Please login or sign up to post and edit reviews.
Beyoncé’s ‘Cowboy Carter’ transmits joy, honours legends and challenges a segregated industry
Publisher |
The Conversation
Media Type |
audio
Publication Date |
Apr 04, 2024
Episode Duration |
00:40:44

The release of Beyoncé’s new album, Cowboy Carter, was a much awaited event for a lot of us. There was much anticipation about this being a country album — and  a lot of talk about the resistance some radio stations had and still have to that idea. That’s because country music is considered  "white music," even though its Black historical roots  are well documented. But Cowboy Carter is about so much more than country music. It honours other Black musical legends — and challenges the segregation we still see and hear in the music industry today.  Vinita is joined by two experts to talk about it all. Alexis McGee is an Assistant Professor of Writing Studies at the University of British Columbia and author of "From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics." And Jada Watson is Assistant Professor of Digital Humanities at the School of Information Studies at the University of Ottawa. Her current research, called SongData, uses music industry data to examine representation in the country music industry.

 

Today's episode is about Beyoncé's new album, Cowboy Carter. Beyoncé’s country-inspired album has caused a stir because the country music scene has long been white dominated, with a history of segregation that has erased its Black roots and gatekept it from Black artists.

The release of Beyoncé’s new album, Cowboy Carter, was a much awaited event for a lot of us. There was much anticipation about this being a country album — and  a lot of talk about the resistance some radio stations had and still have to that idea. That’s because country music is considered  "white music," even though its Black historical roots  are well documented. But Cowboy Carter is about so much more than country music. It honours other Black musical legends — and challenges the segregation we still see and hear in the music industry today.  Vinita is joined by two experts to talk about it all. Alexis McGee is an Assistant Professor of Writing Studies at the University of British Columbia and author of "From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics." And Jada Watson is Assistant Professor of Digital Humanities at the School of Information Studies at the University of Ottawa. Her current research, called SongData, uses music industry data to examine representation in the country music industry.

 

This episode currently has no reviews.

Submit Review
This episode could use a review!

This episode could use a review! Have anything to say about it? Share your thoughts using the button below.

Submit Review