On this week’s show, the hosts begin by jumping into Furiosa: A Mad Max Saga, a prequel to George Miller’s 2015 Fury Road, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s review of Furiosa!) Then, the three chat Hit Man, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s review of Hat Man!) Finally, ScarJo or FauxJo? Tech journalist and author of Blood in the Machine: The Origins of the Rebellion Against Big Tech Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s newsletter about it!)
In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own?
Email us at
culturefest@slate.com.
Endorsements:
Dana: An interview between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films Bernie and Hit Man, for Texas Monthly.
Julia: Monopoly Deal, a well-designed family card game.
Stephen: A poem by Janet Frame, “Scarlet Tanager, Saratoga Springs” which was featured on the Yumi Zouma song, “Lie Like You Want Me Back - Alternative Version.”
Podcast production by Jessamine Molli. Production assistance by Kat Hong.
Learn more about your ad choices. Visit
megaphone.fm/adchoicesOn this week’s show, the hosts begin by jumping into Furiosa: A Mad Max Saga, a prequel to George Miller’s 2015 Fury Road, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s review of Furiosa!) Then, the three chat Hit Man, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s review of Hat Man!) Finally, ScarJo or FauxJo? Tech journalist and author of Blood in the Machine: The Origins of the Rebellion Against Big Tech Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s newsletter about it!)
In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own?
Email us at
culturefest@slate.com.
Endorsements:
Dana: An interview between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films Bernie and Hit Man, for Texas Monthly.
Julia: Monopoly Deal, a well-designed family card game.
Stephen: A poem by Janet Frame, “Scarlet Tanager, Saratoga Springs” which was featured on the Yumi Zouma song, “Lie Like You Want Me Back - Alternative Version.”
Podcast production by Jessamine Molli. Production assistance by Kat Hong.
Learn more about your ad choices. Visit
megaphone.fm/adchoicesOn this week’s show, the hosts begin by jumping into Furiosa: A Mad Max Saga, a prequel to George Miller’s 2015 Fury Road, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s man-netflix-movie-glen-powell-adria-arjona.html">review of Furiosa!) Then, the three chat Hit Man, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s man-netflix-movie-glen-powell-adria-arjona.html">review of Hat Man!) Finally, ScarJo or FauxJo? Tech journalist and author of Blood in the Machine: The Origins of the Rebellion Against Big Tech Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s newsletter about it!)
In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own?
Email us at culturefest@slate.com.
Endorsements:
Dana: An interview between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films Bernie and Hit Man, for Texas Monthly.
Julia: Monopoly Deal, a well-designed family card game.
Stephen: A poem by Janet Frame, “Scarlet Tanager, Saratoga Springs” which was featured on the Yumi Zouma song, “Lie Like You Want Me Back - Alternative Version.”
Podcast production by Jessamine Molli. Production assistance by Kat Hong.
Learn more about your ad choices. Visit megaphone.fm/adchoices
