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Submit ReviewThe Belgian collector, Alain Servais, started collecting art in the late 1990s. With a strong focus on emerging artists, Alain has built up a significant contemporary art collection which is highly versatile and forward-looking. Alain is also among the first to collect digital art and support young artists by offering residency program in his loft in Brussels where he keeps his collection. One of the most committed and passionate collectors today, Alain spends most of his leisure time visiting museums, biennials, galleries and art fairs, and sharing his insights in the art with his twitter fans.
Interview with Alain Servais recorded by Michael Dooney on 7. July 2022 during the opening week of Les Rencontres de la photographie, Arles, France.
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Full episode transcript (online soon)
Narda van ‘t Veer, gallerist, photography collector and agent. In 1977 Narda van 't Veer stumbled upon the work of Guy Bourdin. Her love for photography was born and a few years later she graduated from her studies in marketing & economics at HTS, after which she founded an advertising agency specialised in fashion campaigns. Through her work as an art director she meets a variety of photographers and in 1988 she decides to start her own agency, Unit C.M.A. Today she represents national and international creatives working in the field of photography, illustration and film.
In her thirty years as an agent van 't Veer also comes across a lot of art photography and many photobooks. This sparks the start of her own collection which features work by Helmut Newton and Collier Schorr among others. Next to that her extensive knowledge of and many connections in the field of photography lead to various projects like realising various photobooks. In 2012 van 't Veer starts her own gallery in collaboration with Jasper Bode. Via The Ravestijn Gallery she represents photographers like Inez & Vinoodh, Patrick Waterhouse and Michael Bailey-Gate
Interview with Narda van ‘t Veer recorded by Michael Dooney on 6. July 2022 at L'Arlatan (Hôtel à Arles) in Arles, France.
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Full episode transcript (online soon)
Marc Barbey, Collector and Founder of Collection Regard, Berlin. Collection Regard is the photographic collection of Marc Barbey focusing on German photography, especially photography related to Berlin. Marc Barbey is administering the estate of Hein Gorny (1904-1967). Acting as an archive as well as an exhibition space, publishing house and gallery, Collection Regard deliberately takes a position between museum and gallery. The aim is to show largely unknown photographic works which deserve attention in a curated context. Publications and art events in form of Salons Photographiques accompany the exhibitions that are also sent on tour. Marc Barbey (*1971) grew up in Paris and studied international business at the Grande École (ESSCA) in Angers, France, and the Heriott Watt University in Edinburgh, Scotland. The international businessman has been active in sales and business developments positions in the metal industry as well as the software business. In 2003 he moved to Berlin and founded a family. Berlin is the birthplace of his private collection and since 2016 he dedicates himself completely to the development of the different activities of Collection Regard.
Interview with Marc Barbey recorded by Michael Dooney on 5. July 2022 at the Manuel Rivera-Ortiz Foundation in Arles, France.
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Christophe Guye was the owner and managing director of a communications agency in Zurich for 15 years, which was taken over by an international agency network in 2004. Since 2006 he has worked as a gallery owner and art dealer for contemporary photography. In the same year, he opened his gallery – formerly SCALO|GUYE Gallery – in Los Angeles, which has been based in Zurich since 2010 under the name Christophe Guye Galerie and represents numerous nationally and internationally renowned artists who have expanded the medium of photography in a broader sense context of contemporary art. During this time he has organized over a hundred exhibitions in cultural institutions, museums and partner galleries in Switzerland and abroad. The gallery is also represented at international art fairs such as Paris Photo, Photo London, Unseen Amsterdam and Photo Shanghai. In addition, he advises numerous private art collectors and institutional collections on the development and expansion of their collections. Since 2021, Christophe Guye has also been a guest lecturer at the teaching and research center for the theory and history of photography at the University of Zurich.
Interview with Christophe Guye recorded by Michael Dooney on 1. July 2022 at Christophe Guye Galerie, Zurich, CH.
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Georgina Adam is a journalist and author who has been writing about the interactions of art and finance since the 1980’s. From 2000 until 2008 she was the Art Market Editor of The Art Newspaper where she is currently the Editor-at-Large. She is a contributor to the Financial Times Life & Arts Section, and lectures at Sotheby’s and Christie’s institutes in London. Georgina initially studied Islamic Art at the Ecole du Louvre and also lived for five years in Japan. She is the author of three books about the art market – Big Bucks: The Explosion of the Art Market in the 21st Century (Lund Humphries, 2014), Dark Side of the Boom: The Excesses of the Art Market in the 21st Century (Lund Humphries, 2018); and most recently The Rise and Rise of The Private Museum (2021). She is membership chair of Cromwell Place in London, and a member of the International Association of Art Critics (AICA) and The International Art Market Studies Association (TIAMSA).
Interview with Georgina Adam recorded by Michael Dooney on 4. November 2021 in London, UK.
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Dr. Susan Bright is an Australian/British curator currently based in London. She has a specialisation in lens-based arts and contemporary visual culture with an emphasis on cross-disciplinary and international programming. She was a curator at the National Portrait Gallery in London before deciding to work independently in the early 2000s. Her professional life has brought her to live in London, New York and Paris where she has worked with many institutions on a wide range of projects. These include: Tate, Barbican, The Royal Academy, The Museum of Contemporary Photography in Chicago, Saint Louis Museum of Art, Phoenix Art Museum, and The New York Public Library. In 2007 she co-curated the landmark exhibition How We Are at Tate Britain. This was the first major exhibition of British photography ever held at Tate. In the same year she curated of-fashion.php">Face of Fashion at the National Portrait Gallery, London. Other significant exhibitions include: Home Truths at The Photographers’ Gallery and The Foundling Museum, London (2014) and Playground at Serlachius Museum, Finland (2018). Her survey exhibition Feast for the Eyes toured to six major museums and galleries in Europe, Canada and the USA (2018-2021). In 2019 she was Guest Curator at PHotoESPAÑA. Exhibitions were held at Fernán Gómez Centro Cultural de la Villa, Museo Lázaro Galdiano and the Museo del Romanticismo in Madrid. In 2021 she was co-curator of stop-leipzig.de/en/hauptausstellung-eroeffnung/">f/stop 9: Festival für Fotografie in Leipzig. Bright is regularly invited to be a visiting speaker, critic and scholar at universities worldwide. She taught curatorial practice and visual culture to both art and art history students for fifteen years at institutions including Parsons and the School of Visual Arts in New York and Sotheby’s Institute and University of the Arts, London. She has authored and co-authored seven books. These include: Photography Decoded (Tate/Ilex, 2019); Feast for the Eyes: The Story of Food in Photography (Aperture, 2017); Home Truths: Photography and Motherhood (Art/Books, 2013); Auto Focus: The Self-Portrait in Contemporary Photography (Thames & Hudson, 2010); How We Are: Photographing Britain (Tate, 2007); of-fashion.php">Face of Fashion (National Portrait Gallery, 2007) and Art Photography Now (Thames & Hudson, 2005). Bright holds a PhD in Curating from Goldsmiths, University of London.
Interview with Susan Bright recorded by Michael Dooney on 3. November 2021 in London, UK.
Portrait photo supplied by interviewee
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Michael Barnett is the art features writer for media.com/">STATE-F22 magazine and special projects lead at space.london/">Arts Bermondsey Project Space Gallery SE1. Cultural live interviewer for private views and events. Salon organiser for ARTPARTY & KARMA BASEMENT. Radio & TV work and Curator Exhibitions at Sea Spirit of Discovery Saga.
Interview with Michael Barnett recorded by Michael Dooney on 2. November 2021 in London, UK.
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Kerem Asfuroglu is a lighting designer, graphic artist and the founder of Dark Source - a lighting design studio driven by social and environmental values.
Following his graduation from Wismar University - Architectural Lighting Design MA in 2010, Asfuroglu has worked at Speirs+Major as a senior member of the creative team for almost 8 years. He worked on a diverse range of projects which include Battersea Power Station and Covent Garden Masterplans, Shakespeare's New Place, Medius House and City Point.
He won several awards including Red Dot, Vox Juventa, PLDC, LAMP and Future of Urban Lighting. He was awarded with the title of Dark Sky Defender by the IDA in 2017 for his works advocating the importance of darkness. He currently works on the Presteigne Dark Sky Masterplan in Wales. His graphic art has been commissioned by Penguin Random House, British Astronomical Association and published in Arc Magazine since 2013.
Interview with Kerem Asfuroglu recorded by Michael Dooney on 2. November 2021 in Hyde Park, London.
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Saul Robbins is interested in the ways people interact within their surroundings and the psychological dynamics of intimacy. His photographs are motivated by observations of human behaviour and personal experience, especially those related to loss, unity, failure, and the latent potential residing in traditional photographic materials and personal history. Robbins is best known for “Initial Intake”, which examines the empty chairs of Manhattan-based psychotherapy professionals from their clients’ perspective; “How Can I Help? – An Artful Dialogue”, a pop-up office into which he invites strangers to speak with him about anything they wish for free and in complete confidence. Robbins is also the father of a young boy and since 2012 has created several series of abstract “photographic drawings” and sculptures made from physically altered chromogenic paper and chemistry in response to his desire and struggles to start a family, including: “Where’s My Happy Ending?;” “Chemical Peels;” “Fertile Gestures;” and a new series of traditional photographs.
Exhibitions include The Bolinas Museum, Blue Sky Gallery, Busters, Deutsche Haus at NYU, chashama (Windows Installation), Griffin Museum, Humble Arts, ICP, KOLGA TBILISI PHOTO, Lilac Arts, MASQUELIBROS Artist Book Fair, Lilac Arts, Massachusetts General Hospital, MICA, Museum of Fine Arts – Houston, New Orleans Photo Alliance, Ost Gallery, Moscow, Pelican Bomb, Portland Art Museum, The Educational Alliance, Philoctetes Center, Skirball Center, Mark Woolley Gallery, White Gallery (PSU), and others. His photographs have been published in Aufbau, Berlin Tagesspiegel, CPW Quarterly, D - La Repubblica, Dummy, More, The New York Times, Real Simple, TAM, and Wired, among others.
Grants and awards include The Covenant Foundation Ignition Grant, Sony World Photography Awards (Finalist), U.S. Embassy, Tblisi, GE, AJPA Rockower, Gunk Foundation, and New York Foundation for the Arts. Curatorial projects include Intervening Histories, OFF_Festival, Bratislava (2015), Projecting Freedom: Cinematic Interpretations of the Haggadah (2010), Regarding Intimacy (2007), and No Live Girls, Peep Show 28 (2002). Robbins was awarded a NICA Stipendium from Berlin's Hoch Schule der Kunste in 1998, and received his MFA from Hunter College (CUNY) in 1999, where he studied with Roy DeCarava, Mark Feldstein, Juan Sanchez, and Thomas Weaver. He teaches photography in New York City and has been leading Master Workshops internationally, helping photographers and artists to incorporate communication and professional development strategies into their creative practice.
Interview with Saul Robbins recorded by Michael Dooney on 14. May 2021 between Berlin and New York via Squadcast.
Portrait photo by Matthew J. Bernuca
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Jessica Backhaus was born in Cuxhaven, Germany in 1970 and grew up in an artistic family. At the age of sixteen, she moved to Paris, where she later studied photography and visual communications. Here she met freund.com/">Gisele Freund in 1992, who became her mentor. In 1995 her passion for photography drew her to New York, where she assisted photographers, pursued her own projects and lived until 2009.
Jessica Backhaus is regarded as one of the most distinguished voices in contemporary photography in Germany today. Her work has been shown in numerous solo and group exhibitions, including the National Portrait Gallery, London, and the Martin-Gropius-Bau, Berlin, MARTa Herford and the Kunsthalle Erfurt. To date, she has ten publications to her name; Jesus and the Cherries, 2005, What Still Remains, 2008, One Day in November, 2008, I Wanted to See the World, 2010, One day – 10 photographers, 2010, Once, still and forever, 2012, Six degrees of freedom, 2015, A TRILOGY, 2017, Far away but close, 2019 and Cut Outs, 2021. All books are published by Kehrer Verlag, Heidelberg except Far away but close that was published by Another Place Press, Scotland.Her work is also featured in the book: Women Photographers by Boris Friedewald (Prestel Verlag 2014 and 2018).
Her photographs are in many prominent art collections including Taunus Sparkasse, Germany, Art Collection Deutsche Börse, Germany, ING Art Collection, Belgium, Collection of the Museum of Fine Arts, Houston, USA and the Margulies Collection, Miami, USA.
Jessica Backhaus is represented by Robert Morat Galerie in Berlin, Galerie Anja Knoess in Cologne, Petra Becker/ International Art Bridge in Meggen, Robert Klein Gallery in Boston, Bridgette Mayer Gallery in Philadelphia, MiCamera Gallery in Milan, ac.com">Carlos Carvalho ARTE CONTEMPORÂNEA in Lisbon and Wouter van Leeuwen Gallery in Amsterdam.
Interview with Jessica Backhaus recorded by Michael Dooney on 21. May 2021 in Prenzlauer Berg, Berlin.
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Valerie von Meiss is the founder of The Curve a private project space and nomadic gallery in Berlin which has a focus on contemporary collage.
the Curve is a private art space and nomadic gallery exclusively dedicated to the exhibition and promotion of contemporary collage art. Young emerging as well as established artists are given a platform here. Founded 2017 in the hallway of a private apartment in Berlin Mitte, the Curve regularly takes over pop-up spaces and believes in collaborations beyond the traditional gallery landscape.
Interview with Valerie von Meiss recorded by Michael Dooney on 11. June 2021 at The Curve, Berlin.
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Elena Feijoo is the founder and managing director of the Berlin based art gallery Exgirlfriend EGF UG & the non-profit art studio building/art service provider Human Esthetic Resources HER gUG.
Exgirlfriend is a contemporary art gallery showcasing experimental works from emerging artists, and HER is a studio complex and non-profit art service provider. Elena Feijoo is the majority shareholder of both businesses and currently manages all aspects of their daily operations.
Interview with Elena Feijoo recorded by Michael Dooney on 18. May 2021 in Friedrichshain, Berlin.
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Gallerist Pierre-André Podbielski, the founder of Podbielski Contemporary, describes himself a citizen of the world.
Of Polish and German descent (father was Prussian raised in Berlin, mother Polish raised in Vienna), born in Geneva and bearing an Australian passport, he is fluent in English, French, German and Italian.
A qualified architect (Ecole des Beaux Arts in Paris), a passionate collector, he has become an art dealer and an active partner of Galleria Rubin from 2001 to 2009 - his main area of expertise was abstract painting, photography and site specific commissions.
His participation in numerous fairs (Art Cologne, Artefiera Bologna, Miart, Preview Berlin, Scope Miami) has allowed him to establish a qualified network of contacts among artists, galleries, curators and collectors. In order to best consolidate such acquired experience and face new challenges, he has launched Podbielski Contemporary in Summer 2011 in Berlin.
Interview with Pierre-André Podbielski recorded by Michael Dooney on 9. May 2021 between Berlin and Milan via Squadcast.
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Anne Schwanz co-founded OFFICE IMPART together with Johanna Neuschäffer in 2018. She studied art and art history at Caspar David Friedrich Institute, Greifswald University and after graduating in 2004 worked at Galerie EIGEN + ART until 2018.
OFFICE IMPART is a gallery, but one that hardly corresponds to the standard definition of a gallery. One of the many impacts of the digital age that is key to the presentation of art is a new understanding of space as a multidimensional structure that can be linked in all directions. (read more)
Interview with Anne Schwanz recorded by Michael Dooney on 23. November 2020 at OFFICE IMPART Berlin.
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Felix Hoffmann, has been the chief curator of the C/O Berlin Foundation since 2005. He studied art history and cultural studies in Vienna and Berlin and worked at the Photo Museum in Munich, the Kupferstich-Kabinett Dresden and the Museum Folkwang in Essen.
C/O Berlin is a charitable foundation that presents a cultural program with an international standing. The exhibition venue for photography and visual media shows works by renowned artists, promotes emerging talents and accompanies children, teenagers and adults on their journeys of discovery through our visual culture.
Interview with Felix Hoffmann recorded by Michael Dooney on 10. November 2020 at C/O Berlin.
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYNina Ross is a Melbourne based artist working predominantly with video, performance and photography. Her research led practice draws on individual experiences to interrogate the use of visual and textual language within political and personal spheres. Using the body, her work speaks to current global issues, while giving a voice to personal narratives and concerns. Beyond her personal work, Nina engages in various collaborative practices including co-founding Artists’ Committee (2017) and Artists’ Subcommittee (2018).
In 2013 Nina received a Master of Fine Art (Research) with first class honours from Monash University in Melbourne, supervised by Peta Clancy. Nina’s thesis received the Vice-Chancellor’s Commendation for Master’s Thesis Excellence Award. Previous to this Nina obtained a BA (Fine Art Photography) Honours in 2006 and a BA (Media Arts) in 2004 from RMIT University.
Nina has lectured sessionally in photography, art theory, conceptual development and professional practice at various universities including Photography Studies College and RMIT University (School of Media and Communication) in Melbourne.
Since 2014 Nina has worked with a group of Melbourne based artists called Art/Parents. Together they explore the experiences of artists who are also parents.
Interview with Nina Ross recorded by Michael Dooney on 30. August 2020 with Squadcast.fm between Berlin, Germany and Melbourne, Australia.
Portrait photo by Hannah Reich
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYMaya Anner is a curator working in Tel-Aviv, and currently serves as the Chief Curator of PHOTO IS:RAEL, the International Photography Festival in Tel-Aviv. She was the Arts Manager at the British Council Tel-Aviv, the curator and art director at ArtLink and has worked at the Photography department at the MoMA and at Tel-Aviv Museum of Art.
Maya holds an MA in Art History and a Diploma in Curatorial and Museum Studies from the Tel-Aviv University. Maya serves as a juror in various awards and festivals, recent ones include Photo Espana, Odesa Photo Days, Photo Lucida and Fresh Paint Contemporary Art Fair.
Interview with Maya Anner recorded by Michael Dooney on 7. November 2020 with Squadcast.fm between Berlin, Germany and Tel-Aviv, Israel.
Portrait photo by Daniel Tchetchik
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYThe group exhibition Zero Waste showcases international positions in contemporary art that point out the urgency to save resources, consume less, and live more sustainably. In diverse installations, videos, sculptural works, and photographs the artists investigate the global consequences of plastic packaging, tire abrasion, toxic chemicals, and the overproduction of consumer goods. Zero Waste will be realised by the German Environment Agency in cooperation with the MdbK and curated by Hannah Beck-Mannagetta and Lena Fließbach.
The exhibition catalogue, published by the Museum of Fine Arts Leipzig (MdbK) and the German Environment Agency, contains essays by Hannah Beck-Mannagetta and Lena Fließbach, Sven Bergmann and Yusif Idies, Martin Ittershagen and Fotini Mavromati such as Minimal Mimi. The catalogue (130 pages, colour pictures) is available now from the museums pay desk at the price of 12 € and online from Do You Read Me. 100% of the proceeds from the catalogue will go to the tree-planting project by artist Andreas Greiner, with the aim of offsetting the CO2 footprint in the exhibition. The first field maple is planted in January, 2020 in Gohlis. A sponsorship of the "Aktion Baumstarke Stadt" of the city of Leipzig costs 250 € per tree.
Interviews for ZERO WASTE with Lena Fließbach & Hannah Beck-Mannagetta, Erik Sturm, Wolf von Kries, Jeanette Stoschek, and Bianca Kennedy & The Swan Collective recorded by Michael Dooney on 24. June 2020 at the Museum der bildenden Künste, Leipzig Germany.
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYÁngel Luis González is the director of PhotoIreland, an independent organisation dedicated to stimulating a critical dialogue around Photography in Ireland and to internationally promoting the work of Irish-based artists. He won the David Manley Entrepreneur Award in 2011 for the PhotoIreland Festival project. In 2011, he launched ‘The Library Project’, a public resource library of photobooks, holding in excess of 3000 items from more than 300 publishers worldwide.
The Library Project also gives name to Ireland’s Art Bookshop, a unique space in Dublin’s city centre, offering the photobook collection, an eclectic bookshop, and a productive gallery programme. He has been a portfolio reviewer at events such as Les Rencontres d’Arles, Format Derby, PhotoEspaña, and The Triennial of Photography Hamburg. He is responsible for books such as Martin Parr’s Best Books of the Decade, New Irish Works, and the ongoing TLP Editions. He contributed to Landskrona Foto 2016, focused on Photography in Ireland, and he is an invited lecturer at university programmes, such as the Fine Art Photography Master at IED Madrid.
In 2019, he launched the public-facing project entitled ‘The Museum of Contemporary Photography of Ireland’ with its first instalment running 1-31 July as a 2000 m2 exhibition space, enquiring about Museums and Photography. The project will run every year during July as part of PhotoIreland Festival, until it becomes a fully fledged museum space. More recently, he developed OVER Journal, a new critical journal of Photography and Visual Culture for the 21st century, which was launched during PhotoIreland Festival 2020.
Interview with Ángel Luis González recorded by Michael Dooney on 31. July 2020 with Squadcast.fm between Berlin, Germany and Dublin, Ireland.
Portrait photo by Matthew Thompson
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYDr. Harriet Roth studied Medieval History, Modern History, and Art History. She obtained her doctorate in art history in 1996 with a thesis on the Origins of Museums in the 16th Century under the supervision of Horst Bredekamp, at the Humboldt University in Berlin. Her various publications deal with museum history and the architecture of Richard Neutra. Since 2019 Harriet has been the curator of the Wochenende der Moderne project for the Bezirksamt Steglitz-Zehlendorf of Berlin, Office for Further Education and Culture.
Interview with Dr. Harriet Roth recorded by Michael Dooney on 10. June 2020 at Onkel-Tom-Straße 87, 14169 Berlin, Germany.
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYDorothee Bienert is the director of Galerie im Körnerpark and Galerie im Saalbau, Berlin Neukölln. Together with Kati Kivinen, director of Museum for Contemporary Art Kiasma Helsinki, Dorothee curated the exhibition Fragile Times. Supported by the Finnland-Institut Deutschland and hosted by the Galerie im Körnerpark, this timely exhibition opened at the beginning of July and will continue until the 18th of October 2020.
Climate change, environmental pollution and mass extinction are just some of the issues causing us anxiety. But even with the realisation that human activity is destroying the very basis of life on our planet, very few people are making lasting changes to their behaviour.
Galerie im Körnerpark is one of over 30 municipal galleries throughout Berlin and is part of the Kommunale Galerien Berlin network. This years KGB Kunstwoche (art week) will take place from Friday 28. August until Sunday 6. September 2020.
The Fragile Times exhibition is supported by the Finnish Institute in Germany.
Interview with Dorothee Bienert recorded by Michael Dooney on 18. August 2020 at the Café im Körnerpark, Berlin Neukölln.
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYRenowned for inspiring and intelligent delivery of uniquely crafted festivals and arts events, Fiona Sweet is an influential and highly sought after speaker, industry judge in Australia and internationally including at Les Rencontres De La Photographie, France; Fotofestiwal, Poland; and Triennial of Photography Hamburg, Germany.
Prior to her appointment at Ballarat International Foto Biennale, Sweet was the founding Director of Sweet Creative, a leading design agency in Melbourne receiving prestigious awards from the Australian Graphic Design Association and the Victorian Government. Sweet co-founded Melbourne’s Acland Street Projection Festival and has served on the boards of the Melbourne Fringe, Chamber Made Opera, Shir Madness and Australian Graphic Design Association. She currently sits on the Industry Advisory Group for LCI Melbourne, and the Advisory Committee for the Discipline of Photography at RMIT. In 2018 Sweet was awarded an Ian Potter Development Grant assisting her research concerning international art festival best practice.
Interview with Fiona Sweet recorded by Michael Dooney on 2. June 2020 via Squadcast between Berlin and Melbourne. Portrait by Chippy Rivera.
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SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYCatherine Evans is a Berlin-based Australian artist who works across photography, sculpture and installation. Her work focuses on geologic time and where this intersects with our own human timescales: as found in our bodies, their materiality and our lived-histories through colonialism and archaeology. Initially trained in science, and then photography, her work is characterised by a material intimacy that subverts the utility of everyday materials such as rocks, carpet and sticky tape to give unexpected shifts in our perception of light, weight and balance.
After completing her studies at the Victorian College of the Arts, Melbourne, she was recipient of a VCA Graduate Mentorship (2013) and Georges Mora Fellowship (2017). She has exhibited widely, most recently her work "Standing Stone" won first prize in the spaces-nk.de/de/page/neuk%C3%B6llner-kunstpreis">2020 Neuköllner Kunstpreis, Berlin.
Interview with Catherine Evans recorded by Michael Dooney on 15. May 2020 in Neukölln, Berlin.
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CATHERINE EVANS SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYApril Gertler is an American artist who has been living and working in Berlin since 2005. She studied at University California, Berkeley (BA, Social Science Interdisciplinary Studies - Hons), California College of the Arts (BFA - Photography) and Bard College (MFA - Photography). April did an exchange semester at the Städelschule in Frankfurt/Main, which is what initially brought her to Germany. After finishing her MFA, she returned to Frankfurt and subsequently moved to Berlin.
April's work is preoccupied with the idea of the communal experience of a moment as an access point. That access point has taken a variety of forms including lecture performance with the sharing of baked goods, one night bars and exhibitions in additional to collaborative durational walks.
She has exhibited and taught internationally. In 2009, April started a peer-to-peer knowledge exchange art program PICTURE BERLIN for international artists. The program has developed into multiple programs each year. Last year (2019) marked 10 years of the program and April and her team were awarded a significant Hauptstadtkulturfond from the Ministry of Culture for the project INTERIORS TO BEING, a month long festival of performance, exhibitions, walks and discussions which celebrated the alumni and participating artists from PICTURE BERLIN over the years.
Since the start of PICTURE BERLIN, April has been simultaneously working on her own practice which has included other performative and curatorial projects such as Sonntag and TAKE THE CAKE - a hybrid baking show and lecture performance. In the Fall of 2020 April will be opening a new project space in Neukölln called WIRWIR, with Adrian Schiesser.
April's most recent projects include the Sonntag Book, an overview of Sonntag - a collaborative project she has been doing with Adrian Schiesser which invites an artist to show their work in a private apartment for a Sunday afternoon presentation. The artist's favourite cake is also served during the matinee exhibition. April and Adrian have been doing the project since 2012. In addition, she recently finished a new episode of TAKE THE CAKE titled, APPELTAART which she performed in Amsterdam.
April has been teaching Analog Photography as an Adjunct Professor at Bard College Berlin in Berlin, Germany since Spring 2016.
Interview with April Gertler recorded by Michael Dooney on 29. May 2020 in Mitte, Berlin.
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APRIL GERTLER SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYPiotr Pietrus is a Polish born artist and social activist photographer. He graduated from the Academy of Fine Arts in Munich, Germany in 2008, and went on to do a masterclass with Arno Fischer at the Ostkreuzschule in Berlin, where he now lives and works. Possessing a strong contemporary documentary practice, his work investigates the sites where the poetic and political intersect in the wake of a growing resistance towards social injustice and the ecological crises. His work has been published widely including Greenpeace Magazin, Monopol, Süddeutche Zeitung Magazin, Der Greif, VICE, If You Leave, Phases and Aint Bad Magazine among others. Recently he exhibited with EEP Berlin, a new curatorial initiative dedicated to showcasing the strongest Eastern European photography to Berlin audiences.
Interview with Piotr Pietrus recorded by Michael Dooney on 15. May 2020 in Neukölln, Berlin.
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PIOTR PIETRUS SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYGeorgina Pope is a Berlin based curator who started her career working at commercial galleries and project spaces in Sydney, Australia. She is currently a curator for collectors.com/">Independent Collectors, a digital platform for art collectors and the largest non-commercial archive of private collections worldwide. Georgie also works as art mediator at boros.de/">The Bunker Berlin, a heritage listed World War II air-raid shelter and home to Karen and Christian Boros private collection of contemporary art.
Completing the Curatorial Practice and Contemporary Arts course at the School for Curatorial Studies Venice in 2018 consolidated her previous art world experiences. This enabled her individual curatorial interests to become more focused on activation of art works; whether through education, presentation or other forms of audience engagement. Leading to an increased involvement with preformative art and the opportunities this experiential medium provides - not least of which includes the increased interest from art collectors who wish to support and be more involved in this recently institutionalised part of the art world and relative newcomer to the art market.
Interview with Georgina Pope recorded by Michael Dooney on 12. May 2020 in Kreuzberg, Berlin.
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GEORGIE POPE INDEPENDENT COLLECTORSDavid Charles Collins (b. 1988, Perth, Australia) is an artist examining perceptions of identity and masculinity through the mediums of photography, performance and video. Based in Sydney since 2016, David graduated with an MFA from Sydney College of the Arts in 2017 under the supervision of Australian contemporary artist Julie Rrap.
David’s work has been displayed in several exhibitions including solo shows at Perth Centre for Photography and STILLS Gallery as well as group exhibitions such as Pingyao photography festival in China. Most recently his work has been included in BOYS! BOYS! BOYS! a project by The Little Black Gallery, curated by co-founder Ghislain Pascal, to promote queer and gay photography.
Publications which have reviewed David's work include: Australian Art Collector Magazine, Art Guide Australia, Scoop magazine and The Age. His work is held in collections including the Art Gallery Of Western Australia and the University of Western Australia’s Lawrence Wilson Gallery.
Interview with David Charles Collins recorded by Michael Dooney on 12. May 2020 between Berlin & Sydney with Squadcast.
Photo by Adrian Pinto.
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DAVID CHARLES COLLINS BOYS BOYS BOYS! SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYPeggy Sue Amison is the Artistic Director for East Wing - a platform for photography founded in Doha, Qatar. As a curator, writer, strategist, mentor and photographic consultant, Peggy Sue has collaborated with numerous emerging and established photographers, festivals and publications internationally.
Prior to working with East Wing, Peggy Sue was Artistic Director of Sirius Arts Centre in Ireland (2001 – 2014) where she headed a multidisciplinary visual arts and residency programme. Her passion lies in creating synergies between artists and professional organisations.
Peggy Sue has been an invited speaker, juror and critic at numerous meeting places for photography and contests including board member of Belfast Photo Festival from 2012 - 2016. For the last six years she has also contributed to the development of the artist residency programme, PICTURE BERLIN in Germany.
Peggy Sue has curated exhibitions in Dubai, Ireland, Berlin, Poland, Denmark and China, written for various international photographic publications and artist catalogues and has independently produced photographic events.
Interview with Peggy Sue Amison recorded by Michael Dooney on 25. April 2020 between Berlin & San Diego with Squadcast.
Photo by Michael MacSweeney / Provision, In Transit at Crawford Art Gallery, Cork Ireland.
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PEGGY SUE AMISON EAST WING SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYJoséphine Demerliac (b.1992 Paris) is a Berlin based film director. Her first experience as a writer and producer was at 17 years old, staging a one time musical in Burgundy, France. After an Erasmus at the Freie Universität Berlin, she completed her Master in Economics at Sorbonne University, Paris. Since graduating, Joséphine has been living and working in Berlin where she regularly collaborates with other international artists.
Parallel to working for award-winning production companies and technology startups, Joséphine has been shooting music videos for both her own compositions and other artists. In 2017 her piece La Bombe was nominated for the Berlin Music Video Awards, where it was screened alongside Coldplay, Massive Attack and Jamie XX. Her debut feature length film Le Soleil Brûle starring actors Dimitri Stapfer, Cecil von Renner and Zou is soon to be released.
Interview with Joséphine Demerliac recorded by Michael Dooney on 16. April 2020 in Berlin, Germany.
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JOSÉPHINE DEMERLIAC SEBASTIAN DE LA LUZ (audio engineering) MICHAEL DOONEY JARVIS DOONEY GALLERYLaura Hirvi is the director of the institut.de/">Finnland-Institut in Deutschland (Germany), a forum for Finnish culture & arts, academia, and business in the German-speaking region. In this episode we learn about about her German-Finnish background and growing up with two cultural identities, her time spent in the USA and Asia, and how these experiences led her to become director of the Finnland-Institut in Deutschland.
Since entering this role in 2015 Laura has increased the exchange between Berlin and Helsinki, as well as establishing and nurturing networks throughout Germany, Austria & Switzerland for promoting Finnish culture. The 2020 thematic focus at the Institute institut.de/laura-hirvi-zusammenspiel/">The Interplay Between Humans and Nature is especially timely in light of COVID-19 and heightened awareness of climate change.
Interview with Laura Hirvi recorded by Michael Dooney on 20. March 2020 in Berlin, Germany.
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FINNLAND INSTITUT IN DEUTSCHLANDIn today's episode I catch up with Berlin based artist and photographer Alexander Gehring. We met at his shared colour darkroom in Prenzlauer Berg where he prints his personal photographic projects. Working as a professional photographer Alexander has shot for a number of major publications throughout Germany, including but not limited to:
Die Zeit, Zeit Magazin, Zeit Campus, Zeit Wissen, SZ Magazin, Capital, TAZ, Weltkunst, brandeins, Neon, Nido, Rolling Stone, Intro, Die Welt, Libération, Missy Magazin, 39 Null Magazin, bureau B, The Forumist, Bedroom Community, ideologic, studio stg, buero David Voss.
He also shot my portrait featured in the Subtext & Discourse podcast title image!
Interview with Alexander Gehring recorded by Michael Dooney on 13. March 2020 in Prenzlauer Berg, Berlin, Germany.
ALEXANDER GEHRINGStill hard to comprehend how much the world has changed since this interview was recorded only four weeks ago, when I met up with Berlin based curator and author Lena Fliessbach to learn about her journey as an independent curator. As the pandemic was still yet to hit, there is of course no mention of it during our conversation. However her latest exhibition ZERO WASTE, which was due to open at the Museum of Visual Arts in Leipzig on the 26th of March 2020, is unfortunately postponed until further notice. I hope that we will still get to see this show as it presents many big picture issues - such as sustainability, globalisation and industrialised animal agriculture - which we are now all forced to contend with.
Lena Fliessbach (b. 1982, Hamburg) has been working as a curator and author since 2007. She completed her studies in art history, modern history and Latin American studies at the Free University of Berlin and the Universidad de Granada, Spain in 2010 with the master's thesis "Aspects of Staging in Contemporary Street Photography". 2010-2011 she worked at Wenders Images and organised various exhibitions and book projects for Donata and wenders.com/">Wim Wenders. After which she was the first participant in the two year curatorial program at im-turm.net/">Galerie im Turm, the municipal gallery Friedrichshain-Kreuzberg. Since then Lena has worked as an independent curator on a number of significant exhibition projects, often in collaboration with Hannah Beck-Mannagetta, which typically include an educational component under the title Walk the Talk. Her latest exhibition ZERO WASTE "takes a critical look at the current condition of our planet but also aims to imagine possible solutions, encourage alternative scopes of action, and propose visions for the future." More information about ZERO WASTE is available on the website of the Museum der bildenden Künste Leipzig, as well as the official exhibition instagram account.
Interview with Lena Fließbach recorded by Michael Dooney on 28. February 2020 in Wedding-Berlin, Germany.
LENA FLIESSBACHHope that everyone is taking care in light of current events and the uncertain outcome of the corona virus. In today's episode of Subtext & Discourse I caught up with Berlin based photo media artist Boris Eldagsen. I've known Boris for many years now and in fact interviewed him back in 2014 when we presented his series Safety by Numbers in a group show about typologies.
Picking up where the previous conversation left off, we find out how his artistic process has evolved over the past six years, the new direction his work has taken, how photography festivals were a game changer, the influence of Roger Ballen on his work and upcoming solo exhibition this summer during the 2020 edition of arles.com/en">Les Rencontres d'Arles in the south of France.
Interview with Boris Eldagsen recorded by Michael Dooney on 14. February 2020 at Boris's studio in Berlin, Germany.
BORIS ELDAGSENIn today's episode of Subtext & Discourse I'm speaking with Berlin based artist Marina Stanimirovic who creates contemporary jewellery, sound and installation art. Starting her journey in her home city of Paris at École Boulle, continuing to SEPR in Lyon and completing her MA at the RCA London; Marina shares these life changing experiences with us, the push and pull between contemporary art and contemporary design, as well as her first solo exhibition at Gallery Tator following a residency at Moly Sabata in France.
Interview with Marina Stanimirovic recorded by Michael Dooney on 24. January 2020 at Marina's studio in Berlin, Germany.
MARINA STANIMIROVICWelcome back everyone and hope that you had a great start to the New Year! It took a little longer that I had hoped to get the first episode online for 2020, however you'll soon find out that it was worth the wait. In today's episode I am speaking with Maria Garcia de Pedro. We first met a few years ago during Talking Galleries Barcelona and have been in contact since then. The plan was to record a podcast during LOOP Barcelona, but it just wasn't possible during the busy schedule. However following a hectic finish to 2019 and equally merry festive season we managed to record our conversation over Skype in the first week of the New Year.
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Maria Gracia de Pedro (b.1990) lives and works in Madrid, Spain. She holds a BA in Fine Arts (University of Zaragoza) and an MA in the Art Market (UDIMA-CEF University), with an Executive Certificate in Leadership in Visual Arts management (Deusto Business School, Guggenheim and NYU University) and an Entrepreneurial Certificate of Citizen Bootcamp (Deusto Business School and City Bank). Currently she is developing an PhD research, specialised in emerging artists.
She is the director of JosédelaFuente (Spain), co-founder of Hiato Projects, fundraiser officer for Vessel (Italy), editor at Daily Lazy, and guest lecturer at URJC (Spain).
Past work experience includes: Ruber Contemporanea (IT), Aldama Fabre (ES), Waterside Contemporary (UK) and Francesco Pantaleone Arte Contemporanea (IT).
Maria is member of TIAMSA and IAC.
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Interview with Maria Gracia de Pedro recorded by Michael Dooney on 3. January 2020 in Berlin, Germany. Photo by Pedro Zarzoso.
MARIA GRACIA DE PEDROIn what will likely be the last interview for 2019, today I'm speaking with Krista Svalbonas. Krista not only took part in the Jarvis Dooney Postcard Salon but also surprised me in arles.com/en/experts/view/308/michael-dooney">Arles when she booked me to review her portfolio during the opening week of the festival. Krista shares a lot of insight into her project about displaced person camps in Germany which she has been documenting for the past few years, her unique photographic process, as well as how this personal story and shared history is very relevant in these uncertain times.
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Krista Svalbonas (b.1977, USA) holds a BFA Photography (Syracuse University) and an MFA Interdisciplinary (SUNY New Paltz). Her work has been exhibited in a number of exhibitions including at the Utah Museum of Contemporary Art, Howard Yezerski Gallery in Boston, Klompching Gallery and ISE Cultural Foundation in New York. Her work has been collected in a number of private collections, as well as the Cesis Art Museum in Latvia. Recent awards include the Rhonda Wilson Award (2017), Puffin Foundation Grant (2016) and a Bemis Fellowship (2015) among others. In 2015 Svalbonas exhibited a solo installation at the Spartanburg Art Museum in South Carolina. She is an assistant professor of photography at St. Joseph’s University. She lives and works in Philadelphia.
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Interview with Krista Svalbonas recorded by Michael Dooney on 27. September 2019 in Berlin, Germany.
KRISTA SVALBONASAs 2019 draws to an end we have a couple more interviews with participants of our second Postcard Salon which took place at the beginning of this year. Back in July I met up with Louise Crawford and Stéphan Guéneau, artist couple from Scottland and France respectively. We speak about their series 36 Related Objects, their love of large format analogue photography and the inevitable transition to a digital workflow.
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Louise Crawford (Scotland) and Stéphan Guéneau (France) work on large format analogue photography (4X5), 16mm films and installations. They live in Paris and Berlin.
Louise Crawford studied at Falmouth School of Art in England followed by a postgraduate year at the Düsseldorf Kunstakademie. Stéphan Guéneau studied in l’École des Beaux-Arts de Rouen in France and in the Hochschule der Künste in Berlin. They are both Le Fresnoy — Studio national des arts contemporains alumni.
They have been collaborating since 2000. Recurrent themes throughout their work are; an interest in contemporary history and its impact on urban space and landscape, film —and the film noir aesthetic—, the archive as document/as artwork, the half-tone image and its relationship to history, archiving and cataloging.
In April 2019, they had a screenprinting residency with Atelier #808080 in association with La Maison Julien Graq; in 2016, a post-production residency with Light Cone in Paris to re-master and digitize 2 film works and in 2014 were chosen for an Écritures de Lumières’ academic photography residency at Pierre & Marie Curie college in Bolbec, Normandy. In 2010 they were commissioned by the Goethe Institut and the French Alliance in Glasgow to produce a series of photographs celebrating the 20th anniversary of German Reunification shown at Street Level Photography Gallery during Glasgow International and in 2008 they were commissioned by L’Onde Art Centre outside of Paris to produce a series of photographs exhibited in advertising panels throughout the city of Velizy-Villacoublay.
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Interview with Louise Crawford and Stéphan Guéneau recorded by Michael Dooney on 30. July 2019 in Berlin, Germany.
LOUISE CRAWFORD AND STÉPHAN GUÉNEAUIn today’s episode of the Subtext & Discourse podcast we'll hear from Berlin based photographer Martin Waltz.
Martin is a photographer, photography educator and writer, who serves as editor of the German Street Photography Site and curator of the German Street Photography Festival. He has written and contributed to several books on street photography including the award-winning “Streetfotografie – Made in Germany” published by Rheinwerk Verlag.
Martin has won numerous international photography competitions, as well as having his work exhibited in New York, London, Dublin, Rome, Bucharest and Berlin. Martin is a passionate photography teacher, offering street photography workshops in Berlin.
Interview with Martin U Waltz recorded by Michael Dooney on 7. August 2019 in Berlin, Germany.
MARTIN U WALTZPart 2 of 2 - This week on Subtext & Discourse we have a two part interview with Australian artist Elizabeth Gower, who was briefly in Berlin together with her partner John R Neeson, for a residency with a-m.tk/">Institut für Alles Mögliche.
Interview with Elizabeth Gower recorded with Michael Dooney on 19. June 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
ELIZABETH GOWERPart 1 of 2 - This week on Subtext & Discourse we have a two part interview with Australian artist Elizabeth Gower, who was briefly in Berlin together with her partner John R Neeson, for a residency with a-m.tk/">Institut für Alles Mögliche.
Interview with Elizabeth Gower recorded with Michael Dooney on 19. June 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
ELIZABETH GOWERAfter a busy couple of months we're back on track with post production of the podcast. John R Neeson, who participated in the Postcard Salon, was in Berlin last summer together with Elizabeth Gower for a residency with a-m.tk/">Institut für Alles Mögliche. Prior to that they completed a residency in Italy, were briefly in Greece for the Athens Platform Project and will be in Connecticut for the 2019 Site-Responsive Art Residency & Biennale.
Interview with John R Neeson recorded with Michael Dooney on 19. June 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
JOHN R NEESONContinuing our series of interviews with Postcard Salon participants, today's episode features young artist Lama Ahmed. Based in Cairo, Egypt, Lama is an artist, graphic designer and poet, currently working towards her MFA in design with a focus on materials. Her image included in the show was from the first issue of her self published magazine Habashtakanat which explores the visual culture of Cairo and the many makeshift solutions that can be observed throughout the city
This week is also Berlin Art Week, official starting on Wednesday the 11th of September 2019 and continuing until Sunday the 15th September: https://www.berlinartweek.de
The 15th will also mark six years since we opened Jarvis Dooney back in 2013.
Interview with Lama Ahmed recorded with Michael Dooney on 20. April 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
LAMA AHMEDThis interview (part 2 of 2) with native New Yorker, and Berlin based artist Lynne Margaret Brown was recorded with Michael Dooney on 17. April 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
LYNNE MARGARET BROWNNorth to South Berliner Voices: My Corner: Interview Questions
Berlin - (site specific) Questions
Questions formulated / based lightly upon research of various current and historical questionnaires used in letter writing, interviews and story-telling projects i.e. the Proust questionnaire and StoryCorps.
This interview (part 1 of 2) with native New Yorker, and Berlin based artist Lynne Margaret Brown was recorded with Michael Dooney on 17. April 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
LYNNE MARGARET BROWNNorth to South Berliner Voices: My Corner: Interview Questions
Berlin - (site specific) Questions
Questions formulated / based lightly upon research of various current and historical questionnaires used in letter writing, interviews and story-telling projects i.e. the Proust questionnaire and StoryCorps.
In this episode of Subtext & Discourse I talk about the Jarvis Dooney Gallery collaborative experiment in exhibition making, the Postcard Salon.
2018 Postcard Salonnumber of artists in 2018 – 35 number of returning artists – 20 (57%) number of artists in 2019 – 59
male artists in 2018 - 15 (43%) in 2019 – 21 (35%) female artist in 2018 - 20 (57%) in 2019 – 38 (65%)
We are based in Berlin, represent a number of artists from Australia and New Zealand.
DE artists in 2018 - 15 (43%) in 2019 – 15 (25%) AU / NZ 2018 - 13 (42%) in 2019 – 19 (32%) Other in 2018 - 7 (15%) in 2019 – 25 (43%)
2018 other demographic: USA & Canada, Austria & Switzerland, Netherlands, France, Bulgaria. 2019 other demographic: All of the above plus, Togo Africa, Greece, Indonesia, Egypt, Denmark, Japan, Belgium, Poland, Slovakia.
2018 – 14 of 35 based in Berlin, 40% 2019 – 18 of 58 based in Berlin, 30%
In 2018 – 10 of the 35 people were living outside their home country, 28% In 2019 – 27 of the 59 people were living outside their home country, 45% (most were in Berlin)
JARVIS DOONEY MICHAEL DOONEYInterview with Australian photographer and artist Yasmin Nebenfuhr recorded with Michael Dooney on 17. April 2019 in Berlin, Germany; coinciding with the 2019 Jarvis Dooney Postcard Salon.
YASMIN NEBENFUHRThis two part interview with Cat Lamora was recorded by Michael Dooney on 9. April 2019 in Berlin, Germany.
More details: https://www.patreon.com/posts/subtext...Today’s episode is part two of my interview with Korean Canadian artist Cat Lamora. Although it is possible to enjoy this instalment stand alone, I would recommend first listening to part one to have a more complete impression of Cat and their work. If you happen to be in Toronto this October Cat will be exhibiting a new work We Bathe Here at Margin of Eras Gallery (the MOEG) from the 10th until 26th of October 2019.
CAT LAMORA JARVIS DOONEY MICHAEL DOONEYThis two part interview with Cat Lamora was recorded by Michael Dooney on 9. April 2019 in Berlin, Germany.
More details: https://www.patreon.com/posts/subtext...Continuing the series of interviews with artists who participated in the Jarvis Dooney 2019 Postcard Salon, today I'm speaking with Korean Canadian artist Cat Lamora who briefly visited Berlin during April this year. Cat was in Europe, specifically France, for the Paris Ass Book Fair an international fair that brings together publishers of artist’s books and fanzines, booksellers, and artists related by their exploration of taboos, sex and gender. Cat was there with Paris based Korean French collective Studio HAP and the Sad Art Store from Toronto.
I’ve split this conversation in two parts as we spoke at length not only about Cat’s work, but how their unique personal narrative has shaped their view of the world. Growing up as a Korean immigrant in Canada, being part of the LGBTQ community, addressing internalised racism and coming to terms with the myriad realities of cultural identity.
CAT LAMORA JARVIS DOONEY MICHAEL DOONEYThis interview with Kees Schouten was recorded by Michael Dooney on 17. April 2019 in Berlin, Germany.
First uploaded on 16. July 2019, more information: https://www.patreon.com/posts/subtext...Kees is a Dutch visual artist who graduated from the Art Academy of Amsterdam in 1984. His early works were primarily abstract oil paintings. From around 1995 he shifted almost exclusively to photographic work, though his process is still very much associated with the techniques of abstract painting.
KEES SCHOUTENInterview with Sophie Dumaresq was recorded by Michael Dooney on Thursday 4. October 2018 in Berlin.
First uploaded on 15. June 2019: https://www.patreon.com/posts/subtext...----------
Finally managed to finish editing my interview with Sophie Dumaresq from September 2018. Sophie was in Berlin for the European Month of Photography, together with Kate Robertson and Derek Kreckler. We first exhibited Sophie's work at Jarvis Dooney in 2016, coincidentally with Kate Robertson & another emerging artist Jacqueline Ball: now.com%2Fexhibition%2F114087&event=video_description&v=-6h734lprQg">http://photography-now.com/exhibition...
This is the third of three interviews recorded during Berlin Art Week & EMOP Berlin 2018.
Sophie Dumaresq (b. 1991 Canberra, Australia) is an artist working in photo media in addition to large and small scale sculptural installation. Her work explores symbiotic cycles of consumption, destruction and creation demonstrating how as a species we relate, show empathy and evolve with and within our surrounding environment.
In 2009 she attended a student internship program at Questacon The Australian National Centre for Science and Technology. She completed her Diploma in Photography (honours) at Spéos International photography school - Paris & London and has participated in group exhibitions in Australia, France, Greece and Germany.
She is based in Canberra, Australia.
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SOPHIE DUMARESQInterview with Derek Kreckler was recorded by Michael Dooney on Wednesday 3. October 2018 in Berlin.
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It has already been over six months since Berlin Art Week and the 8th EMOP Berlin - European Month of Photography festival. As mentioned in the earlier interview with Kate Robertson, we hosted three major solo exhibitions during that time; as well as recording a number of interviews with the visiting artists. I was hoping to have uploaded the conversation with Derek before now, but didn't manage due to a number of items which I'll discuss more at a later date. In the mean time I hope you enjoy the interview.
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Kreckler’s works span performance, film, photography, installation, and video. He has regularly created tough, insistent imagery that has been at the critical edge of Australian art history and which has provided comment on our country’s past, present, and future. The art of Derek Kreckler is often described as “unsettling.” Some have even referred to it as “dangerous.” Whether relishing the risk of experimentation and chance, or purposefully challenging our perceptions of country, identity, and self, Kreckler’s works flirt with an uncertainty that prickle the neck. At the same time, they open our eyes to the magic of how images are made, the murkiness of nationhood and its perpetuation, and the wonder of how powerful the landscape can be. His works have much to share about art history, social relations, popular culture, and the environment. Kreckler offers conceptual and expressive forms that are commanding, yet spacious.
Hannah Mathews, Curator of Accident & Process.
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More information at the following link: https://www.patreon.com/posts/subtext...The interview with Kate Robertson & Jeffrey Noro was recorded with Michael Dooney on Saturday 29. September 2018 at Jarvis Dooney Galerie, Berlin.
First uploaded here: http://www.patreon.com/posts/subtext-ep3-kate-22330488Hard to believe that is has already been a month since Berlin Art Week and the opening of the 8th EMOP Berlin, European Month of Photography festival. During that time we presented three significant solo exhibitions throughout the city:
Australian Embassy Germany: Derek Kreckler Jarvis Dooney Galerie: Kate Robertson Künstlerhaus Bethanien: Anne Zahalka
We were lucky enough to have both Kate Robertson and Derek Kreckler visiting Berlin during this very busy time, and took the opportunity to recording individual interviews with each of them. Sophie Dumaresq, who we exhibited a few year ago was also in Berlin for EMOP, an interview with her will also be online soon.
Kate Robertson is an artist we’ve been exhibiting since 2014 when we presented her series Celestial Body Model during our Transcendental abstract photography group exhibition, since then we’ve curated work from her Dust Landscapes series and Cosmic Walks into other shows, however this will be her first solo exhibition with us and also her first international solo exhibition.
RECORDING THE MEDICINAL PLANTS OF SIWAI, BOUGAINVILLEThis photographic series documents medicinal plants from the Siwai region on Bougainville Island (Papua New Guinea) at a time of significant change in its cultural and political landscape. It considers new photographic modes for sensitively engaging with deep and living histories, by aligning analogue and digital characteristics found within the image and local knowledge systems.
Lumen prints are created on location in a cameraless method, through a reaction between environmental elements such as sunlight and plant extractions and light-sensitive paper, resulting in a residual imprint of the plant's chemical properties. The lumen prints, in their latent state, journeyed to Australia for a digital “fixing” process and are translated into data through the scanography process.
The series acknowledges the communities (urgent) desire for equilibrium between traditional and new knowledge systems, to allow both to thrive in an increasingly global society.
Impressions of opening night, 28. September 2018 www.facebook.com/pg/jarvisdooney/…1948345878560160 Artists talk and book launch, 1. October 2018 www.facebook.com/pg/jarvisdooney/…1948358725225542 Installation shots at Jarvis Dooney Galerie www.facebook.com/pg/jarvisdooney/…1962771417117606 EMOP BERLIN, EUROPEAN MONTH OF PHOTOGRAPHYOn 2. September 2018 gallerist Michael Dooney sat down with German photographer Torsten Schumann (b.1975 Dresden, Germany) to find out more about his artistic practice and back story.
The interview coincided with the dual exhibition Autofokus with Torsten Schumann & David Schikora at Jarvis Dooney Galerie in Berlin.
“Torsten Schumann‘s photographs highlight the absurdity of life, that brief second in the day when chance creates a surreal juxtaposition, a moment of silliness, profundity, irony, a tell that exposes the world for what it is, a pointless journey towards inevitable death that’s intermittently interrupted by a comical situation that distracts us from our existential angst. The nightmare of ordinariness that we, as people, manage to turn into a drama of Greek proportions, full of tragedy and farce."
Moray Mair, Arts Blog Mutantspace, March 14th, 2014:
MORE CARS CLOTHES & CABBAGES AUTOFOKUS, VIRTUAL REALITY EXHIBITION JARVIS DOONEY GALERIE TORSTEN SCHUMANN MICHAEL DOONEYOn 1. May 2018 gallerist Michael Dooney sat down with artist Chris Fortescue to speak about his artistic practice and back story, to coincide with his solo exhibition at Jarvis Dooney Galerie in Berlin from Friday 27. April until Saturday 23. June 2018.
Chris Fortescue (b.1953) is a multidisciplinary artist working across sound, installation, animation, and photomedia, often incorporating found images and objects. A recurring enquiry in his work considers how technological developments affect the way we perceive images.
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