The most important piece of advice David Baron ever got: “Before you die, you owe it to yourself to see a total solar eclipse.”

The recommendation came from the Williams College astronomer Jay Pasachoff, a beloved teacher and textbook author, after Baron interviewed him for a 1994 radio story. Baron listened—and it changed his life. He saw his first eclipse in Aruba in 1998, and has since become a true umbraphile. The upcoming eclipse of April 8, 2024, will be the ninth one he’s witnessed.

A veteran science journalist and former NPR science correspondent, Baron joined Soonish from his home in Boulder, CO, to talk about his 2017 book American Eclipse: A Nation’s Epic Race to Catch The Shadow of the Moon and Win the Glory of the World. It’s a dramatic account of the total eclipse of July 28, 1878, which crossed through Montana, Wyoming, Colorado, and Texas and drew a fascinating cast of characters into its path, including a young Thomas Edison.

Everyone who chased the 1878 eclipse went West for their own reasons. In Edison’s case, it was to prove his bona fides as a scientist, not just an inventor. For the arrogant University of Michigan astronomer James Craig Watson, it was to hunt for the hypothetical planet Vulcan. For Vassar College astronomer Maria Mitchell and her students, it was to prove to a skeptical public that women could do science and still be “feminine.” Baron’s book shows how their adventures made the eclipse into a major cultural and scientific turning point for the young nation, previously considered a backwater of science. And it reminds us that for the people who flock into the path of totality, an eclipse can still be transformative today.

The first edition of Baron’s book came out right before the great American eclipse of August 2017, and it has now been reissued with a new afterword priming readers for April 8 eclipse. In an unexpected twist for a work of narrative science history, the book is now being made into a Broadway musical, which will have its world premiere at Baylor College in Waco, TX, on April 7, the day before the eclipse.

On a scale of 1 to 10, how excited is Baron? “Oh, gosh, it’s going to sound silly, but it’s 100, it’s a million,” he says. “I mean, my life revolves around going to solar eclipses, and this one I’ve been looking forward to for a very long time.”

Soonish will be in Mazatlán, Mexico, for the total eclipse of April 8, 2024. If you’ll be there too, drop us a note at wade@soonishpodcast.org.

This episode is dedicated to the memory of Jay Passachoff (1943-2022).

After a long hiatus, Soonish is back for a celebration: this is the 50th full episode of the show! (I’m not counting a few bonus episodes in that total.) Tamar Avishai, creator and host of the Hub & Spoke podcast The Lonely Palette, joins this time as co-host to help us take a look back at the first 49 episodes of the show. She quizzes me on the accuracy of many of the technology forecasts and predictions I offered along the way. And she prompts me to explain how the show has evolved since its launch in 2017, why it’s become more political than I ever expected (it’s the democracy, stupid), and where it’s going in the future.

Episodes Referenced

Monorails: Trains of Tomorrow? (January 25, 2017)

Meat Without the Moo (March 8, 2017)

Astropreneurs (April 20, 2017)

Hacking Time (May 11, 2017)

Looking Virtual Reality in the Eye (January 5, 2018)

A Future Without Facebook (March 22, 2019)

Election Dreams and Nightmares (October 31, 2019)

Brittle, Anxious, Nonlinear, Incomprehensible: How One Futurist Frames the Pandemic (May 12, 2020)

Unpeaceful Transition of Power (June 24, 2020)

After Trump, What Comes Next? (September 15, 2020)

American Reckoning, Part 1: Civil Wars and How to Stop Them (October 9, 2020)

American Reckoning, Part 2: A New Kind of Nation (October 12, 2020)

The End of the Beginning (November 15, 2020)

Goodbye, Google (June 25, 2021)

Notes

A special thanks to Tamar Avishai for co-hosting this episode and making it so fun.

The Soonish opening theme is by Graham Gordon Ramsay. All the additional music in the show is from Titlecard Music and Sound in Boston.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show!

If you like the types of stories and interviews you hear on Soonish, I know you’ll like all the other Hub & Spoke shows. February is the month of love, and so the collective is raising money to invest in what we love — independent podcasting. Please consider participating in our Valentine’s Day fundraiser at hubspokeaudio.org/love

You can also support Soonish with a per-episode donation at patreon.com/soonish.

Hey listeners! A new, original episode of Soonish is coming very soon. Meanwhile, I wanted to share a Valentine's Day treat.

As the philosopher Haddaway once asked, "What is love?" Well, it can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. At Hub & Spoke—the collective of independent podcasts where Soonish was a founding member back in 2017—we want to stretch our arms, and ears, around it all. 

This special episode of our anthology show, the Hub & Spoke Radio Hour, looks at love from four different angles. It's hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick.

Listen to the full episodes we excerpted here:

Rumble Strip, “Forrest Foster Lays Karen to Rest”

Mementos, “Cherie’s Letters”

Ministry of Ideas, “Consumed”

The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)”

Discover the full slate of Hub & Spoke shows.

And please share the love by supporting Hub & Spoke's Valentine’s Day fundraiser. Donate here.

Why does the world of young adult fiction seem to have more wizards, werewolves, and vampires in it than astronauts and engineers?

And why have the writers of the blockbuster YA books of the last 20 years fixated so consistently on white, straight, cisgender protagonists while always somehow forgetting to portray the true diversity of young people’s backgrounds, identities, orientations, and experiences?

Well, you could write a whole dissertation about those questions. But instead, my friend and colleague A. R. Capetta and I went out and assembled a counterweight. It’s a YA science fiction collection called Tasting Light: Ten Science Fiction Stories to Rewire Your Perceptions, and after more than two years of work, it comes out today—October 11, 2022.

Tasting Light highlights the plausible futures of science fiction rather than the enticing-but-impossible worlds of fantasy. Don’t get me wrong: I love both kinds of stories. But fantasy doesn’t need any extra help these days—just turn on your favorite streaming TV network and you’ll see show after show featuring dragons, magic, and swordplay. There’s some great science fiction out there too (The Expanse, For All Mankind, the never-ending Star Trek universe), but it isn’t nearly as pervasive.

The two genres do different kinds of work, and I think Hollywood and the mainstream publishing world have been focusing so hard on one that the other has been getting edged out. That’s too bad, because to me, fantasy is the literature of escape, longing, and lost worlds, while science fiction is the literature of hope and possibility. And hope is something we need more of these days.

As a project, Tasting Light was born at Candlewick Press, a prominent publisher of YA and middle-grade books based here in the Boston area. Candlewick had formed a pair of collaborations with the MIT Press called MITeen Press and MIT Kids Press, and they were looking for someone to put together a YA-oriented science fiction collection under the MITeen Press imprint—a book that would do for the YA market what the MIT Press and MIT Technology Review’s Twelve Tomorrows books (one of which I edited in 2018) was doing for mainstream sci-fi. Namely, prove that it’s stil possible to create technically realistic “hard” science fiction in the style of Arthur C. Clarke, Isaac Asimov, or Robert Heinlein from the 1950s and 1960s, but do it in a way that speaks to readers now in the 2020s. (For more on the Twelve Tomorrows vision listen to my 2018 episode Science Fiction That Takes Science Seriously.)

At the same time, though, MITeen Press wanted to open up space for stories that reflect a wider range of human experiences and perspectives. So they recruited A. R. and me to edit, and we went out and recruited the smartest, most accomplished, most diverse set of authors we could find to write hard sci-fi stories with heroes who would be recognizable and relatable to young adults today.

As you’ll hear in today’s episode, that includes William Alexander, whose story “On the Tip of My Tongue” follows two young people of unspecified gender as they attempt to tame the loopy orbital mechanics of a space station suspended at the L1 LaGrange point. It includes the Chicago-based thriller and sci-fi writer K. Ancrum, who wrote a lovely story called “Walk 153” about a the complex relationship that develops between a lonely, infirm, elderly woman and the college student who helps her experience the outside world through his GoPro-like body camera. And it includes the prolific Elizabeth Bear, who wrote a story called “Twin Strangers” that tackles the issues of body dysmorphic disorder and anorexia through a story about two teenage boys and their misadventures programming their “dops” or metaverse avatars. 

There’s also a luminous story by A. R. themself called “Extremophiles,” set amidst the ice of distant Europa. And there are five more remarkable stories by Charlotte Nicole Davis, Nasuġraq Rainey Hopson, A.S. King, E.C. Myers, and Junauda Petrus-Nasah, as well as a gorgeous comic / graphic novella by Wendy Xu about a sentient robot and the teen girl who discovers it in the forest.

The reviews of Tasting Light have been wondrous and welcome. Kirkus Reviews gives it a rare starred review and says “Capetta and Roush introduce engaging, thoughtful, beautifully written entries about identity and agency, all unfolding within the bounds of real science.” Publishers Weekly calls it “dazzling” and notes that “the creators seamlessly tackle relevant issues such as colonization, misogyny, transphobia, and white entitlement in this eclectic celebration of infinite possibility and the ever-present human spirit.” Buzzfeed says “Each story is unique, brilliant, and brimming with hope.”

I hope the three excerpts you’ll hear in today’s episode will entice you to get a copy of Tasting Light for yourself; it’s available at Amazon and everywhere you buy books. Or if you decide to become a new supporter of Soonish on Patreon at the $10-per-episode level or above, between now and December 31, 2022, I’ll send you a free signed copy of the book!

For more about this episode, including a full transcript, please visit http://www.soonishpodcast.org/soonish-509-tasting-light

This week we're featuring a conversation with Ian Coss, co-creator of Newts, a wild new six-part musical audio drama from PRX and the fiction podcast The Truth. The show is inspired by the writings of the Czech journalist and science fiction pioneer Karel Čapek. He’s best known for coining the  word "robot" in his 1920 play Rossum's Universal Robots, or R.U.R—but his less famous 1936 novel War with the Newts is actually a funnier, weirder, and more biting reflection of politics and social affairs in the first half of the twentieth century.  It's also a sprawling, jumbled, irreverent story that turns out to be perfect material for an adaptation like Newts. 

In the show, Ian and  his collaborator Sam Jay Gold have taken Čapek's speculative story about how humanity might deal with the appearance of a second intelligent, speaking, tool-using species on Earth and added wealth of new layers, not the least of which is a catchy Beach-Boys-inspired musical score. It's hard to describe in just a few words, but if you listen to the series (and our interview with Ian), you might just come away with a new perspective on the nature of our relationships with other animals; on the human species' alternately tender and warlike instincts; and on Karel Čapek's underappreciated contributions to 20th-century literature.

Newts launched on June 7, and you can hear it at newtspod.com wherever you get your podcasts. 

For a transcript of this episode and additional information about Newts, visit http://www.soonishpodcast.org/508-strange-newt-worlds

Pacific newt photograph by Connor Long, shared under a CC BY-SA license.

Notes

A special thank you to Ian Coss for spending time with Soonish and providing all of the music and sound effects files used in the episode.

The Soonish opening theme is by Graham Gordon Ramsay.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.

Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.

Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

For most people, nightmares produce insomnia, exhaustion, and unease. For Graham Gordon Ramsay, a spate of severe nightmares in April 2020 developed into something more lasting and meaningful: a five-movement, 18-minute musical work for organ or string ensemble called "Introspections." To me, it's one of the most arresting artistic documents of the opening phase of the global coronavirus pandemic, and so we've made it the subject of this week's Song Exploder-style musical episode. (Headphones recommended!)

Graham is a friend of the podcast; longtime listeners will recognize him as the composer of our opening theme. But he's also a prolific writer of contemporary pieces for solo voice, solo instruments, chamber ensemble, choir, and orchestra. In this three-way conversation, which includes organist and conductor Heinrich Christensen of King's Chapel, we retrace Graham's musical and psychological journey from the pandemic's dark, lonely early months (echoing through the turbulent, disquieting first and second movements of "Introspections") to the gradual adaptation and broader reckoning that marked the late summer of 2020 (reflected in the fifth and final movement's turn to more conventional major keys and harmonies).  

As Graham himself emphasizes, there's no easy 1:1 correspondence between his pandemic experiences, his nightmares, and this composition. The piece is less literal than that, and listeners will, of course, bring their own experiences and interpretations to the work. But "Introspections" clearly takes its place among a genre of musical creations tied to a particular crisis or tragedy, with examples ranging from Benjamin Britten's "War Requiem" to Krzysztof Penderecki's "Threnody to the Victims of Hiroshima" to John Adams' "On the Transmigration of Souls," which won the Pulitzer Prize for its portrayal of the 9/11 attacks.

Composers—alongside poets, artists, and even architects—help us gain some perspective on our collective traumas. And speaking for myself, both as Graham's friend and as one of the first to hear "Introspections," the piece will always be associated in my mind with the grim, stressful, baffling, but occasionally uplifting events of 2020.

After the interview with Graham and Heinrich, stick around to hear "Introspections" in its entirety.

I. Unrushed but steady (37:50)

II. With an improvisatory feel (40:56)

III. Quick, with a very light touch (46:08)

IV. Uncomfortable, plodding (47:12)

V. Poignantly, rubato throughout (50:38)

For more on Graham Gordon Ramsay, including his discography and musical scores, see http://www.ggrcomposer.com.

"Introspections for Organ"—a YouTube playlist of the five movements for organ, performed by Heinrich Christensen at Kings Chapel, Boston

"Introspections for String Ensemble" by Graham Gordon Ramsay — the full Proclamation Chamber Ensemble performance on video

Notes

A special thank you to Graham Gordon Ramsay, Heinrich Christensen, King's Chapel, the members of the Proclamation Chamber Ensemble, and all the volunteers who helped with the GBH rehearsal and recording sessions on September 7 and 8, 2021.

Thanks also to Hrishikesh Hirway for his inspiring work on Song Exploder from Radiotopia. It's not just one the smartest and most educational music podcasts out there—it's one of the top podcasts, period.

The Soonish opening theme is by Graham Gordon Ramsay.

The outro music is from "In Praise of San Simpliciano" (2009), also by Graham Gordon Ramsay.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.

Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.

Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

Last summer, a pair of murals celebrating New Mexico's landscape, heritage, and diversity appeared in Albuquerque's historic Old Town district. The large outdoor pieces by muralists Jodie Herrera and Reyes Padilla—two artists with deep roots in New Mexico—brought life back to a once abandoned shopping plaza and became instant fan favorites, endlessly photographed by locals and tourists alike. 

But in a January hearing, the the city’s Landmarks Commission, which is charged with preserving Old Town and Albuquerque’s other historical districts, said the murals were unauthorized and ahistorical and should be destroyed. Business owners and the arts community fought back, saying the commission’s ruling was capricious would amount to cultural erasure. Boosted by a flood of news coverage and public support, this coalition eventually won a new hearing before the commission. 

In a city with such a rich multicultural heritage and a vibrant art scene, how did a disagreement about a couple of murals on private property escalate into a culture-war issue? Must communities make a binary choice between historical preservation and creative growth? Inside historic districts, which versions of history do we choose to preserve—and who gets to make these decisions?

Those are the big questions at the heart of this episode. We’ll hear from Herrera and Padilla, but also from small business owners trying to revitalize Old Town—and from a city official charged with trying to steer sensible enforcement of the city’s historic preservation ordinances. “Historic preservation is valuable and something we all respect, but it has to be parallel with a thriving contemporary community,” says Laura Houghton, who runs the Lapis Room Gallery in Albuquerque and selected Herrera and Padilla to paint the murals. The question for Albuquerque, and roush-6wk7.squarespace.com/109-a-tale-of-two-bridges">many other American cities, is how to balance both needs.

UPDATE: The second Landmarks Commission hearing on the future of the murals took place as scheduled on May 11, 2022, and the commissioners voted to let the murals remain. Listen to the end of the episode for a postscript about the hearing and local reaction to the decision.

For a full transcript, photographs of the murals, and more details please go to https://www.soonishpodcast.org/506-albuquerque

Notes

A special thank you to Jodie Herrera, Reyes Padilla, Jasper Riddle, Laura Houghton, Rosie Dudley, and Ellen Petry Leanse for all their help with this episode.

The Soonish opening theme is by Graham Gordon Ramsay.

All additional music in this episode is from Titlecard Music and Sound in Boston.

If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.

Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.

Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

When you hear people use the phrase "It's a hits-driven business," they're usually talking about venture capital, TV production, videogames, or pop music—all industries where you don't make much money unless you come up with at least one (and  preferably a string of) massively popular products. But you know what's another hits-driven business? Drug development. This week, we present the fourth and final episode in the Persistent Innovators miniseries, originally produced for InnoLead's Innovation Answered podcast and republished here for Soonish listeners. It's all about the giant Swiss pharmaceutical company Novartis, maker of more than a dozen blockbuster drugs like Cosentyx for psoriasis, Entresto for heart failure, and Gilenya for multiple sclerosis. 

Because companies lose patent protection on their old drugs after 17 years, they must constantly refill their pipeline of new drugs—and Novartis has done that by placing a huge bet on the Novartis Institutes for BioMedical Research (NIBR), its 2,000-person R&D lab based in Soonish's hometown of Cambridge, MA. In this episode you'll meet Tom Hughes, a biotech entrepreneur and former Novartis executive who helped to set up NIBR in the early 2000s, as well as NIBR's current president, Jay Bradner. They explain why the decision to build NIBR was initially controversial even inside Novartis, and how the labs are structured today to take big but manageable risks and ensure that the company can capitalize on biology's growing understanding of the molecular and genetic underpinnings of disease.

"I find from the top down, our chairman to our CEO, to every commercial leader, there is a tolerance and an appetite for bravery in drug discovery that is really refreshing and honestly very empowering," Bradner says of Novartis. "If you looked at the type of programs in our portfolio, they’re not for the faint of heart. And this is for a very specific reason. We worry that if we don’t try to [do it] well, then who will?"

"What Makes Novartis a Persistent Innovator?" was first published by Innovation Answered on February 28, 2022. You can hear the entire miniseries at innovationleader.com or in your podcast player of choice.

Logo photo by Sangharsh Lohakare on Unsplash

Full transcript available at http://www.soonishpodcast.org/505-novartis

LEGO is so omnipresent in today’s culture—through its stores, its theme parks, its movies, and of course its construction kits—that it’s hard to imagine a world not strewn with billions of colorful plastic LEGO bricks. Yet less than two decades ago, in 2003, the company came close to extinction, thanks to a frenetic bout of new-product introductions that left out LEGO’s core customers: the kids and adults who just love to build stuff with bricks. In today’s episode of Soonish, hear how the family-owned company behind the LEGO “system of play” recovered from this near-death experience and reconnected with fans to become the world’s most valuable toy brand.

This episode comes to you courtesy of InnoLead, where I’m guest-producing and guest-hosting a four-episode podcast miniseries called “The Persistent Innovators.” This is Episode 3: “What Makes LEGO a Persistent Innovator?” The driving question of the miniseries is how big, established companies can defy historical trends and come up with the hit products needed to keep them on top of their industries, decade after decade. But it turns out LEGO’s crisis, which played out between 1994 and 2003 or so, wasn’t really a lack of innovation—it was an excess of it. 

To find out what happened, I spoke with Bill Breen, a business journalist who co-wrote the best book about LEGO’s turnaround, and former LEGO executives Robert Rasmussen and David Gram. They explain how the company lost sight of its core mission—encouraging learning and exploration through the “hard fun” of building with LEGO bricks—and how it clawed its way back to success through a careful combination of creativity and discipline. 

"What Makes LEGO a Persistent Innovator?" was first published by Innovation Answered on Febuary 14, 2022. You can hear the entire miniseries at innovationleader.com or in your podcast player of choice.

LEGO image by Ivan Diaz on Unsplash

This week, Soonish presents Part 2 of The Persistent Innovators, a miniseries I've been guest-producing and guest-hosting for Innovation Answered, InnoLead's podcast for people with creative roles inside big companies. You can think of Persistent Innovators as the corporate equivalent of human super-agers—meaning they don’t settle into a complacent old age, but manage to keep reinventing themselves and their products decade after decade. Two weeks ago I republished the miniseries' debut episode about Apple, and now I want to bring you the next episode, about The Walt Disney Company. As you'll hear, I focused on how the rise of new technologies like computer graphics and smartphones forced Disney to rethink both of its core businesses: feature animation and theme parks. Enjoy!

"What Makes Disney a Persistent Innovator?" was first published at Innovation Answered on January 31, 2022. You can hear the entire miniseries at innovationleader.com or in your podcast player of choice.

A full episode transcript is available at https://www.soonishpodcast.org/503-art-and-technology-at-disney

Logo photo by Benjamin Suter on Unsplash.