NOTE: This is a special guest episode of Jason's new podcast Clever Creature. Please subscribe on iTunes, Spotify, Stitcher, or wherever you get your podcasts!

The Moleskine is open, the page is staring back accusingly/

Like 'come on, Punk, what makes you think you possibly could fill the likes of me?

Reflections on a big creative leap of faith: the making of this podcast. A staples manufacturer on the brink of death, taking solace in his gut flora and the memory of his daughter's love for LOL Surprise dolls. A song about deserts, real and figurative. A conversation with Jason's son Emre about the Ice Cream Desert and music-making as a doorway. And a "bonus track" 7 minute guided meditation at the end.

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Episode art by Nathan Gelgud

Theme song by Emre Gots

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

Adult life, with all its schedules and responsibilities, can turn into a kind of library of locked boxes. The ones we open every day sit on a shelf at eye level, their keys clipped to a carabiner at our waist: Set the alarm. Pack a gym bag. Pick up milk for the kids.

But on the lower shelves and in the dusty back rooms there’s an ominous jumble of odd-shaped containers. They hold the stories that don’t fit so neatly into the skin we’ve decided to live in. Maybe we’ve misplaced the keys, or maybe we’ve deliberately lost them.

My guest today keeps all the keys close at hand. In his stories and graphic novels worlds collide and, as the fairy Ariel puts it in Shakespeare’s Tempest, they “suffer a sea change, into something rich and strange”. The walls of reality are permeable, and dangerous magic is always seeping through.

Neil Gaiman is the author of the Sandman graphic novels, The Graveyard Book, Coraline, American Gods, and many other wonderful things. His latest is a marvelous retelling of Norse Mythology, with most of the nasty bits left in.

Surprise conversation-starter clips in this episode:

Barbara Oakley on learning speeds and styles

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

I’m underground as I write this, one day before taping the conversation you’re about to hear, speeding through New York City subway tunnels that aren’t all that ancient but whose darkness, and rats, and crumbling, esoteric infrastructure holds fear and fascination enough for anyone who contemplates them. Waking up this morning—notice how you wake up, not down—I felt my already barely remembered dreams sliding off of me in layers, like leaves, or hands. And the longing to submit to those hands and slide back down, underground, into the caverns of sleep.

My guest today, Robert MacFarlane, has dug deeper than I could ever hope to into the meanings and magnetism of the underworld —tunnels, caves, sinkholes, and the living, fungal earth of our world and our imaginations. At one point in his new book UNDERLAND he brings up the fact that to a neutrino, our solid physical world is just a a mesh—Mount Everest is a wide-gauge net it can pass easily through. In MacFarlane’s writing, the layers of the world are transparent, overlapping, always already present. He’s often called a “nature writer”, but that’s a poor proxy for what he actually is: a philosopher poet with the gift of sight in the darkness, whose penetrating vision turns the world inside out.

Surprise conversation starters in this episode:

E.O. Wilson on the world of pheromones

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

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Faith in anything is its own special form of madness.

It’s a challenge to entropy, and entropy takes no challenge lightly. If there’s any better metaphor for this struggle than trying to make a big budget movie with even a shred of integrity, I haven’t found it.

On the one hand, you’ve got this impossible dream. This faith in the beautiful thing that’s supposed to emerge at at the end of the process. On the other hand, the process is a hellish sausage-making machine of studio bosses, financing, and acts of god like four days of flash flooding in the middle of your big shoot. You might as well be Don Quixote, doing battle with a windmill.

What kind of masochist would put themselves through that?

My guest today, Terry Gilliam, is that very masochist. And we should be grateful, because his stomach for the fight has given us movies like THE FISHER KING, BRAZIL, 12 MONKEYS and MONTY PYTHON’s THE LIFE OF BRIAN. And now, almost 30 years after his first, biblically disastrous attempt to make it, THE MAN WHO KILLED DON QUIXOTE. Starring Adam Driver and Jonathan Pryce, the movie is as funny, thrilling, and unpretentiously deep as the best of Gilliam’s work. It’s also kind of like one of those Russian matryoshka dolls: a film inside a film inside a film, all of them metaphors for the holy folly of believing in anything at all.

The Man Who Killed Don Quixote is out April 19th in select theaters and on demand video.

Surprise conversation starters in this episode:

Michelle Thaller on whether time is real or an illusion

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

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Among other things, music can be medicine. Like a vaccine, it sometimes works by giving your body a little taste of the disease. Other times, of course, you just wanna dance, and James Brown might be just what you need. But the medicine songs I’m talking about are the ones that break your heart open no matter many times you hear them. And you want them to—because that’s what it feels like to be alive.

Nobody knows this better than my guest today, singer-songwriter Anaïs Mitchell. Like the centuries of blues and folk songs that echo through it, transubstantiated by her voice and guitar into something almost too beautiful to bear, her music is powerful medicine.

Anaïs wrote all the songs, lyrics and the book of the new (14x Tony-nominated!) Broadway musical, HADESTOWN, directed by Rachel Chavkin. It makes new again the ancient story of the singer-songwriter Orpheus and his lover Eurydice, who he follows all the way to hell, and leads most of the way back again. 

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

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At this point, it’s very rare to read something and find myself thinking: This is something new. This is unlike anything I’ve ever read before. It doesn’t have to be written in hieroglyphs or be some kind of three-dimensional interactive reading experience with pull-out tabs and half the pages upside down. That kind of formal experimentation, in my experience as a reader, more often ends up being gimmicky and annoying than exhilarating. In fact, paradoxically, the “wow this is something new” experience often comes along with a sense that this new thing has somehow always existed, in your dreams if nowhere else. 

Marlon James—the Jamaican writer who won the Man Booker Prize for A Brief History of Seven Killings— has done something in his new fantasy novel Black Leopard, Red Wolf that’s unlike anything I’ve ever read before. The first book of a trilogy, it’s been described as an “African Game of Thrones” and likened in scope to Tolkien’s Lord of The Rings. But the stories within stories it tells and the shifts in voice and perspective thrust you into a seething, hallucinatory, morally ambiguous world that’s part Ayahuasca dream and part blacklight nightmare, anchored in a rich African mythology that’s worlds away from all those elves, wizards, dragons, and goblins—all those well-worn tales of light versus darkness. 

Surprise conversation-starters in this episode: 

Jeffrey Sachs on whether Jeff Bezos should distribute his Amazon wealth

Damian Echols on tattoos as a lifeline 

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

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Note: I feel I should let listeners know that this episode of Think Again is about surviving and thriving in the face of unspeakable trauma and sexual violence. And in order to get to the thriving, we have talk about the trauma, which may be painful for some listeners and inappropriate for kids. But I don’t want to scare anybody off—I think it’s one of the most valuable conversations we’ve ever had on the show. 

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For a human child growing up, trust is the foundation of everything. We learn how to regulate our emotions, how to see the world as relatively stable and safe through the connection with the people who care for us. Severely neglected children can suffer all kinds of harm to their ability to think, connect with others, and learn. But what happens when the caring bond is not only missing, but is horribly abused? Distorted through incest and sexual violence? How do you build a self and life after that? And let’s say you somehow manage to survive to adulthood…to thrive, even. How do you fill the place in your heart where the love and the trust is supposed to be?

My guest today has had to answer all these questions for herself. She is the playwright, author, and activist Eve Ensler. You may know her as the creator of the Vagina Monlogues. What you might not know is that all the horrors I’m talking about happened to her as a kid. Let me take that out of the passive voice: her father did that to her, and more. And he died without saying anything remotely close to “I’m sorry”. So Eve wrote his apology for him—her book THE APOLOGY is a letter to her—to Eve—in the imagined voice of her dead father, retelling what happened, why it happened, and trying to figure out in these twisted circumstances what an apology would even mean…

Surprise conversation starters in this episode:

Jared Diamond on immigrants and innovation 

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Thoughts on relistening: 

This episode with Eve Ensler means a lot to me. I came late to the feminist conversation about patriarchy and masculinity. About the ways men are taught to be ashamed of vulnerability, and how all that fear and shame can lead to violence. Listening back I’m struck again by this one thing she says: “Language changes everything. It’s like the word 'vagina'. If you can’t say it, you can’t see it. If you can’t see it, a lot of things can happen to it in the dark without your permission.” There is so much hope and power in the work Eve does to break the silence and encourage others to do the same. As a man, I hear it especially loud and clear when she says it’s time for men to “...make a choice. Whether they’re going to maintain allegiance to the male code or step into the next paradigm. Stopping the domination so they get to be free in this lifetime.” I hear it and I personally, enthusiastically accept that call. 

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[From February through March 22, 2020 (his last day hosting Think Again) Jason will be revisiting favorite past episodes. Jason's new show, starting May 12th, is Clever Creature with Jason Gots.]

Life is full of horrible things. I dare you to deny it. Things like death, sickness, and alcoholism. And did I mention death, which lies in wait for us all? But if you talk about these things at dinner parties, or at work, or to someone you have just met in line at the grocery store, you risk being branded a negative person. In some circles, such as the state of California, negativity is like leprosy. It can really mess up your social life.

This does not seem to trouble my guest today, who has spent much of his life turning horrible, true stories into festive comedy. like many people, I first heard David Sedaris’ unmistakable voice on public radio in the late 90s. My sister and I took a couple of his audio books on a road trip across America in her red Saturn with a bumper sticker on the back that read “Humanity is Trying”. Having Sedaris along as company somehow made the endless miles of Stuckeys’ and strip malls, and the weeping people at Elvis‘s grave side in Graceland a little less alien and terrifying. In his latest book, Calypso, David is doing his thing better than ever. It’s about what’s on his mind these days, from decluttering the English countryside, to feeding a surgically removed lump of fat to a snapping turtle, to a sister’s suicide.

Surprise conversation-starter clips in this episode:

Martin Amis on the “etiquette” of good writing

Lucy Cooke on the extraordinary genitalia of female spotted hyenas

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Since 1976, Sharon Salzberg has been sharing ancient meditation and mindfulness practices in a voice the contemporary West can understand. Her warm, funny, down-to-earth books, dharma talks, and guided meditations have helped struggling meditators worldwide establish a strong practice and reduce the suffering in their lives. In this episode master teacher Sharon Salzberg considers whether it's ok to teach mindfulness to the armed forces, how practitioners of meditation and mindfulness should balance openness with discipline, and so much more. Sharon’s latest book is Real Happiness: a 28 day program for realizing the power of meditation, now thoroughly updated and revised for its 10th anniversary. 

Note: This will be the last original episode of Think Again with show creator and host Jason Gots. Throughout February and March he’ll be running a retrospective of favorite episodes with new commentary. On May 12, 2020, he’ll launch a new, independent show: Clever Creature. 

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Thelma and Louise, Ponch and John, Pancho and Lefty, Quixote and Sancho Panza, Marx and Engels, Marx and Chast…history and literature are full of magical buddy stories. Every now and then, for reasons no one can explain, Two people come together and produce something greater, or at least very different, from the sum of their parts.

I’m here today with one such team: the writer-cartoonist duo of Patricia Marx and Roz Chast. They’re both longtime contributors to the New Yorker and fearsome humorists in their own rights. But together they form a third fearsome thing, a thing which has created books such as Why Don’t You Write My Eulogy Now So I Can Correct it: A Mother’s Suggestions, And their latest: You Can Only Yell At Me For One Thing At A Time: Rules for Couples. They’re also the enigmatic figures behind yet a fourth thing, the legendary ukulele band Ukelear Meltdown. 

– Jason Gots

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