Libby Jackson is the head of Space Exploration for the UK Space Agency. She has turned a childhood passion for space into a wide-ranging career. She was flight instructor and controller at Europe’s Mission Control Centre for the International Space Station. She then joined the UK Space Agency in 2014 and led their education programme when the astronaut Tim Peake went into space. She is now one of Britain’s leading experts in human spaceflight, and last year was awarded an OBE for her work. Libby’s musical passions reflect the vast wonder of space but also her love of choral music and her adventures in Newfoundland as a teenager with works by Handel, Verdi and Shanneyganock. Producer Clare Walker

Steve Rosenberg is the BBC’s Russia editor. After studying Russian at university, he moved to Moscow in 1991 and since then has charted the transformation of the country – from the conflict in Chechnya and the Beslan school siege to President Putin’s rise to power and the impact of the current war against Ukraine. His musical passions include - perhaps unsurprisingly - Russian composers such as Rachmaninov, but his choices also draw on childhood memories and the many hours he spent watching TV. Steve is a keen pianist, and he recalls the moment he played for President Gorbachev, who sang Russian songs to his accompaniment. Steve also posts piano improvisations and compositions on social media - anything from Postman Pat in the style of Tchaikovsky to a piece he wrote inspired by birds sitting on a telegraph wire. Producer Clare Walker

Robert Powell is one of our best-known actors, with a career that began in the late sixties and exploded into almost instant fame; since then, there have been some fifty films, including “The Thirty-Nine Steps” and “The Italian Job”, numerous theatre roles, and television appearances which have included six years on Holby City. For many people, though, he will always be Gustav Mahler thanks to Ken Russell’s 1973 biopic; for some, he became a memorable representation of Jesus Christ, thanks to his starring role in Zeffirelli’s six-hour epic. Robert Powell begins by choosing Mahler’s famous Adagietto from the Fifth Symphony. He listened to Mahler non-stop when rehearsing for the role, but was still surprised by some of the eccentric things Ken Russell asked him to do: he will never forget floating for hours in a freezing lake. He talks about the impact of early fame, conjuring up the excitement of the King’s Road in the “swinging sixties”, and meeting his wife, Babs, who danced with Pan’s People. And he tells the story of how, when he was playing Jesus, he delivered the Sermon on the Mount and “something really extraordinary happened”. These days he is a devoted grandfather, making up for the time he couldn’t spend with his family when he was away filming. Other music choices include Stravinsky, Bach, Janacek, and his hero Bob Dylan. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Helena Kennedy is one of Britain's most distinguished lawyers. Brought up in a Glasgow tenement flat, she was the first in her family to go to university. But instead of going to Glasgow University to read English and becoming a teacher, as they expected, she startled everyone by travelling to London - to study for the Bar. Some of her friends misunderstood and thought she’d gone south to find bar work. This was the end of the sixties, a time when there were extremely few women barristers. Since then, her ambition, fierce intelligence and considerable charm have taken her right to the top, and she now sits in the House of Lords as Baroness Kennedy of the Shaws. She created a huge stir when she published her first book, Eve was Framed, in 1992 – a shocking examination of how the criminal justice system fails women. Three years ago, she felt so little had changed that she published a sequel – in a book with the title Misjustice. Helen Kennedy campaigns now too on wider human rights issues, such as the persecution and murder of women in Iran and the shocking genocide of the Uighurs in China. In conversation with Michael Berkeley, Helena Kennedy looks back to the childhood which has been so influential on her campaigns for justice, and chooses the music which has sustained her through a series of difficult and high-profile cases. Her playlist includes Handel, Bach, Schubert, George Benjamin, James MacMillan, and her favourite Puccini opera, with Mimi’s famous aria from La Boheme. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Back when he was studying English at UEA, Peter J Conradi had a friend who ran the student literary society, organizing writers to come to Norwich and speak. He went along to a meeting and the speaker there changed the whole course of his life. The writer was Iris Murdoch. She became a friend, and he became – in his words – her “disciple”, and eventually her biographer. And then Peter and his partner, Jim O’Neill, spent eight months caring for Iris at the end of her life, as Alzheimer's took hold – they listened to a lot of music together. Peter has spent his career as an English Professor at the University of Kingston and his biography of Iris Murdoch is not his only book: he’s also written about Dostoevsky, John Fowles, and Angus Wilson; about grief, about becoming a Buddhist, and about dogs. In conversation with Michael Berkeley, Peter discusses the extraordinary power Iris Murdoch exerted over all her friends and lovers, and her secretiveness, so that each would be kept in a separate compartment. He remembers how she kept singing and dancing right up to the end. And he reveals his own mental health struggles, and how Buddhism has helped him. Music choices include Strauss, Bartok, Bach, Britten’s War Requiem, and the Anthem by Leonard Cohen that contains the famous words “There is a crack in everything, that’s how the light gets in.” A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Wayne Sleep tells Michael Berkeley about the music that has inspired his career of nearly 60 years. Wayne Sleep is one of the most celebrated dancers of all time. He’s performed more than fifty leading roles for the Royal Ballet, and had roles created for him by choreographers including Frederick Ashton, Ninette de Valois and Rudolf Nureyev. Equally at home on the stage of the Royal Opera house, performing musical theatre in the West End, choreographing, directing or teaching, he’s known for his versatility, flawless technique, dramatic flair and humour. He made headlines around in the world in 1985 when he danced – to the total surprise of everyone there - with Diana, Princess of Wales, on the stage of the Royal Opera House. He tells Michael about the secrecy surrounding their rehearsals and the friendship between them that followed their performance. Wayne chooses the music that has shaped his long career including pieces by Mahler, Britten and Andrew Lloyd Webber. And, in a highly emotional moment, he hears for the first time since his childhood the voice of his adored mother on a record specially restored for this programme. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The novelist and journalist Susie Boyt tells Michael Berkeley about her lifelong passions for music, theatre and dancing. Whether she’s writing black comedies about dysfunctional families or about her intense love of Judy Garland, Susie Boyt is unafraid to address the big questions in all our lives. Her seven novels explore how we can best take care of people, how we can survive life’s inevitable traumas and how we might live alongside the loss of people we love. Susie chooses pieces by Mozart, Beethoven and Britten as well as music from the ballet Giselle that conjures up the fragility and vulnerability of childhood. Susie’s father was the painter Lucian Freud and we hear a song by the music hall star Gus Elen which recalls the many hours she sat for him in his studio sharing their love of song lyrics. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The historian Simon Thurley tells Michael Berkeley about his passion for ancient buildings and the music associated with them. At the age of seven, Simon Thurley dug up what turned out to be Roman remains in his back garden in Cambridgeshire, and a lifelong passion for history - and historic buildings - was ignited. He went on to work as Curator of Historic Royal Palaces and as the Director of the Museum of London. Then, in 2002, at the astonishingly young age of 39, he was appointed Chief Executive of English Heritage, a post he held for 13 years, during which time he was responsible for overseeing over 400 historic sites from Dover Castle to Stonehenge. He is the author of more than a dozen books about history and architecture and since 2021 he has chaired the National Heritage Memorial Fund, the fund of last resort to protect the nation’s most vulnerable heritage when other routes have failed. Simon tells Michael about the building mania of Henry VIII, how we can make old buildings sustainable to live in today, and what the future might hold for the Royal Palaces under King Charles III. He chooses music by Holst which reminds him of his religious childhood, an opera by Bellini which conjures up the English Civil War, and music by Purcell which reminds him of up Hampton Court, one of the buildings he loves most and which he helped to restore after a devastating fire. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Kaffe Fassett’s textiles are unmistakable: in bright cerise and crimson and cobalt, his stripes and flowers burst onto the scene back in the seventies, and he’s been designing ever since. Brought up in a log cabin on the Californian coast, he’s lived for fifty years in Kilburn, north-west London, a house where every surface is painted or mosaicked or embroidered – and stuffed full of antique textiles and pots. In fact, it’s so full of stuff that his partner, Brandon, had to retreat to a white room of his own. But Kaffe would like us all to get sewing, or embroidering or knitting. He’s the author of numerous books which share his designs, and currently has an exhibition of his quilts at the Fashion and Textile Museum that will soon travel around Scotland. In conversation with Michael Berkeley, Kaffe reveals that he first left California for Britain as a young man after a chance meeting with Christopher Isherwood, who so beguiled him that he was determined to see Europe for himself. He talks about growing up gay at a time when it was still illegal, and how he never felt he fitted in – he was the boy at school wearing bright orange corduroy. He reveals that he bought some wool and then begged a woman opposite him on the train home to teach him to knit. Since then, he’s never looked back, and however busy he is, he makes time to knit and embroider, finding it a chance to meditate and recover. His music choices include Arvo Pärt, The Beatles and Schumann’s “Scenes from Childhood”.

Joanna Scanlan is one of our great comic actors; she’s best-known for “The Thick of It”, where she plays the obstructive civil servant Terri Coverley. But her range is much wider than comedy. She’s extraordinarily moving in “After Love”, Aleem Khan’s 2021 film about a widow who discovers her husband’s secret life – a performance so powerful that it dominates the whole film, and won her BAFTA’s lead actress award in 2022. Before that, she played Charles Dickens's long-suffering wife, Catherine, in “The Invisible Woman” – and appeared in “Girl with a Pearl Earring” and “Notes on a Scandal”, to name just a couple of her film roles. On television she’s familiar from “The Larkins”, “No Offence” and “Puppy Love” – a series she co-wrote. She also co-wrote “Getting On”, a blackly comic portrayal of life on an NHS ward, which has become a great deal more topical in the fourteen years since it was first broadcast. Born in Merseyside, Joanna Scanlan grew up in North Wales; she went to Cambridge to study history and law, and only got her first job as an actress when she was thirty-four, after having a breakdown. She tells Michael about how that breakdown became a turning point, thanks to a doctor who told her that she would be ill all her life unless she acted. She remembers her schooldays in Wales, when she sang in a choir five times a day, and her early career working for the Arts Council, where the power-mad clock-watchers she worked with became the inspiration for the character of Terri Coverley. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke