In this episode I'm joined by Caterina Liberace, who researches into the use of Victorian architecture and décor in twentieth and twenty-first century Gothic horror. We consider how the archetypal haunted house we now associate as a Gothic house, is an trans-Atlantic incarnation, and emerged after WWII. We think about how the country house exemplifies this, and how the house also acts as a vampiric institution, creating opportunities to think about how this space is represented in literature. About my guest: Caterina earned her BA in History and International Relations from George Washington University and an MA in European History at UCL; She currently in her final year of Modern British History MPhil at the University of Oxford, and she will start her PhD in the autumn.Check out Cat's suggestions:Connie Willis - To Say Nothing of the Dog, The Doomsday BookSilvia Moreno-Garcia - Mexican GothicEdith Wharton - Mr Jones, All SoulsE.F. Benson - How Fear Departed the Long GalleryShirley Jackson - The Haunting of Hill HouseTerry Pratchett - Going Postal, Making Money, Raising SteamEpisode Credits:Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSoundCheck us out at the following social media pages and websites!Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com