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How To Write A Web Series
Publisher |
Jacob Krueger
Media Type |
audio
Podknife tags |
Movies
Screenwriting
TV & Film
Writing
Categories Via RSS |
TV & Film
Publication Date |
Sep 08, 2017
Episode Duration |
00:45:22
How To Write A Web Series By Jacob Krueger   Jake: This week we are on with Karin Partin, and we are going to be talking about Web Series, which is something I haven't talked about yet on the podcast. Karin teaches our Web Series Writing Classes here at Jacob Krueger Studio and has a lot to say about Web Series writing and producing. We’re going to be looking at Web Series from a creative point of view, and also talking about how you can use a Web Series and very little money to actually launch your career and get noticed-- how a Web Series can become not only a calling card, but actually something that brings you money or something that builds your career. So, Karin thank you so much for joining us. Karin: Yeah, Hi! Thank you for having me. This is exciting to be sitting in on the podcast. I know so many of my students are just huge fans of the podcast and listening to the podcast, so it’s very exciting to be on the podcast. Jake: When you think about Web Series writing, why do a Web Series? Why start with a Web Series? Karin: You want to make a Web Series to break into the industry. If you write a script, you can pitch that script to managers and agents for six months or a year. And then, you get that one yes or five yeses and all five of those managers and producers and agents are putting that script on their desk, and may take six more months to read that script. Once they love your script, let’s say of course you have the perfect script ever, it is the best script ever anyone has ever written and they love it, then it is going to take those people championing for you to get it made. And it can take a very long time and the chances of its momentum falling off is high. That is why it takes a thousand no’s and one yes to break into this industry. So if you make your own Web Series, you can send it to anyone you’ve ever met in the industry, and all of a sudden your chances just skyrocket of someone actually seeing your writing because it got made. You can just send it out and say “hey, here is my five minutes”. And the chances are much higher that they are going to see your work. And you can do it! You can make it affordable. You can make your Web Series affordable. That is the whole point: getting your work out there. it is a very short form content that lets you highlight your skills. So, if you can pull off character development and an A to B of storytelling so your character goes from point A to point B, they change in a very, very short amount of time. So, if you can change your characters in five minutes or less, people are going to be impressed. So it is a way to impress managers and agents and producers that you can do short form of storytelling, and that translates to long form storytelling very easy. If you can pull off a Web Series they will believe that you can write anything, because it is the most difficult thing to do: to tell a well-crafted, beautiful, impeccable story in five minutes or less. Jake: So, you feel it is a way of demonstrating a higher level of craft or a level of compression? Karin: Yes, making a Web Series that costs very little money with minimal characters in very few locations is constraint. And so, you want to be able to let these constraints work for you as a writer. And with all those constraints on your back as a writer, and you still pull off great storytelling, people are going to be excited about your writing. It used to be it cost you $50,000 to make a television pilot. Now, you can get a camera, you can shoot it with your iPhone and spend $500 or $50 if you have actor friends and you know somebody willing to cook for you for the day or the weekend. Then you can make your own Web Series. Jake: The other really beautiful thing about being a Web Series writer is that you are your own producer. So you don’t have the limitations of someone telling you, “hey I don’t really like this character,
How To Write A Web Series By Jacob Krueger   Jake: This week we are on with Karin Partin, and we are going to be talking about Web Series, which is something I haven't talked about yet on the podcast. Karin teaches our Web Series Writing Classes here at Jacob Krueger Studio and has a lot to say about Web Series writing and producing. We’re going to be looking at Web Series from a creative point of view, and also talking about how you can use a Web Series and very little money to actually launch your career and get noticed-- how a Web Series can become not only a calling card, but actually something that brings you money or something that builds your career. So, Karin thank you so much for joining us. Karin: Yeah, Hi! Thank you for having me. This is exciting to be sitting in on the podcast. I know so many of my students are just huge fans of the podcast and listening to the podcast, so it’s very exciting to be on the podcast. Jake: When you think about Web Series writing, why do a Web Series? Why start with a Web Series? Karin: You want to make a Web Series to break into the industry. If you write a script, you can pitch that script to managers and agents for six months or a year. And then, you get that one yes or five yeses and all five of those managers and producers and agents are putting that script on their desk, and may take six more months to read that script. Once they love your script, let’s say of course you have the perfect script ever, it is the best script ever anyone has ever written and they love it, then it is going to take those people championing for you to get it made. And it can take a very long time and the chances of its momentum falling off is high. That is why it takes a thousand no’s and one yes to break into this industry. So if you make your own Web Series, you can send it to anyone you’ve ever met in the industry, and all of a sudden your chances just skyrocket of someone actually seeing your writing because it got made. You can just send it out and say “hey, here is my five minutes”. And the chances are much higher that they are going to see your work. And you can do it! You can make it affordable. You can make your Web Series affordable. That is the whole point: getting your work out there. it is a very short form content that lets you highlight your skills. So, if you can pull off character development and an A to B of storytelling so your character goes from point A to point B, they change in a very, very short amount of time. So, if you can change your characters in five minutes or less, people are going to be impressed. So it is a way to impress managers and agents and producers that you can do short form of storytelling, and that translates to long form storytelling very easy. If you can pull off a Web Series they will believe that you can write anything, because it is the most difficult thing to do: to tell a well-crafted, beautiful, impeccable story in five minutes or less. Jake: So, you feel it is a way of demonstrating a higher level of craft or a level of compression? Karin: Yes, making a Web Series that costs very little money with minimal characters in very few locations is constraint. And so, you want to be able to let these constraints work for you as a writer. And with all those constraints on your back as a writer, and you still pull off great storytelling,

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