Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too.

This is the second instalment of a two-part Eurovisionallusionist. In the first part: a whole lot of tussling about which languages to compete in.

Find out more about this episode at theallusionist.org/eurovision2, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final on 13 May - join us!

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep bonnets, heatless rollers, satin pillowcases and hoodies... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.• Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams.

This is the first of a two-part Eurovisionallusionist. In the next instalment: dictators. Protests. Boom Bang-A-Bang Ding-a-Dong Diggi-Loo Diggi-Ley. Find out more about this episode at theallusionist.org/eurovision1, where there's also a transcript.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final next month.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"You can't redead the dead by you saying something shit," says Cariad Lloyd of Griefcast and author of You Are Not Alone; nevertheless when you're bereaved, people still are usually so nervous to say the wrong thing that they often don't say anything at all. And especially not the word 'dead'. Maybe what we need, says council funeral officer Evie King, author of Ashes To Admin, is a "jazzy snazzy term for death, the 'bottomless brunch' of death..."

Content warning: this episode is about death*. And it contains mentions of cancer and Parkinson’s, and there are several category B swears and one category A swear.

*But it’s a pretty fun listen, it doesn't get sad.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/death, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, regular livestreams, the delightful Allusioverse Discord community AND you get to listen to a one-off show I made with Arnie Niekamp of Hello from the Magic Tavern where we planned our own funerals!

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk beguilingly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

"The myths, or the received wisdom, about Portuguese language in Brazil is that, of course we know we speak a very different version of the language, but this has always been explained to us as maybe perhaps a defect of sorts?" says linguist and translator Caetano Galindo, author of Latim em Pó, a history of Brazilian Portuguese. "You look deeper into things and you find you have to wrap your mind around a very different reality.” 

Content note: this episode discusses the enslavement of African people.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/brazilian-portuguese, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, and the delightful Allusioverse Discord community with their disco kettles and knitted octopus tentacles.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Last episode, I mentioned that in London, Ontario, in 2019 a 9-year-old named Lyla Wheeler had launched a petition to rename her street, currently called Plantation Road. This episode, Lyla, now aged nearly thirteen, and her mom Kristin Daley recount the reasons why Lyla campaigned for this name change, how the neighbours reacted, what happened when the wider world heard about it, and why the street's name is still Plantation Road.

I hope you will not be deterred from campaigning for different, better words.

Content note: the episode contains references to enslavement of Black people and a brief description of the Canadian residential school system.

This is an instalment of the Telling Other Stories series, about renaming. Find out more about this episode and get extra information about the topics therein at theallusionist.org/supplantation, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, and the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • NordVPN is offering exclusivelusionist big discounts: grab the deal on this trusty VPN at nordvpn.com/allusionist, and try it risk-free now with a 30-day money-back guarantee.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Over the past few years, numerous products and places with the word 'plantation' in their names have rebranded. As for the word 'plantation' itself, architect and writer Kennedy Whiters of unRedactTheFacts.com advocates for replacing it with a more truthful term. She also watches out for use of the grammatical passive voice, because "It hides who did what to whom."

Content note: this episode contains discussions of anti-Black racism, violence and sexual violence.

This is an instalment of the Telling Other Stories series, about renaming. Find out more about this episode and get extra information about the topics therein at theallusionist.org/actively-passive, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via PaleBirdMusic.com.

Our ad partner is Multitude. If you want me to talk compellingly about your product, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • NordVPN is offering exclusivelusionist big discounts: grab the deal on this trusty VPN at nordvpn.com/allusionist, and try it risk-free now with a 30-day money-back guarantee.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

Erwin Schrödinger is one of the "fathers of quantum mechanics". He also sexually abused children. Trinity College Dublin recently denamed a lecture theatre that had been named after him - but his name is still on an equation that won the Nobel Prize for physics. And a cat.

Writer and historian Subhadra Das recounts how and why you rename a university building, and retired physicist Martin Austwick considers that renaming an eponymous equation or theory might be more difficult than unscrewing a sign from a wall.

This is an instalment of the Telling Other Stories series, about renaming.

Content note: this episode contains references to  racism and eugenics, and to the sexual abuse of children. There is also a Category B swear.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/box, where there's also a transcript.

Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin’s own songs via palebirdmusic.com.

Our ad partner is Multitude. To sponsor the show in 2023, contact them at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • NordVPN is offering exclusivelusionist big discounts: grab the deal on this trusty VPN at nordvpn.com/allusionist, and try it risk-free now with a 30-day money-back guarantee.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

There’s been a recurring theme on the show over the years, of filling gaps in language, removing stigma and bias, finding better ways to express ourselves and talk about our feelings and our bodies. Today Kalle Rocklinger, sex educator with RFSU, the National Association for Sexuality Education in Sweden, talks about how and why over the years, the RFSU has come up with and publicised new terms for body parts and sexual acts, and what they would still like to change. This is the first part of the Telling Other Stories series, about renaming things.

Content note: this episode contains discussions of sex and the associated body parts. Towards the end, there’s discussion of consent which includes references to rape (there are no descriptions of acts or anybody’s experiences). I mention when we’re about to arrive at that part of the conversation, so anybody who needs to duck out during that section has some warning.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/debuts, where there's also a transcript.

Join me for the Allusionist's 8th birthday celebration livestream! 14 January 2023, 10-11pm UK time at youtube.com/allusionistshow. There'll be dictionary readings, live Tranquillusionist, and chitchat and camaraderie.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Over the next few weeks, we're watching Great Pottery Throwdown together.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Our ad partner is Multitude. To sponsor the show in 2023, contact them at multitude.productions/ads. This episode is sponsored by:

• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

What do the hippocampus, homophones, Little Women, worrying and egg hacks have in common? They all star in the 2022 parade of Allusionist bonus bits! This year's guests provide some extra fascinating facts, thoughts and feelings: in order of reappearance, Jing Tsu, Morénike Giwa Onaiwu, Tim Clare, Stephanie Foo, Lewis Raven Wallace, Charlotte Lydia Riley, Hannah McGregor, Kristen Meinzer and Jolenta Greenberg.

Content note: there's an allusion to bawdy talk, one category A swear, discussions of mental health, and a brief reference to parental violence. 

Get extra information about the topics in this episode and find the transcript at theallusionist.org/bonus2022. This is the last Allusionist for 2022 but the show will be back mid-January 2023.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community. Tonight, we're watching The Muppet Christmas Carol together!

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Our ad partner is Multitude. To sponsor the show in 2023, contact them at multitude.productions/ads. This episode is sponsored by:

• Wondrium, the online library of lectures, courses, tutorials, documentaries and more. Get 50% off your first three months of Wondrium at wondrium.com/allusionist.• NordVPN is offering exclusivelusionist big discounts: grab the deal on this trusty VPN at nordvpn.com/allusionist, and try it risk-free now with a 30-day money-back guarantee.• Mint Mobile: cut your cellphone bill to a mere $15 a month at mintmobile.com/allusionist.• Catan, the endlessly reconfigurable board game. Shop at catanshop.com/allusionist and get 10% off the original base game CATAN by using the promo code ALLUSIONIST at checkout. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

“I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history," says writer and performer Harry Josie Giles. She and PhD researcher Moll Heaton-Callaway investigate this complicated name with fascinating history. This is the second half of a pair of episodes about the name Fiona; listen to the first episode before this one! theallusionist.org/fiona1.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona2, where there's also a transcript.

Both Josie and I relied heavily on Sharon Krossa's research into the etymology of Fiona; read it at medievalscotland.org/problem/names/fiona.shtml.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

Our ad partner is Multitude. To sponsor the show, contact them at multitude.productions/ads. This episode is sponsored by:

• Wondrium, the online library of lectures, courses, tutorials, documentaries and more. Get 50% off your first three months of Wondrium at wondrium.com/allusionist.• Brilliant.org: short fun interactive lessons in STEM subjects. To get started for free, visit brilliant.org/allusionist. The first 200 of you will get 20% off Brilliant's annual premium subscription. • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a sleek website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. 

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.