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Submit ReviewWhen Laura Cathcart Robbins checked into rehab for a severe Ambien addiction, all she could think about was getting out and going home to her two young sons. Laura was also in the middle of a divorce and facing a possible custody battle so she wasn’t looking to make her life more complicated. Laura tells the host Anna Martin about the unexpected bond she formed during the worst 30 days of her life and what happened when she came out the other side.
This episode is adapted from Laura’s 2024 essay, “love-marriage-made-an-actor-out-of-me.html">Marriage Made an Actor Out of Me.” Her memoir, “Stash: My Life in Hiding” is available now, and she hosts a podcast called “The Only One in the Room.”
What were your worst dates of 2024? We’re working on an episode about the dating memories you want to forget. We want to know: What was the worst date you went on this year? What happened? And what do you want to do differently when it comes to love in the new year? You don’t have to be single to share your story. If you’re partnered and went on an awful date, we want to hear from you, too. Send us your story by recording a voice memo (just a few minutes long) and emailing it to modernlovepodcast@nytimes.com. Please include your name and where you’re from. You might hear your voice on a future episode of Modern Love.
to-submit-a-modern-love-essay.html">How to submit a Modern Love Essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Stories of romantic love are everywhere, but the actor, singer and comedian Bridget Everett says great friendships deserve our time and attention, too. Not just onscreen, but in reality.
On the HBO Original series “Somebody Somewhere” (now in its third and final season), Everett stars as Sam, a character inspired by the actor’s own life. She tells Anna about how heartbreaking, hilarious and central platonic friendship is in the fictional world of the show, and in Everett’s own relationships.
Everett also reads a Modern Love essay called “love-when-your-greatest-romance-is-friendship.html">When Your Greatest Romance Is a Friendship,” by the novelist Victor Lodato. Lodato was in his 40s when he accidentally found his “person,” and became the platonic life partner of an artist in her 80s who lived across the street.
“Somebody Somewhere” is now streaming on Max.
In April 2024, Lodato published “Honey,” a novel inspired by Austin Brayfield, the friend he wrote about in his essay.
Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962, and please include your name, hometown and a callback number.
to-submit-a-modern-love-essay.html">How to submit a Modern Love Essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The actress and producer Mayan Lopez has seen a majority of her life play out on television.
Her father, the comedian George Lopez, produced and starred in a hit ’90s sitcom based on his real-life relationship with Ann Serrano, Mayan’s mother. But their fictionalized story became a reality when she watched her parents go through a very messy, public divorce.
The experience could have shattered the family beyond repair. But more than a decade later, Mayan and her father have turned their painful experience into another sitcom on NBC, based on their relationship. It’s all very meta. The show is called “Lopez vs. Lopez.”
Mayan reads a Modern Love essay about a daughter who also watched her parents’ marriage fall apart, but then as an adult sees them repair their relationship. The essay, “original-conscious-uncouplers.html">The Original Conscious Uncouplers,” by Cole Kazdin, explores what it means to redefine what a family means after divorce.
Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962, and please include your name, hometown and a callback number.
to-submit-a-modern-love-essay.html">How to submit a Modern Love Essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Madeline de Figueiredo lost her husband, Eli, just a year after they married. After his death, she tried everything she could to reconnect with him: cooking from his recipe book, dancing to playlists he made, watching videos of him and listening to voice mail messages he left her. But her grief persisted.
Then, on what was supposed to be Eli’s 27th birthday, Madeline realized she could use A.I. to recreate his voice and try to talk to him again. On this episode of the “Modern Love” podcast, Madeline tells us what it felt like to hear that recreation of Eli’s voice, and how it changed the way she reconnects with him.
This episode is adapted from Madeline’s Modern Love essay from 2024, “love-ai-our-last-impossible-conversation.html">Our Last, Impossible Conversation.”
We want to hear from you! We’re looking for stories, thoughts and feelings about egg freezing. Are you planning to freeze your eggs? What are you considering? Have you frozen your eggs? What happened, and how do you feel about it now? Leave us a voice mail message on the Modern Love hotline at (212) 589-8962. Please include your name, hometown and a callback number.
Want to submit your own Modern Love essay to The New York Times? to-submit-a-modern-love-essay.html">Read how, or consider submitting a love-tiny-love-stories.html">Tiny Love Story.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Whether it’s Cher or Paul Mescal, Amelia Dimoldenberg can turn her “dates” at a fast-food restaurant into chemistry-fueled, revealing interviews. The dates may be fake, but viewers are always left with the impression that the celebrity guest would probably be game for a second one.
Amelia reads a five-stages-of-ghosting-grief.html">Modern Love essay from Rachel Fields, who is not sure how her last date has gone. After sending a risky text message, Rachel’s insecurities cloud her morning routine as she waits for a response. Amelia offers tips on how to soothe the anxieties that creep up in the early phases of dating, and how to feel confident throughout the process.
Her show, “Chicken Shop Date” is celebrating its 10th anniversary this month.
Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962 and please include your name, hometown, and a callback number in your message.
to-submit-a-modern-love-essay.html">How to submit a Modern Love Essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
In the new movie “We Live in Time,” the actor Andrew Garfield plays a newly divorced man named Tobias who falls in love with a chef named Almut, played by Florence Pugh. Their story feels epic and expansive, but still intimate. It focuses on the small, everyday moments that make up a love story: washing dishes together after a dinner party, sharing biscuits, smelling fruit at a farmers’ market. These are the moments that sustain them through Almut’s excruciatingly difficult medical crisis.
In this episode, Garfield reads the Modern Love essay to-measure-time-in-love-and-loss.html">“Learning to Measure Time in Love and Loss,” by Chris Huntington. His reading was unlike any other in the history of this show. Mr. Garfield was so moved by Mr. Huntington’s essay that he spoke in a surprisingly raw way with the host Anna Martin about the need for art to crack us all open, including himself.
We want to hear from you! This year is the 20th anniversary of the Modern Love column, and we want to know what impact reading the column has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us by leaving a voice mail message at (212) 589-8962. Please include your name, hometown and a callback number, and you might hear yourself on a future episode.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Courtenay Hameister worked hard to stop feeling shame about her body size, but she also had a cruel inner monologue that just wouldn’t leave her alone. At times, her internalized fatphobia was so powerful, she couldn’t think about romance at all. But when Courtenay started dating Jason, everything felt different. He was fat, too, as well as smart, funny, and handsome.
When Courtenay realized she was starting to gain weight again, though, she became obsessed with the idea that other people were judging her and Jason, and she made a decision she would immediately regret.
This episode is adapted from her 2023 essay “love-obesity-fat-couple.html">Were We the ‘Fat Couple’?”
Leave a message on the Modern Love hotline! This year (2024) is the 20th anniversary of the Modern Love column, and we want to know what impact it has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us in a voice mail message at (212) 589-8962. Please include your name, location and callback number, and you might hear yourself on a future episode.
to-submit-a-modern-love-essay.html">How to submit a Modern Love Essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
On the HBO high finance drama “Industry,” basically everyone serves cruel insults. It’s part of the culture at their bank, Pierpoint. But Myha’la’s character, Harper Stern, goes after friends and enemies with deep, cutting verbal attacks.
Myha’la reads a love-no-sound-no-fury-no-marriage.html">Modern Love essay by a woman with the opposite problem: Laura Pritchett and her husband have avoided conflict for so long, she writes, that the fights they’re not having are tearing them apart. Myha’la also tells the host, Anna Martin, about the kind of communication style she strives to maintain, and what it’s like when she and her fiancé, Armando Rivera, find themselves in a fight.
The Season 3 finale of “Industry” drops Sunday night on HBO.
Laura Pritchett has written seven novels, including her latest, “Three Keys.”
Want to leave us a voice mail message on the Modern Love hotline? If so, please include your name, your hometown and a callback number in your message: (212) 589-8962
to-submit-a-modern-love-essay.html">How to submit a Modern Love essay to The New York Times
love-tiny-love-stories.html?pgtype=Article&action=click&module=RelatedLinks">How to submit a Tiny Love Story
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The actor Gillian Anderson (“The X-Files,” “The Fall,” “Sex Education”) has become an advocate for sexual openness, whether through her on-screen personas, launching a libido-boosting soda brand, attending the Golden Globes in a vulva-embroidered dress or through her new book, “Want: Sexual Fantasies by Anonymous,” which showcases the secret fantasies of anonymous women, curated by Ms. Anderson herself.
Today, Ms. Anderson reads and discusses the Modern Love essay “love-on-tinder-off-sex.html">On Tinder, Off Sex,” which follows a woman who becomes unintentionally celibate after a painful breakup. The author fantasizes about past and potential loves but can’t seem to break out of what her doctor has called “secondary abstinence.” Ms. Anderson tells us about a time she felt similarly, and how a good yoga practice snapped her out of it.
We want to hear from you. Tell us how love is showing up in your own life. Call in at (212) 589-8962 with your name, location and story.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
Actor Peter Gallagher (Sex, Lies, & Videotape and The O.C.) met his wife, Paula Harwood, over forty years ago in college in a stairwell meet-cute. Since then, they’ve maintained a loving marriage and managed to raise a family while navigating the world of show business.
We talked to Peter on his 41st wedding anniversary, and he read us the Modern Love essay “Failing in Marriage Does Not Mean Failing at Marriage” by Joe Blair. Despite the essayist being kicked out of the house by his wife five times, the couple managed to remain married and learn that a relationship can mean trying together and failing together. Reflecting on the essay, Peter gave us his advice for staying the course.
Peter Gallagher will be performing on Broadway this fall in Delia Ephron’s play ‘Left on Tenth.’
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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