On this week’s show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl’s enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn’t the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America’s greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein’s complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple’s struggle to balance Lenny’s public genius with his life as a closeted gay man. (For more on Cooper’s prosthetic nose, read Mark Harris’ comprehensive essay for Slate, “The Bradley Cooper ‘Jewface’ Controversy Isn’t Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through Slate’s 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project’s editor, Dan Kois.
In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes.
Email us at
culturefest@slate.com.
Outro music: “Spinning the Wheels” by Dusty Decks
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megaphone.fm/adchoicesOn this week’s show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl’s enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn’t the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America’s greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein’s complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple’s struggle to balance Lenny’s public genius with his life as a closeted gay man. (For more on Cooper’s prosthetic nose, read Mark Harris’ comprehensive essay for Slate, “The Bradley Cooper ‘Jewface’ Controversy Isn’t Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through Slate’s 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project’s editor, Dan Kois.
In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes.
Email us at
culturefest@slate.com.
Outro music: “Spinning the Wheels” by Dusty Decks
Learn more about your ad choices. Visit
megaphone.fm/adchoicesOn this week’s show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl’s enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn’t the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America’s greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein’s complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple’s struggle to balance Lenny’s public genius with his life as a closeted gay man. (For more on Cooper’s prosthetic nose, read Mark Harris’ comprehensive essay for Slate, “bernstein-bradley-cooper-maestro-movie-nose-jewface.html">The Bradley Cooper ‘Jewface’ Controversy Isn’t Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through movies-2023-barbie-oppenheimer-barbenheimer.html">Slate’s 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project’s editor, Dan Kois.
In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes.
Email us at culturefest@slate.com.
Outro music: “Spinning the Wheels” by Dusty Decks
Learn more about your ad choices. Visit megaphone.fm/adchoices