We meet living legend DUANE MICHALS (b. 1932, McKeesport, PA) one of the GREATEST photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. For more than 60 years he has pushed photography and art to new dimensions. Without doubt, so many contemporary artists have been inspired by, and have directly referenced, the groundbreaking work of Duane Michals - he has truly shifted the way we think about art forever!!! Duane Michals is an artist who has been much imitated, highly influential and endlessly re-inventive. He celebrated his 91st birthday the week before this episode was recorded, so a big HAPPY BIRTHDAY to Duane!!!

Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’ singular musings, which are poetic, tragic, and humorous, often all at once.

Over the past five decades, Michals’ work has been exhibited in the United States and abroad. The Museum of Modern Art, New York, hosted Michals’ first solo exhibition (1970). In 2019, The Morgan Library and Museum in New York exhibited a career retrospective of Michals' work The Illusions of the Photographer: Duane Michals at the Morgan. More recently, he had one-person shows at the Odakyu Museum, Tokyo (1999), and at the International Center of Photography, New York (2005). In 2008, Michals celebrated his 50th anniversary as a photographer with a retrospective exhibition at the Thessaloniki Museum of Photography, Greece, and the Scavi Scaligeri in Verona, Italy.

Michals's work belongs to numerous permanent collections in the U.S. and abroad, including the Israel Museum, Jerusalem; the J. Paul Getty Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Moderna Museet, Stockholm; the Museum of Modern Art, New York; the National Museum of Modern Art, Kyoto; and the Philadelphia Museum of Art. Michals's archive is housed at the Carnegie Museum of Art, Pittsburgh.

Michals received a BA from the University of Denver in 1953 and worked as a graphic designer until his involvement with photography deepened in the late 1950s. He currently lives and works in New York City, USA.

Follow @TheDuaneMichals on Instagram.

Views more than 50 recent short films at Duane's Vimeo channel: https://vimeo.com/duanemichals

Learn more at DC Gallery: https://www.dcmooregallery.com/artists/duane-michals

Hosted on Acast. See acast.com/privacy for more information.

Paula Siebra is a Brazilian painter born in Fortaleza, Ceará, in 1998. The artist focuses on images related to everyday life and scenes of intimacy using Brazilian northeastern culture as her starting point. Her paintings emerge from the exploration of established themes such as portraits, landscapes and still lifes. These motifs, throughout her research, acquire a peculiar aspect: a certain simplification in the contours, added to a reduction in the contrast between chromatic tones, polarizing reality and reverie – as if the artist were daydreaming about ordinary life.

In addition to following a straightforward continuum from tradition, her paintings relate to an inherent visualness of her native land of Ceará and the Brazilian Northeast as a whole. She is particularly close to with folk art, since her interests encompass the synthetic form of clay objects, laces and other textile works such as crochet and embroidery, as well as the geometric and colorful architectural features of traditional houses. Surrounding villages, household objects and anonymous faces are elements of the landscape in which the artist is immersed, appearing as if clothed by a light mist that covers everything - alternately concealing or revealing them.

Paula Siebra (1998, Fortaleza, Brazil) lives and works in Fortaleza, Brazil).

Follow @Paula_Siebra on Instagram and her gallery @MendesWoodDM

Visit: https://mendeswooddm.com/en/artist/paula-siebra

Hosted on Acast. See acast.com/privacy for more information.

We meet legendary artist MIKE NELSON!!!

Nelson’s installations take the viewer on enthralling journeys into fictive worlds that eerily echo our own.

Constructed with materials scavenged from salvage yards, junk shops, auctions and flea markets, the immersive installations have a startling life-like quality.

Weaving references to science fiction, failed political movements, dark histories and countercultures, they touch on alternative ways of living and thinking: lost belief systems, interrupted histories and cultures that resist inclusion in an increasingly homogenised and globalised world.

Utterly transforming the spaces of the Hayward Gallery, the exhibition features sculptural works and new versions of key large-scale installations, many of which are shown here for the first time since their original presentations.

Nelson represented Great Britain at the 54th Venice Biennale in 2011 and has shown in leading galleries around the world. He has also been featured in numerous international exhibitions, including the 13th Biennale of Sydney, the 8th Istanbul Biennial and the 13th Lyon Biennale.

Follow @HaywardGallery

Visit Mike's major solo exhibition EXTINCTION BECKONS at Hayward Gallery, runs until 7th May 2023: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/mike-nelson-extinction-beckons

Hosted on Acast. See acast.com/privacy for more information.

We meet Péjú Oshin, a British-Nigerian curator, writer and lecturer born and raised in London. Her work sits at the intersection of art, style & culture with a keen interest in liminal theory and diasporic narratives. Core to her practice is working with visual artists, brands and people globally.

Since starting her career working in arts & culture in 2015, Péjú has worked broadly in engaging audiences through public programming, exhibitions, and outdoor art projects in a number of cultural spaces and institutions with a history of supporting artists at various stages of their careers. Péjú is the curator of the forthcoming Gagosain exhibition Rites of Passage which brings together nineteen artists with shared histories of migration.

Her previous work and projects include managing the delivery of the Workshop Artists in Residence programme, curating live performance Stillness: We Invoke the Black to Rest (2020), Beyond Boundaries (2021), Late at Tate Britain: Life Between Islands (2021), Late at Tate Britain: Hew Locke (2022) and in-person and online programming at Tate. Leading Barbican’s first Young Curators Group (2019-2020) and delivering a number of public-facing events at Wellcome Collection in response to exhibitions such as Living with Buildings and Being Human.

As a writer, Péjú has written texts for artists which have been used in exhibitions and solo presentations of artists internationally. She has also been commissioned to write for various platforms and published her first collection of poetry and prose Between Words & Space (2021) which explores performativity, a fear of vulnerability both in public and private spheres and relationships in their varying complexities through the nuances of culture, liminality and where we find home.

In 2021 Péjú was shortlisted for the Forbes 30 Under 30 Europe list in the Arts & Culture category and nominated and selected for one of fifteen memberships to AWITA sponsored by Martin Millers Gin, the Adara Foundation and Hauser & Wirth (2021).

Péjú currently works at @Gagosian as Associate Director (2022 - present), is an Associate Lecturer at Central Saint Martins. She previously worked at Tate (2018-2022) most recently as Curator: Young People’s Programmes.

Follow @PejuOshin on Instagram

Visit: www.pejuoshin.com and https://gagosian.com/exhibitions/2023/rites-of-passage/

Hosted on Acast. See acast.com/privacy for more information.

Welcome to this very special edition of Talk Art brought to you by "The Recharge in Nature Project", a three-year collaboration between National Parks UK and BMW. Our guest for today is the extremely talented Hannah Lees, a Margate-based artist whose art is deeply influenced by the beauty of nature, its landscapes, discarded treasures and sustainability.

Hannah's artistic vision aligns seamlessly with The Recharge in Nature Project's mission, which aims to promote nature restoration, biodiversity, wellbeing, and accessibility. This initiative seeks to improve the electric vehicle charging infrastructure in and around our National Parks, making it more convenient for visitors to use an electric car while exploring the great outdoors. In this episode we delve into Hannah's work, her personal background, and the inspiration behind her creations.

Hannah Lees’ work encompasses painting, drawing, sculpture, installation, textiles, ceramics, internet art, performance, writing, sound and video.

Lees investigates ideas of cycles: constancy and mortality; the sense that things come to an end and the potential for new beginnings.

This constancy, be it in religion, science, history or in organic matter, is visible in her practice through her attempts to make sense of and recognise traces of life.

Through appreciating this, her work is focused towards an understanding of the essential nature of the materials she uses.

Visit: https://www.hannahlees.com/

Follows @hannahjlees

Hannah Lees' solo show 'Not now not anymore' opens at Roland Ross, 11.03.23 - 29.05.23

Preview: 11.03.23 2-5pm Follow: @rolyross

To discover more about the Recharge in Nature Project, visit bmw.co.uk/NationalParks

"...Not really now, not anymore... For what does the phrase point to 

if not a fatal temporality? No now, not any more, not really. Does this 

mean that the present has eroded, disappeared - no now any more?

Are we in the time of the always-already, where the future has been 

written; in which case it is not the future not really"

p91, Mark Fisher "The Weird And The Eerie" 2016 Pub. Repeater Books, London, UK

Please join us for the opening of Not Now Not Anymore at 174-176 

Hither Green Lane where Hannah Lees will present a series of new 

tablet works that combine beach combed objects with the elements of 

mica dust and rust converted iron powder, to create a kind of alchemy, 

embedded in plaster forms that are reminiscent of ancient artefacts. 

The works alternate between exploring circularity and linearity, 

at times following a process by which objects are permanently 

transformed and reactivated as painterly abstractions.

Roland Ross | 174-176 Hither Green Lane, London SE13 6QB

By appointment only Fri-Sat 12-4pm

Hosted on Acast. See acast.com/privacy for more information.

Talk Art EXCLUSIVE! We meet Hollywood icon SHARON STONE!!! In this feature length special episode, we discover Sharon's obsession with painting, her current debut solo exhibition 'Shedding' at Allouche Gallery in Los Angeles and her lifelong passion for art. We learn about her journey collecting art, her close friendships with artists including Robert Rauschenberg and her love of museums. But most of all, we reveal Sharon’s LOVE for MARGATE, Turner and @turnercontemporary!!!!!

Stone has a diverse range of creative projects - writing, producing, acting, activism and painting. Sharon Stone’s paintings are predominately abstract, meditative landscapes. Yet occasionally figurative elements appear within her colourful abstractions. Dream worlds, nostalgia, imagined landscapes, views of idyllic nature. Motifs recur including an ominous moon. 

Sharon Stone is best known for her acting roles in Basic Instinct, Casino, Total Recall, The Specialist, Catwoman and more recently Ryan Murphy's Ratched. She is the recipient of various accolades including an Emmy Award, a Golden Globe Award, and an Academy Award nomination. She received a star on the Hollywood Walk of Fame in 1995 and was named Officer of the Order of Arts and Letters in France in 2005 (Commander in 2021). She has been honoured with a Nobel Peace Summit Award, a Harvard Humanitarian Award, a Human Rights Campaign Humanitarian Award and an Einstein Spirit Award. She currently lives in Los Angeles with her family.

Follow @SharonStone

Visit @AlloucheGallery and https://allouchegallery.com/exhibitions-la

Sharon Stone 'Shedding' runs until 31st March at Allouche Gallery, Los Angeles.

Read Sharon's extraordinary memoir 'The Beauty of Living Twice', published by Allen & Unwin. Order from Waterstone's in UK.

Hosted on Acast. See acast.com/privacy for more information.

Talk Art special episode!! We meet awesome artist RYCA to explore his new collaboration with Stella Artois Unfiltered to reimagine an iconic pub sign as a nude artwork to raise awareness and support for pubs struggling with rising energy bills!!!

RYCA is one of 11 contemporary artists who’s original artworks will be sold at online auction, with all profits going to Hospitality Action.

'The Pub Renaissance', a new art collection curated by Stella Artois, features work from renowned artists including Reuben Dangoor and Heath Kane.

The campaign is in direct response to the threat facing pubs across the country. Amid the cost of living crisis, many are struggling to pay their bills as energy prices continue to skyrocket - latest data from charity, Hospitality Action, has revealed applications for financial support are up by almost a third (29 per cent) on the previous year.

The nude signs are available for online auction for a limited time only at The Auction Collective. All profits will be donated to Hospitality Action to assist pubs with rising energy bills and Stella Artois will match funds raised, up to £50,000.

Inspired by the recent launch of Stella Artois Unfiltered, the eleven-piece collection celebrates the beauty of living life 'au naturel' - just like the naturally unfiltered beer itself.

The cheeky series includes ‘The Cricketers’ reimagined by Reuben Dangoor to star a batsman with a strategically placed bat, a new view of 'Queen Victoria' by Samuel Rees-Price, and a brand-new portrait of HRH King Charles for 'The Kings Head' by Heath Kane. Spanning a variety of signs from across the UK, the full collection includes:

● Reuben Dangoor x The Cricketers

● Bernadette Timko x Duke of Wellington

● Emma Wesley x The Bricklayers Arms

● Becki Gill x Britannia

● Samuel Rees Price x Queen Victoria  

● Alice Tye x The Plough

● Mattia Guarnera x Horse & Jockey

● Natasha Klutch x George & Dragon

● RYCA x Robin Hood

● Enigma x The Cannon

● Heath Kane x King’s Head

The original works will be sold via The Auction Collective, with online auction closing on 5th April. 

So... Buy nude art. Help pubs.

Follow

@RYCA_Artist #StellaPubSigns #ad #RYCA

Learn more by visiting

@StellaArtoisUK

Ryan Callanan (a.k.a. RYCA, born 1981) draws on his disparate experiences in 3D design, commercial printing, and street art to make paintings, prints, hand-etched signs, and sculptures that riff on pop culture. Common themes include Star Wars, 1980s acid house culture, song lyrics, and art historical figures such as Johannes Vermeer and Andy Warhol. RYCA has exhibited extensively in London and has had shows in Brighton, New York, Miami, and Hong Kong.

Hosted on Acast. See acast.com/privacy for more information.

We meet Arthur Lambert from the Estate of artist LARRY STANTON (1947-1984).

Larry Stanton was a Manhattan-based portrait artist whose work was championed by David Hockney, Henry Geldzahler, Ellsworth Kelly and others. He was a gay man who lived in Greenwich Village in New York City. Stanton produced a significant body of work—mostly drawings and paintings—in the four years leading up to his death from AIDS-related complications. Stanton drew portraits of the young men he slept with, as well as his friends and family. Many of Stanton’s subjects were other gay men who died in the 80s from AIDS, and his brightly colored faces sketched quickly in crayon and colored pencil stand as an archive of lives lost. Lambert inherited all of Stanton’s work after he died.

We discuss the new book, edited by Italian theatre director Fabio Cherstich and Stanton's lover Arthur Lambert titled Larry Stanton: Think of Me When It Thunders. A tribute to yet another artist that died before they could leave their mark and is the definitive publication on Stanton’s art and life to date. It includes 139 artworks, many of them portraits of the boys he met on nightly outings, as well as friends and family and a large collection of self- portraits, plus previously unpublished archive imagery of Stanton’s circle. With texts by Cherstich, Lambert, Hockney, Geldzahler, and more, it’s part artbook, part personal history, a round-up of the faces and names that formed Stanton’s world.

Since meeting Cherstich, the two have founded the Estate of Larry Stanton to bring renewed attention to Stanton’s art. A collection was recently on display at Daniel Cooney Gallery, while Acne Studios has presented an exhibition of works and objects featuring Stanton’s drawings in Milan, Seoul, Tokyo and New York in Feb 2023.

‘The portraitist is an observer of people; his attitudes and feelings will be reflected in his observations, and usually the interest in personality makes one study faces. Other aspects of personality show in the body—posture, ways of moving, etc.—but most is revealed in the face. People make their own faces, and Larry knew this instinctively’.

—David Hockney

'Larry Stanton lived and painted in Manhattan until he died of AIDS at the age of 37. In Greenwich Village, he was a familiar sight, starting his practice every day in the early afternoon, drinking coffee at the same spot while balancing his sketchbook and drawing someone who caught his eye. His studio developed into a gathering place for artists and writers and they became subjects for his portraits.

In the late '70s and early '80s, NYC was a magnet for boys who were escaping from homes and places where being gay was not accepted. Many of these boys became models for Larry. His work provides a telling picture of faces from a segment of NYC life which shortly disappeared with the advent of AIDS, an epidemic that annihilated so many of these faces, including Larry's own.' Text by Visual AIDS.

Follow @Larry_Stanton_Art, @DanielCooneyFineArt and @ApalazzoGallery

View the Acne Studios recent collaboration: https://www.acnestudios.com/eu/en/man/larry-stanton/

Hosted on Acast. See acast.com/privacy for more information.

We meet painter KATY MORAN to discuss More Me, the artist's first presentation in Australia to date, showcasing her signature style of painting that defies and dispels traditional genres of landscape, portraiture or still life, instead, existing as free, gestural explorations of colour and line.

Moran’s practice hovers in a productive space between figuration and abstraction. She paints over canvases found in flea markets and charity shops, blurring the found images beneath her layers of paint, evoking a deliberate sense of nostalgia and longing, as if unravelling a distant memory.

Katy Moran’s paintings reflect a responsive working process: shifting or rotating the canvas while painting, reworking textures, and reconsidering the shapes and figures that emerge. With this approach to painting along with the inclusion of collage, often partially obscured, her work conveys a deliberate tension between materiality and subject. Moran creates a dynamic push and pull between the addition and the removal of paint; some works exhibit thick application of paint, while in others the painterly gesture is removed with rags dipped in varnish or even by sanding. Via the oscillation between representation and abstraction, composition and narrative, texture and space, Moran engages thought and sense simultaneously.

Follow @KatyMoran123 on Instagram and visit her gallery Modern Art: https://modernart.net/artists/katy-moran

Katy Moran's new exhibition More Me is now open and runs until 1st April at Station, Melbourne, Australia.

Visit https://stationgallery.com

Katy Moran lives and works in Hertfordshire. She was born in Manchester in 1975 and completed an MA Fine Art in painting at the Royal College of Art, London in 2005. Moran’s work has been the subject of solo exhibitions at Parasol Unit for Contemporary Art, London (2015); the Douglas Hyde Gallery, Dublin (2013); Wexner Center for the Arts, Columbus (2010); Tate St. Ives (2009); and Middlesbrough Institute of Modern Art, UK (2008). Her work has been featured in group exhibitions at Tate St. Ives (2018); Aspen Art Museum (2015); Walker Art Center, Minneapolis (2013); SFMOMA (2012); and Tate Britain, London (2008). Her work is included in important public and private collections including Arts Council Collection, London; David Roberts Art Foundation; Government Art Collection, London; The Rachofsky Collection, Dallas; Royal College of Art, London; Tate; SFMOMA; and Walker Art Center; Yale Center for British Art, New Haven; and Zabludowicz Collection.

Hosted on Acast. See acast.com/privacy for more information.

SEASON 16!!! We meet LEGENDARY artist Nicolas Party!!!! We discuss his major new solo show Cascade, Nicolas Party’s third exhibition with Xavier Hufkens. A stunning group of new works, including pastels, cabinets and oil-on-copper paintings. Large tripartite pastels and smaller cabinet paintings point to a new trajectory, both formal and technical, that has opened up in his practice. Mastering the all but forgotten art of painting on copper, Party’s paintings are as luminous as their historical counterparts. A group of single arched pastels and oil-on-copper paintings echo the shape of the cabinet’s central panels.

Born in Lausanne in 1980, Party is a figurative painter who has achieved critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes that simultaneously celebrate and challenge conventions of representational painting. His works are primarily created in soft pastel, an idiosyncratic choice of medium in the 21st-century, and one that allows for exceptional degrees of intensity and fluidity in his depictions of objects both natural and manmade. Transforming these objects into abstracted, biomorphic shapes, Party suggests deeper connections and meanings. His unique visual language has coalesced in a universe of fantastical characters and motifs where perspective is heightened and skewed to uncanny effect.

In addition to paintings, Party creates public murals, pietra dura, ceramics, installation works, and sculptures, including painted busts and body parts that allude to the famous fragments of ancient Greece and Rome. His brightly-colored androgynous figures vary in scale from the handheld to the monumental, and are displayed on tromp l’oeil marble plinths of differing heights that upend conventional perspective. Party’s early interest in graffiti and murals—his projects in this arena have included major commissions for the Dallas Museum of Art and the Hammer Museum in Los Angeles—has led to a particular approach to the installation and presentation of his work. He routinely deploys color and makes architectural interventions in exhibition spaces in order to construct enveloping experiences for the viewer.

The artist’s childhood in Switzerland imprinted upon him an early fascination with landscape and the natural world, and the influence of his native country places Party firmly within the trajectory of central European landscape painting. Points of reference in his work include celebrated 19th-century Swiss artists Félix Vallotton, Ferdinand Hodler, and to Hans Emmenegger. One can also find within his works a 21st-century synthesis of the sorts of impulses and ideas that fueled the Renaissance and late 19th-century, early 20th-century figurative painting, the compositional strategies of Rosalba Carriera and Rachel Ruysch, and the visions of such self-taught artists as Louis Eilshemius and Milton Avery.

Based in New York, Party studied at the Lausanne School of Art in Switzerland before receiving his MFA from Glasgow School of Art in Scotland.

Follow @NicolasParty on Instagram and @XavierHufkens

View his new exhibition at https://www.xavierhufkens.com/exhibitions/nicolas-party

Hosted on Acast. See acast.com/privacy for more information.