Tonight, we’ll read the opening to “The Lazy Tour of Two Idle Apprentices”, written in collaboration by Charles Dickens and Wilkie Collins. Snoozecast first read this story back in the year 2020.

An instrumental event in Wilkie Collins’s career was an introduction in 1851 when he was in his late twenties, to Charles Dickens by a mutual friend. They became lifelong friends and collaborators. For example, first, Collins acted with Dickens in a play together. Among the audience were Queen Victoria and Prince Albert. Then one of Collins's stories was published in Dickens's magazine the next year. Later that year Collins went on tour with Dickens's company of amateur actors.

“The Lazy Tour” reads as an autobiographical tour taken by the two of them in the north of Britain. What resulted is extremely whimsical, occasionally absurd, and it has to be said, very much of its time. The book takes place in the year 1857 and provides insight into the friendship and adventures of the pair of titans of Victorian literature.

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Tonight, we shall read the next part to “Persuasion”, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses and reduce their debt, by renting their home to an Admiral and his wife.

In the last episode, Anne finally extricates herself from the long, awkward walk through the countryside by hitching a ride with Captain Wentworth’s parents, who happen to pass by in their carriage. Anne starts to look forward to meeting back up with Lady Russell after her two month stay with her sister, and moving on with her life. We will pick up our story where the group of young people went to visit the scenic town of Lyme on a lark, where Captain Wentworth has old friends.

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Tonight, for this month’s Snoozecast+ Deluxe bonus episode, we’ll read a Snoozecast original story titled “The Goose, the Fox and the Dog”. In this tale, a quiet farmer returns from a bustling town market with his purchases: a fox, a goose, and a sack of grain. On his way home, he faces a dilemma as to how to cross the riverbank with his goods. The small boat can only carry one of his new acquisitions at a time, but to do so would surely ruin the others before they could be transported across. While the animals ceaselessly squabble and fret, the simple farmer keeps them all safe with his patience and steadiness.

This story is inspired by the classic “river crossing puzzle” in which the object is to carry items from one river bank to another, usually in the fewest trips. The difficulty of the puzzle may arise from restrictions on which or how many items can be transported at the same time, or which or how many items may be safely left together. The earliest known river-crossing problems occur in a manuscript from the 9th century.

This type of puzzle is also a form of recreational mathematics, which is to say it is carried out for entertainment rather than for research, formal education or professional applications. These sorts of puzzles and games are often appealing to children and untrained adults and can inspire their further study of the subject. Some of the more well-known topics in recreational mathematics are Rubik's Cubes, magic squares, fractals, logic puzzles and mathematical chess problems, the culture and aesthetics of mathematics, amusing stories and coincidences about mathematics, and the personal lives of mathematicians.

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Tonight, to continue our 6th annual “Spooky Sleep Story Series”, we shall read the opening to The Phantom Coach by Amelia B. Edwards. Tune in every Wednesday this month for sleep stories of the darker variety- like classic horror literature and ghost stories. If you prefer to avoid the mildly macabre we hope you’ll enjoy one of our many other stories available wherever you listen to podcasts.

Catch up on previous years by finding our free standalone podcast series “Snoozecast Presents: Spooky Stories” or if you are a premium subscriber, look for “Snoozecast+” or “Snoozecast+ Deluxe: Spooky Stories” instead to listen ad-free.

The Phantom Coach by Amelia B. Edwards, first published in 1864, is a classic Victorian ghost story. Edwards, an accomplished novelist, traveler, and Egyptologist, was known for her keen storytelling abilities, especially in weaving the supernatural into everyday occurrences. In this tale, she explores the eerie and unsettling experience of a man lost in a snowstorm who encounters a mysterious coach that may not be of this world.

Set against a bleak, wintry landscape, The Phantom Coach delves into themes of isolation, fate, and the unknown. What sets The Phantom Coach apart from other ghost stories of its time is Edwards’ use of psychological suspense. Rather than relying on overt scares, she creates a slow-burn tension that lingers long after the tale is finished. The story reflects the Victorian fascination with the unknown and the afterlife, common themes in the literature of the period, making it a quintessential example of 19th-century ghostly fiction.

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Tonight, we’ll read the second half of “The White Cat” , penned by Madame d’Aulnoy in 1698. The first half aired last week. This story is one of the earliest examples of the contes de fées, or fairy tales, that were a hallmark of French literary culture in the late 17th century. These stories gained popularity not only for their fantastical elements but also for their subtle commentaries on social norms and gender roles, often woven into the intricate plots.

Unlike Charles Perrault, whose tales like Cinderella and Sleeping Beauty became classics, Madame d’Aulnoy’s work was often marked by a stronger emphasis on clever, resourceful female protagonists and the nuanced exploration of power dynamics within courtly life. Her stories, including The White Cat, catered to an aristocratic audience that enjoyed wit, irony, and moral lessons hidden beneath layers of enchantment.

The White Cat stands out not only for its magical setting but also for its structure, which reflects the taste of the era for episodic storytelling and rich, ornate descriptions. The enchanted castle, where a prince spends time with a talking cat, offers readers a blend of whimsy and allegory, symbolizing deeper ideas about loyalty, love, and transformation.

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Tonight, we’ll read the next part to “Twenty Thousand Leagues Under the Sea,” a classic science fiction adventure novel by French writer Jules Verne.

In the previous episode, the Nautilus continues its journey past Newfoundland, Ireland, and England, but avoids the English Channel. Arronax spots an abandoned electric cable on the ocean floor, once meant to transmit telegrams, symbolizing the power of nature over humanity's greatest achievements. Then Arronax sees a distant steam ship, and Captain Nemo cryptically remarks, “It is here.” As the submarine descends, they discover the wreck of the Marseillais, later renamed the Avenger, a ship from 1762, which Nemo praises for its powerful name.

We will pick up within chapter 21.

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Tonight, to continue our 6th annual “Spooky Sleep Story Series”, we shall read the opening to “The War of the Worlds”, written by H.G. Wells and first published in 1898. Tune in every Wednesday this month for sleep stories of the darker variety- like classic horror literature and ghost stories. If you prefer to avoid the mildly macabre we hope you’ll enjoy one of our many other stories available wherever you listen to podcasts.

Catch up on previous years by finding our free standalone podcast series “Snoozecast Presents: Spooky Stories” or if you are a premium subscriber, look for “Snoozecast+” or “Snoozecast+ Deluxe: Spooky Stories” instead to listen ad-free.

H.G. Wells, often referred to as the “father of science fiction,” published The War of the Worlds in 1898, marking a groundbreaking moment in the genre. Born in 1866 in England, Wells was a prolific writer whose works spanned both fiction and non-fiction, often reflecting his deep interest in social issues, science, and human evolution. The War of the Worlds stands out as one of his most enduring and influential works, imagining a catastrophic alien invasion of Earth.

Set in Victorian England, the novel explores the vulnerability of humankind in the face of superior extraterrestrial forces, an idea that was revolutionary for its time. Wells blended scientific ideas with thrilling narrative, vividly imagining Martian invaders wielding advanced technology like heat-rays and enormous tripods. This portrayal of a technologically superior race wreaking havoc on humanity mirrored concerns of imperialism and the unknown, while questioning the assumptions of Western dominance.

The story's cultural impact is immense—most notably when Orson Welles’ 1938 radio adaptation apparently caused public panic, as listeners mistook the dramatization for a real Martian invasion. Although new data seems to suggest the extent of this “panic” may have been minimal. Wells' tale remains timeless, continuing to inspire adaptations, films, and discussions on human survival and the role of science in society. In The War of the Worlds, Wells not only entertains but also offers a compelling critique of humanity’s fragile position in the universe, showcasing the blend of imagination and intellect that defined his career. 

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The White Cat, written by Madame d’Aulnoy in 1698, and originally broadcast by Snoozecast in July 2020, is part of the early wave of literary fairy tales popular in France at the time. These tales were not just for children—they were enjoyed by adults, especially in the aristocratic salons of Paris, where storytelling was a fashionable pastime.

Madame d’Aulnoy was one of the key figures in this genre, alongside writers like Charles Perrault. Her stories often featured magical elements, royal characters, and challenges, but they also had more elaborate plots and strong, clever female characters. The White Cat tells the story of a prince who encounters a talking white cat living in an enchanted castle.

This story reflects the style of the period, blending traditional folklore with the social dynamics and expectations of the court.

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Tonight, we’ll read the 21th chapter of “Anne of Green Gables”, the classic 1908 novel by Lucy Maud Montgomery. This chapter is titled “A New Departure in Flavorings”

In the previous chapter – Anne is captivated by the beauty of spring, especially the Mayflowers and enjoys a day gathering them with her classmates. Later, Anne’s vivid imagination causes her to fear “The Haunted Wood,” (a name she made up herself) but Marilla forces her to confront her fear by walking through it alone at night. Terrified but unharmed, Anne completes the walk and vows to appreciate the ordinary rather than romanticizing spooky happenings.

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Tonight, to start off our 6th annual “Spooky Sleep Story Series”, we shall read the opening to “How He Left The Hotel”, written by Louisa Baldwin and first published in 1895. Tune in every Wednesday this month for sleep stories of the darker variety- like classic horror literature and ghost stories. If you prefer to avoid the mildly macabre we hope you’ll enjoy one of our many other stories available wherever you listen to podcasts.

Catch up on previous years by finding our free standalone podcast series “Snoozecast Presents: Spooky Stories” or if you are a premium subscriber, look for “Snoozecast+” or “Snoozecast+ Deluxe: Spooky Stories” instead to listen ad-free.

Louisa Baldwin was a British writer known primarily for her contributions to the genre of supernatural fiction. She was part of the illustrious Baldwin family, with connections to notable figures in politics and the arts. Louisa was one of the "Macdonald sisters," four siblings whose descendants include celebrated authors and artists. Despite this distinguished familial background, she forged her own path in literature, creating ghost stories and other eerie tales that captivated readers with their chilling atmospheres and suspenseful narratives.

Baldwin's most famous works include the collection The Shadow on the Blind (1895), which features several of her ghost stories, showcasing her ability to weave psychological tension into supernatural occurrences. Her tales often delve into the uncanny, where ordinary lives are suddenly disrupted by inexplicable, ghostly events. Baldwin’s prose combines a sharp observational style with a deep understanding of human nature, leading readers into unsettling, suspenseful narratives that leave a lasting impression.

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