Swati Chattopadhyay's book Small Spaces: Recasting the Architecture of Empire (Bloomsbury, 2023) recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. 

Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.

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In The Literary Life of Yājñavalkya (SUNY Press, 2024), Steven E. Lindquist investigates the intersections between historical context and literary production in the "life" of Yājñavalkya, the most important ancient Indian literary figure prior to the Buddha. Known for his sharp tongue and deep thought, Yājñavalkya is associated with a number of "firsts" in Indian religious literary history: the first person to discuss brahman and ātman thoroughly; the first to put forth a theory of karma and reincarnation; the first to renounce his household life; and the first to dispute with women in religious debate. 

Throughout early Indian history, he was seen as a priestly bearer of ritual authority, a sage of mystical knowledge, and an innovative propagator of philosophical ideas and religious law. Drawing on history, literary studies, ritual studies, Sanskrit philology, narrative studies, and philosophy, Lindquist traces Yājñavalkya's literary life--from his earliest mentions in ritual texts, through his developing biography in the Upaniṣads, and finally to his role as a hoary sage in narrative literature--offering the first detailed monograph on this central figure in early Indian religious and literary history.

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It’s the 1930s. Amarendra Chandra Pandey, the youngest son of an Indian prince, is about to board a train when a man bumps into him. Amarendra feels a prick; he then boards the train, worried about what it portends.

Just over a week later, Amarendra is dead—of plague. India had not had a case of plague in a dozen years: Was Amarendra’s death natural, or premeditated—perhaps orchestrated by Benoy, his half-brother and competitor for the family riches?

The case is the subject of Dan Morrison’s book The Poisoner of Bengal: The 1930s Murder That Shocked the World (Juggernaut, 2024), who investigates how an Indian prince was able to get his hands on the plague, the scandalous murder trial that followed, and Benoy’s surprising post-independence epilogue.

Dan Morrison is an editor at USA TODAY's Washington bureau. His reporting from around the globe has appeared in outlets including National Geographic, the New York Times, BBC News and PRX's The World. He is also the author of The Black Nile (Viking: 2010), an account of his voyage from Lake Victoria to Rosetta, through Uganda, Sudan and Egypt.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Poisoner of Bengal. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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An influential eighth-century Buddhist text, Śāntideva’s Bodhicaryāvatāra, or Guide to the Practices of Awakening, how to become a supremely virtuous person, a bodhisattva who desires to end the suffering of all sentient beings. 

Stephen Harris’s Buddhist Ethics and the Bodhisattva Path: Śāntideva on Virtue and Well-Being (Bloomsbury Academic, 2024) is a study of the Guide. It articulates Śāntideva’s moral psychology and virtue theory in chapter-length treatments of four central virtues: generosity, patience, compassion, and wisdom. According to Harris, Śāntideva thinks these virtues benefit human persons, and thus the radically altruistic bodhisattva path is also a self-interested one. Harris’s book also explores how this ethical project coheres with the emptiness of all things, the famous Madhyamaka denial of intrinsic nature.

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This is the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues.

In this episode, our host, Kinjal Dave, sits down with filmmaker, artist, and writer Paromita Vohra for a wide-ranging conversation about the artist’s career. As an artist, Vohra has worked across a variety of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. In this interview, she reflects on the provocations and practices that have shaped her approach as an artist, as well as the pedagogical possibilities that multimodal artworks provide in the classroom.

Over the next forty-five minutes, you will hear about:

• What inspired Paromita Vohra to pick up a camera
• The challenges of building and sustaining a career as an independent filmmaker
• Social, political, and cultural shifts in the India during the 1990s that informed Vohra’s media production
• How digital media technologies and the Internet shaped Vohra’s work
• How Unlimited Girls sought to capture a particular moment within a globalizing feminist discourse,
• How Vohra has rejected certain aesthetic and narrative paradigms to craft her own style and voice as an artist, straddling comedy, irony, and politically incisive commentary
• Vohra’s digital platform Agents of Ishq and the sense of community the project has built
• How to cultivate and encourage complex conversations about gender, sex, desire, and politics in the classroom
• Building intimacy with audiences and being vulnerable to criticism
• Vohra’s upcoming projects

…and more!

Guest Biography

Paromita Vohra is an artist who works with a range of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. Her extraordinary body of truth-telling, kinetic and intensely sensuous films, online videos, art installations, television programming and writing have made sense of feminism, love, sexuality, urban life and popular culture for a diverse and loving audience for over 25 years.

Host Bio

Kinjal Dave is a PhD Student at the Annenberg School of Communication at the University of Pennsylvania. She researches critical perspectives on gender, technology, and labor in the South Asian diaspora at the intersection of Media and Communication Studies and Science and Technology Studies (STS) and Diaspora Studies. She is a fellow with the Center for Advanced Research in Global Communication (CARGC) and an affiliate of Data & Society Research Institute.

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For some four hundred years, Hindus and Christians have been engaged in a public controversy about conversion and missionary proselytization, especially in India and the Hindu diaspora. 

Hindu Mission, Christian Mission: Soundings in Comparative Theology (SUNY Press, 2024) reframes this controversy by shifting attention from "conversion" to a wider, interreligious study of "mission" as a category of thought and practice. Comparative theologian Reid B. Locklin traces the emergence of the nondualist Hindu teaching of Advaita Vedānta as a missionary tradition, from the eighth century to the present day, and draws this tradition into dialogue with contemporary proposals in Christian missiology. As a descriptive study of the Chinmaya Mission, the Ramakrishna Mission, and other leading Advaita mission movements, Hindu Mission, Christian Mission contributes to a growing body of scholarship on transnational Hinduism. As a speculative work of Christian comparative theology, it develops key themes from this engagement for a new, interreligious theology of mission and conversion for the twenty-first century and beyond.

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In Worthy of Freedom: Indenture and Free Labor in the Era of Emancipation (University of Chicago Press, 2024), Jonathan Connolly traces the normalization of indenture from its controversial beginnings to its widespread adoption across the British Empire during the nineteenth century. Initially viewed as a covert revival of slavery, indenture caused a scandal in Britain and India. But over time, economic conflict in the colonies altered public perceptions of indenture, now increasingly viewed as a legitimate form of free labor and a means of preserving the promise of abolition. Connolly explains how the large-scale, state-sponsored migration of Indian subjects to work on sugar plantations across Mauritius, British Guiana, and Trinidad transformed both the notion of post-slavery free labor and the political economy of emancipation. Excavating legal and public debates and tracing practical applications of the law, Connolly carefully reconstructs how the categories of free and unfree labor were made and remade to suit the interests of capital and empire, showing that emancipation was not simply a triumphal event but, rather, a deeply contested process. In so doing, he advances an original interpretation of how indenture changed the meaning of “freedom” in a post-abolition world.

Jonathan Connolly is Assistant Professor of History at the University of Illinois Chicago. Connolly is a historian of the British empire with transnational interests in migration, the history of emancipation, and legal history. His research primarily concerns abolition and emancipation, imperial political and legal culture, and the category of free labor in the Caribbean and the Indian Ocean. 

Your host for this episode is Mahishan Gnanaseharan, a PhD student in the Department of History at Stanford University. Mahishan studies the social, political, and intellectual histories of South Asian migrants across the Indian Ocean during the 19th and 20th centuries.

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Saving the Dead: Tibetan Funerary Rituals in the Tradition of the Sarvardurgatipariśodhana Tantra (WSTB, 2024) explores Tibetan funerary manuals based on the Sarvadurgatipariśodhana Tantra (SDP), focusing on the writings of the Sa skya author Rje btsun Grags pa rgyal mtshan (1147–1216) and the diverse forms of agency—human, nonhuman, and material—articulated in his texts. It also examines the polemical responses evoked by Grags pa rgyal mtshan’s manuals from Bo dong Paṇ chen Phyogs las rnam gyal (1375/6–1451) and Go rams pa Bsod nams seng ge (1429–89), elucidating key points of contention including methodologies for site preparation in funeral rites, visualization practices involving objects representing the deceased, and the relationship between tantric narrative and ritual enactment. Finally, the study analyzes A mes zhabs Ngag dbang kun dga’ bsod nams’s (1597–1659) attempt to integrate advanced bardo practices characteristic of highest yogatantra into the yogatantric rites delineated in the SDP, underscoring divergent assumptions about postmortem agency reflected in works classified as yogatantra and highest yogatantra.

This book is available open access here. 

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In the 1990s, India's mediascape saw the efflorescence of edgy soft-porn films in the Malayalam-speaking state of Kerala. In Rated A: Soft-Porn Cinema and Mediations of Desire in India (U California Press, 2024), Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema—such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema—and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. By locating the tense negotiations between sexuality, import policy, and censorship in contemporary India, this study offers a model for understanding film genres outside of screen space, emphasizing that they constitute not just industrial formations but entire fields of social relations and gendered imaginaries.

Dr. Darshana Sreedhar Mini is an Assistant Professor at the University of Wisconsin- Madison. She did her PhD from the University of Southern California. Her teaching and research lie at the intersection of gender, sexuality, transnational media, migrant media and screen cultures of South Asia. She is the co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and the Obscene (Routledge, 2024).

Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media, National University of Singapore, Singapore. She can be reached at khadeejaamenda@u.nus.edu

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Jainism originated in India and shares some features with Buddhism and Hinduism, but it is a distinct tradition with its own key texts, art, rituals, beliefs, and history. One important way it has often been distinguished from Buddhism and Hinduism is through the highly contested category of Tantra: Jainism, unlike the others, does not contain a tantric path to liberation. 

But in Making a Mantra: Tantric Ritual and Renunciation on the Jain Path to Liberation (U Chicago Press, 2021), historian of religions Ellen Gough refines and challenges our understanding of Tantra by looking at the development over two millennia of a Jain incantation, or mantra, that evolved from an auspicious invocation in a second-century text into a key component of mendicant initiations and meditations that continue to this day.

Typically, Jainism is characterized as a celibate, ascetic path to liberation in which one destroys karma through austerities, while the tantric path to liberation is characterized as embracing the pleasures of the material world, requiring the ritual use of mantras to destroy karma. Gough, however, argues that asceticism and Tantra should not be viewed in opposition to one another. She does so by showing that Jains perform "tantric" rituals of initiation and meditation on mantras and maṇḍalas. Jainism includes kinds of tantric practices, Gough provocatively argues, because tantric practices are a logical extension of the ascetic path to liberation.

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