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Submit ReviewThe French composer Olivier Messiaen played the piano part in one of the strangest premiere performances of the 20th century on today’s date in 1941. As the composer himself puts it: “My ‘Quartet for the End of Time’ was conceived and written during my captivity as a prisoner of war and received its premiere at Stalag 8a in Görlitz, Silesia.”
One of the four performers was cellist Etienne Pasquier, who offered this recollection:
“We were captured at Verdun. Our entire company was initially held in a large field near Nancy. Among our comrades was a clarinetist who had been allowed to keep his clarinet. Messiaen started to write a piece for him… as he was the only person there with an instrument. [That] solo was later to become the third movement of the Quartet. The clarinetist practiced in the open field and I acted as his music stand. The piece seemed too difficult… and he complained about it to Messiaen. “’You’ll manage,’ was Messiaen’s only reply.”
Pasquier said the Quartet’s premiere was a great success and led to the release of Messiaen and his three colleagues, because the Germans assumed – wrongly, it turns out – that the four musicians must have all been non-combatants.
Olivier Messiaen (1908-1992) — Quartet for the End of Time (Tashi) RCA/BMG 7835
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