In Episode 25, we’ve seen things you wouldn’t believe. A guest synth expert to tell us all about the great Yamaha CS-80’s attack and delay, and the shoulders of its Orion filter envelopes. We’ve watched Vangelis glitter in the dark, near Wagner’s Tannhäuser Overture. All these moments will be recorded in time, on podcast recording equipment, and released online, like tears in rain. Episode notes: 3:20 – A special Art of the Score guest 4:57 – A history of Blade Running 12:21 – The Vangelis sound 16:34 – Sound design versus music 20:37 – The Blade Runner main theme 26:48 – Synth talk with Seja: the Yamaha CS-80 31:52 – Aftertouch 35:32 – Oscillators and ring modulators 40:22 – The pitch ribbon 43:20 – Seja recreates the Blade Runner theme 52:44 – Pronunciation fun with Dan 55:02 – Tears In Rain 56:51 – Blade Runner and the film noir sound, from Double Indemnity to L.A. Noire 1:10:33 – The Blade Runner Blues 1:14:34 – Rachel’s theme 1:19:15 – The Love theme 1:23:49 – The ‘ethnic’ influences on the score – Blush Response 1:26:22 – Tales of the Future 1:31:10 – Damask Rose 1:36:15 – One More Kiss Dear and Blade Runner’s world of jazz 1:40:11 – The End Titles We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.