Categories Via RSS |
- Film History,
- Film Reviews,
- TV & Film
Movies are tough to make, and Verbal Diorama is here to celebrate the coming together of teams of extraordinary cast and crew, bringing us movies that inspire us, delight us, make us laugh, make us cry and frighten us. This podcast discovers the stories behind the scenes, and proves how amazing it is that movies actually exist!
Welcome to Verbal Diorama. The podcast all about the history and legacy of movies you know, and movies you don't! Subscribe on your favourite podcast app, and enjoy new episodes every week.
- People |
- Country Of Origin |
- United Kingdom
- Produced In |
- United Kingdom
- Premiere Date |
- 2019-02-16
- Frequency |
- Weekly
- Explicit |
- No
This podcast currently has no reviews.
Submit ReviewRelease the Kraken! Twice!
Clash of the Titans had been an idea since the late 1950s, with writer Beverley Cross writing a treatment in 1969 called Perseus and the Gorgon's Head. At the time, producer Charles H. Schneer and legendary animator Ray Harryhausen were working on other films, and so what became Clash of the Titans would have to wait until 1977 to start pre-production.
It would eventually release in 1981 and include not only one of Harryhausen's most memorable creatures, Medusa, but also signal the beginning of the end of his career. Clash of the Titans would be his final film, in part thanks to a scathing review.
Clash of the Titans would inevitably be remade one day, and that remake fell to Louis Leterrier, and new writers Phil Hay and Matt Manfredi, using an original script by Travis Beacham based on Cross' original script.
Updated to modern audiences' needs for big budgets, big-name actors and huge CG spectacle, Warner Bros would notice the huge 3D revolution started by James Cameron's Avatar, and decided to convert Clash of the Titans to 3D in post-production...
I would love to hear your thoughts on Clash of the Titans (1981) & Clash of the Titans (2010) !
CONTACT....
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- Email verbaldiorama [at] gmail [dot] com
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SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
64 years ago, The Flintstones became the first ever animated prime time sitcom in the US, and 30 years ago, the live-action film was released.
A live action adaptation of The Flintstones first came about in 1985, but it wouldn't be 'til Steven Spielberg's Amblin Entertainment acquired the rights in 1992 that the project started moving forward, but by that point eight writers had already had a crack at the script...
Once Spielberg, and mega fan director Brian Levant, got involved, many more writers would have a pass, but only three would ever be credited for their work after the Writer's Guild of America got involved.
Credit to the team of writers behind The Flintstones...
- Steven E. de Souza
- Daniel Goldin
- Joshua Goldin
- Peter Martin Wortmann
- Robert Conte
- Mitch Markowitz
- Jeffrey Reno
- Ron Osbourne
- Michael J. Wilson
- Jim Jennewein
- Tom S. Parker
- Gary Ross
- Al Aidekman
- Cindy Begel
- Lloyd Garver
- David Silverman
- Stephen Sustarsic
- Nancy Steen
- Neil Thompson
- Brian Levant
- Rob Dames
- Lenny Ripps
- Fred Fox Jr.
- Dava Savel
- Lon Diamond
- David Richardson
- Roy Teicher
- Richard Gurman
- Michael J. Digaetano
- Ruth Bennett
- Lowell Ganz
- Babaloo Mandel
That's 32 writers. 29 of which never received credit.
This movie has incredible production design, set design, costumes, puppet work and casting. It does not deserve to be as derided as it is. Let's celebrate The Flintstones! Yabba dabba doo!
I would love to hear your thoughts on The Flintstones (1994) !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
The history and legacy of Shakespeare in Love is long-winded and complicated, but how is it that a movie can be wholly and completely tarnished by one man?
I don't know. It's a mystery.
From its beginnings as a project for Universal starring Julia Roberts, to it being shut down after spending $6 million and losing Julia Roberts, to being resurrected in the worst possible way by actual real-life villain Harvey Weinstein; the story of Shakespeare in Love has comedy, romance and tragedy, just like an actual Shakespeare play.
Nowadays its mostly known as being the "unworthy" winner of the Best Picture Academy Award in 1999, beating Saving Private Ryan, in an unprecedented marketing and bad-mouthing campaign that changed awards season.
Was Saving Private Ryan really "robbed" of its Best Picture Oscar? Or were more Academy voters just charmed by a period romantic comedy than a war epic that year? I guess we'll never truly know the answer, other than it ends as stories must when love's denied; with tears and a journey.
I would love to hear your thoughts on Shakespeare in Love !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and BRAND-NEW PATRON Russell!
After making The Mummy and The Mummy Returns, Stephen Sommers wanted to make a small movie; no monsters, no action, no visual effects, just something simple, but then he started thinking about all the Universal monster movies he loved as a child, and came up with a collective story of three monsters, connected by one man - Van Helsing - but not the Abraham Van Helsing you knew....
Gabriel Van Helsing would be serving alongside Dracula with the Knights of the Holy Order before having to kill him. He would ask for his memories to be removed to purge himself of his sins, and end up walking the Earth for 400 years with no memories and end up at the Vatican. Hugh Jackman, fresh from playing Wolverine in X-Men, would be Van Helsing, and when Universal realised what they had, thoughts of a franchise appeared in front of them...
It would be Universal's Dark Universe, before Universal's Dark Universe....
I would love to hear your thoughts on Van Helsing (2004) !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean and Ryno!
Great Scott, it’s the 250th episode! Where we’re going, we don’t need roads, and if my calculations are correct, when this baby hits 88 miles per hour, you're going to get the history and legacy of Back to the Future! It's a story of how Romancing the Stone, Coca-Cola's takeover of Columbia and Double Indemnity came together to make Back to the Future a possibility.
Back in the days when Ronald Reagan, the actor! was president and you needed a nuclear reaction to generation 1.21 jigowatts of electricity to power a DeLorean, a young man called Calvin Klein changed the course of his own personal history by going back to 1955, meeting his parents and technically then accidentally dating his own mother; jeopardising his future in the process.
I guess you guys aren’t ready for that yet, but your kids are gonna love it. It’s your density to listen. So, make like a tree, and get outta here.... pop your 1980's headphones on, turn up the volume and listen to this!
I would love to hear your thoughts on Back to the Future ! THANKS FOR YOUR SUPPORT FOR 250 EPISODES!
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos and Sean!
In 1993, before they were acquired by Eidos, a little games developer in Derby called Core Design were working on their new action adventure game. It was an Indiana Jones-style 3D platformer; revolutionary for its time, and not just because of the immense 3D world and cleverly designed levels, but the protagonist was a woman.
Her name was Lara Croft, and the game was Tomb Raider.
In the mid-90s, Lara Croft became a virtual celebrity, and while Eidos demanded more and more Tomb Raider games, the wheels were in motion to give Lara the cinematic outings she deserved.
Lara Croft: Tomb Raider had a revolving door of writers, and a special clause in the contract between Eidos and Paramount, which meant production had to start, and start quickly. Director Simon West only wanted Angelina Jolie for the main role, and ended up putting together a two-hour plus first cut. The problem was, Paramount hated it, ended up firing West and getting in one of Hollywood's most famous fixers to save the movie...
Lara Croft: Tomb Raider - The Cradle of Life was the opportunity to fix the mistakes of the previous movie. Angelina Jolie had refused to return unless Lara was more well-rounded, so Lara was given more personality, more character and more stakes. The budget would be smaller, but the director would be a coup - Jan de Bont. This time there was one writer, a lead actress who was happier with the direction of her character, and no issues with editing, however the experience would lead to Jan de Bont retiring from directing...
I would love to hear your thoughts on Lara Croft: Tomb Raider (2001) & Lara Croft: Tomb Raider - The Cradle of Life (2003) !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos and Sean!
Sport biopics are usually only reserved for well known big-name sportspeople from yesteryear - people like Jackie Robinson, Muhammad Ali, James Hunt and Niki Lauda, or stories based in reality with fictional characters.
What makes Fighting with My Family, and Paige’s story so different, is that not only did she achieve the WWE Divas Champion at the tender age of 21, she also won that title just ten years ago, and she comes from a working class family from Norwich, that had just so happened to be the feature of a Channel 4 documentary in 2012. Women’s sporting achievements are rarely commended or highlighted in Hollywood, but working class women’s sporting achievements are less so.
A meeting with Dwayne "The Rock" Johnson just before winning the Divas title in 2014 would change everything for Paige. Not only would she take the title from AJ Lee, but Johnson had seen the documentary, related to her story, and told her that very day that he wanted to make a movie of her incredible story.
Fighting with My Family perfectly captures the spirit of a family brought together by wrestling, and you'll find something to love whether you're a wrestling fan or not. Ironically, it was the wrestling that made it such a hard sell to studios in the first place...
I would love to hear your thoughts on Fighting with My Family !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos and Sean!
For Women's History Month and Mother's Day, here in the UK, silence is deafening for a spec script written in an unconventional way, that happened to get picked up by Michael Bay's Platinum Dunes production company.
Taking inspiration from silent movies from Charlie Chaplin, Buster Keaton and Jacques Tati, as well as horror classics like Jaws, Alien and Alfred Hitchcock's filmography, A Quiet Place started life as an almost dialogue free script, written in 2016.
The original screenplay can be found here
John Krasinski's involvement came much later, but he was instrumental in getting the project made, and his casting choices would change everything. Not just by his wife Emily Blunt's eventual involvement, but the casting of a young deaf actress, and the inclusion of American Sign Language would make A Quiet Place one of the freshest and most atmospheric new horror films in years...
I would love to hear your thoughts on A Quiet Place !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos and BRAND-NEW PATRON Sean!
It's International Women’s Day tomorrow, and if we’re talking about someone who represents feminism, women’s rights, gender equality and reproductive rights, there’s no fictional character used to represent this as frequently on International Women’s Day than Wonder Woman.
A character born from polyamory, first-wave feminism and also linked to the very first birth control clinic in the United States; Wonder Woman was the only one of DC's top tier heroes to not have her own solo headline movie, after Superman in 1978 and Batman in 1989, and their numerous sequels. With the MCU blazing a trail for the superhero cinematic renaissance, the race to get the first female headlining superhero movie of the 2010s was on.
It was a race that DC won, rather wonderfully. That doesn't mean it was quick, easy or free from studio mandated scenes...
I would love to hear your thoughts on Wonder Woman !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele and Xenos!
The final episode of Animation Season 2024, and one of Walt Disney's crowning achievements in animation: Sleeping Beauty.
Doing another princess movie after Snow White and the Seven Dwarfs and Cinderella seemed like the obvious choice, but it was also risky. Walt Disney didn't want to make the same thing again, and wanted to wow the public with yet another cinematic visual masterpiece to prove Disney were the pioneering animation studio.
A "moving illustration".
To do this he enlisted Eyvind Earle, combining pre-Renaissance, Italian, and Gothic French influences with his own abstract style of realism to create the formalised elegance and stylish design, while also taking advantage of 70mm Super Technirama for the first time ever in animation.
Sleeping Beauty would be lavish and be exactly what Disney intended, but it would come at a cost. Literally and figuratively.
I would love to hear your thoughts on Sleeping Beauty (1959) !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele and Xenos!
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