Since the 18th century, Paris and Prague have been famous for producing some of the greatest wind players of Europe. And in the 19th century, Anton Reicha, who was born in Prague but died in Paris, wrote for those wind players a sizeable body of quintets to showcase the agreeable blend of flute, oboe, clarinet, bassoon, and French horn. In our own time, the number of professional wind quintets has increased dramatically, and, not surprisingly, contemporary composers are eager to create new works for them. On today’s date in 1987, at Carnegie Hall’s Weill Recital Hall in New York, the Manhattan Wind Quintet premiered a piece by the American composer David Maslanka—his Wind Quintet No. 2. A clarinetist himself, Maslanka is particularly known for his works for wind ensembles, large and small. He describes his three-movement Wind Quintet No. 2 as follows: “The first movement is fierce and somewhat daunting in its technical demands; the second is moody and elusive; the third is sweet and resigned.” This recording features the Bergen Woodwind Quintet of Norway, an ensemble that has taken Maslanka’s music very much to heart, recording three of Maslanka’s Wind Quintets for the BIS label from Sweden.