A philosopher, an actor, and a sci-fi writer talk about media and how we consume it.
A philosopher, an actor/musician, and a sci-fi writer (often with entertainment industry guests) talk about media and how we consume it: TV, film, music, novels, games, comics, comedy, theater, podcasts, online video, and more. Most of what (other) people like is pretty weird when you think about it, so thinking about it is what we do.
163 Available Episodes (163 Total)Average duration: 00:49:42
Aug 10, 2023
PMP#155: Existentialist Barbie
00:51:28
Mark, Lawrence, Sarahlyn, and Al talk about the most discussable movie of the summer made by the unlikely pairing of feminist indie director Greta Gerwig and Barbie's corporate overlords at Mattel. Does the film convey at least a legitimate teen version of feminist existentialism? It is actually enjoyable? What sort of irony is this, and can any film be both a blockbuster children's film yet also be a meditation on serious social and philosophical issues?
Mark, Lawrence, Sarahlyn, and Al talk about the blockbuster archaeological adventure films created in 1981 by George Lucas and Stephen Spielberg that we grew up with and which have now been revived and apparently concluded twice, currently via James Mangold's Indiana Jones and the Dial of Destiny.
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Jul 11, 2023
PMP#153: Kids’ Films, Adult Messages
00:58:38
Mark, Lawrence, and returning parents/panelists Michelle Parrinello-Cason and Chris Sunami take on animated blockbuster films by Pixar, et al. Why do some adults prefer these? What's the ideology of this kind of media?
We touch on Puss in Boots, Turning Red, Soul, Trolls, Enola Holmes, and many other things that we watched with our kids and/or as kids. Note that this discussion was recorded in late April, so no Little Mermaid for you!
Mark, Lawrence, Sarahlyn, and Al disagree about the Jason Sudeikis-headed Apple TV+ pandemic hit that's just wrapped up with its third season. Was it actually as good as everyone thought when its first season hit, or was its vibe just something we needed at the time? Should it have stayed slim and comic instead of becoming the stretched out, soapy dramedy that it ended up as?
Sponsor: Check out the Skeptoid podcast at skeptoid.com.
Jun 14, 2023
PMP#151: Everybody’s Talkin’ ‘Bout “Succession”
00:51:13
The regular gang (Mark, Lawrence, Sarahlyn, and Al) address Jesse Armstrong's prestige HBO dramedy that premiered in 2018 and has just wrapped up. Why all the fuss over this show? Is it really worthy of comparison to Shakespeare?
Mark, Lawrence, and Sean Michael Cooney discuss the gothic romance vampire soap opera from 1966-1971 plus the spin-off movies and reboots. We interview one of the stars of the original show, the author Kathryn Leigh Scott, to talk about the appeal and enduring legacy of this show that was once massively popular but is now a quintessential cult property that will likely be rebooted for the fourth time within the next couple of years.
Is the show camp, or just low budget? Think of all the sensitive, reluctant vampires in today's media that this show launched! We're doing this show for Pride Month given its big gay following and leading gay actors.
It's our most successful sports film franchise ever, starting with the Best Picture winning, highest grossing film from 1976, through eight sequels to land us with Creed III.
Mark, Al, Sarahlyn, and Lawrence talk about the ups and downs of this journey. How can such an apparently simple formula stay fresh? Is there any rationale for a larger Rocky-verse?
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Apr 24, 2023
PMP#148: Resource Management Video Games
00:53:02
Mark, Al, our editor Tyler Hislop, and Dr. Jamie Madigan of the Psychology of Video Games podcast talk about a wide range crafting and building games from Minecraft to Starcraft to Sim City to Civilization to Rimworld to Subnautica. Given what a time commitment these typically require, what makes some of them worthwhile?
PMP#147: Nostalgic Mysteries (Knives Out, Poker Face) from Rian Johnson
00:51:34
Mark, Lawrence, Sarahlyn, and Al talk about Rian Johnson's new show Poker Face as basically a Columbo reboot (a "howcatchem" instead of a "whodunnit"), plus his recent films Knives Out and Glass Onion that modernize and subvert Agatha Christie.
Perhaps alone in the Marvel Universe, Black Panther is taken seriously as a political statement, both in the content of its stories and in how the films are produced. Wakanda purports to present an alternate historical condition of Africa had it not been colonized.
Mark, ware.com/">Lawrence Ware, Anthony LeBlanc, and Viola Burlew discuss the comics and films, getting into the political ideas, the social function, the heroic character, and the unique challenge of making the film when the main actor has died.