Amy’s career in theater and film has spanned more than 30 years, from Broadway to San Francisco Opera to George Lucas’s Industrial Light & Magic. She has worked as a Stage Technician (Lighting, Props, Grip, Costumes), Stage & Production Manager, Special Effects Pyrotechnician and Model Maker.
Some of her film credits include: Terminator 2, Star Trek VI, Star Trek Generations, Hook, Casper and The Rocketeer. (She was on the Pyro crew which blew up the zeppelin and the Hollywoodland sign and created a lot of other flame effects used in the film.)
Amy lives and works in the San Francisco Bay Area where she has found a second career following her personal passion, promoting space exploration and preserving space history, as an Event Coordinator, Operations and Social Media Manager for The Space Station Museum .
Summary
Credits continue:
Negative Cutter BUENA VISTA NEGATIVE CUTTING
Color Timer BOB KAISER
Titles & Opticals PACIFIC TITLE
Main Title Graphics by SAXON / ROSS FILM DESIGN, INC.
DGA Trainee DAVID SPITZER
Production Assistants HENRY H. HAMMOND, KRISTINA H. JONES, DIANA VILKAITIS, DAVID DALE
SPECIAL VISUAL EFFECTS by
INDUSTRIAL LIGHT & MAGIC,
a division of LucasArts Entertainment
Marin County, California
Visual Effects Supervisor KEN RALSTON
Visual Effects Producer PATRICIA BLAU
Visual Effects Art Director JOHN BELL
Optical Photography Supervisors JOHN ELLIS, BRUCE VECCHITTO
Director of Photography PATRICK TURNER
Visual Effects Editor TIM EATON
Animation Supervisor WES FORD TAKAHASHI
Rotoscope Supervisor TOM BERTINO
Supervising Modelmaker STEVE GAWLEY
Efx Camera Matte Painting Supervisor BRUCE WALTERS
Executive in Charge of Production JIM MORRIS
Executive in Charge of Post Production ED L. JONES
General Manager SCOTT ROSS
Project Manager ED HIRSH
Visual Effects Coordinators PENNY RUNGE, ANNE CALANCHINI
Camera Operators PETER DAULTON, PAT SWEENEY, TERRY CHOSTNER
Stop Motion Animator TOM ST. AMAND
Camera Assistants VANCE PIPER, KATE O’NEILL, DAVID HANKS
Optical Camera Operators KENNETH SMITH, JAMES LIM, JEFF DORAN, JON ALEXANDER, KEITH JOHNSON, PAT REPOLA
Computer Graph., Digital Supervisors SANDRA R. FORD, STUART ROBERTSON
Film Scanner Operators JOSHUA PINES, RANDALL K. BEAN, JEFF B. LIGHT
Optical Line-Up TOM ROSSETER, PEG HUNTER, LORI NELSON, DAVID KARPMAN, JENNIFER LEE, JOHN WHISNANT
Chief Matte Painter MARK SULLIVAN
Animators CRISPY GREEN, ANTHONY STACCHI, CHARLIE CANFIELD, GORDON BAKER, LORING DOYLE, KEVIN COFFEY
Effects Camera Operators CHARLIE CLAVADETSCHER, PATRICK MYERS
Rotoscopers JACK MONGOVAN, SANDY HOUSTON, JOANNE HAFNER, REBECCA HESKES, TERRY MOLATORE, ELLEN MUELLER
Assistant Editors, Neg Cutter RON FODE, MICHAEL McGOVERN, LOUIS RIVERA
Chief Modelmakers CHARLIE BAILEY, MIKE FULMER, IRA KEELER, RICHARD MILLER, RANDY OTTENBERG, LARRY TAN
Key Stage Technicians ROBERT FINLEY III, DAVID HERON, RICHARD SPAH, ROBERT FINLEY, JR. MICHAEL OLAGUE, TIM MORGAN
Production Assistants SANDRA ALMOND WILLIAMS, DAVID JAMES
SECOND UNIT
Directors KEN RALSTON, M. JAMES ARNETT
First Assistant Director J. TOM ARCHULETA
Script Supervisor PAUL TINSLEY
Directors of Photography FRANK HOLGATE, REXFORD METZ, A.S.C.
Key Grip TOM PROPHET, JR.
NAZI ANIMATION
Director MARK DINDAL
Layout JIM BEIHOLD
Backgrounds PHIL PHILLIPSON
Post by WDP FEATURE ANIMATION
CAST
Cliff BILL CAMPBELL
Jenny JENNIFER CONNELLY
Peevy ALAN ARKIN
Neville Sinclair TIMOTHY DALTON
Eddie Valentine PAUL SORVINO
Howard Hughes TERRY O’QUINN
Fitch ED LAUTER
Wooly JAMES HANDY
Lothar TINY RON
Spanish Johnny ROBERT GUY MIRANDA
Rusty JOHN LAVACHIELLI
Bigelow JON POLITO
Malcolm EDDIE JONES
Skeets WILLIAM SANDERSON
Goose DON PUGSLEY
Irma NADA DESPOTOVICH
Millie MARGO MARTINDALE