The latest film releases include The Fall Guy, I Saw the TV Glow, Evil Does Not Exist, and Mars Express. Weighing in are William Bibbiani, film critic for the Wrap and co-host of the Critically Acclaimed Network, and Monica Castillo, freelance film critic and senior film programmer at the Jacob Burns Film Center. 

The latest film releases are Challengers, Uncropped, Egoist, and Alien (re-release). Weighing in are Alsondo Duralde and Dave White, film critics and co-hosts of movie podcast Linoleum Knife.

 The latest film releases include Abigail, The Ministry of Ungentlemanly Warfare, We Grown Now, and The People's Joker. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Shawn Edwards, film critic for FOX-TV in Kansas City and co-founder of the African American Film Critics Association.

The latest film releases include Civil War, In Flames, Sting, and Sasquatch Sunset. Weighing in are Alison Willmore, a film critic for New York Magazine and Vulture, and Witney Seibold, contributor to SlashFilm and co-host of the podcast Critically Acclaimed.

The latest film releases are La Bête, Monkey Man, Girls State, and Música. Weighing in are Amy Nicholson, host of the podcast Unspooled and film reviewer for the New York Times, and Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie.

The latest film releases are Godzilla x Kong: The New Empire, La Chimera, The Shadowless Tower, and Wicked Little Letters. Weighing in are Alonso Duralde and Dave White, film critics and co-hosts of the podcast Linoleum Knife.

The latest film releases are Ghostbusters: Frozen Empire, Shirley, The American Society of Magical Negroes, and Carol Doda Topless at the Condor. Weighing in are Shawn Edwards, film critic for FOX 4 News in Kansas City, and Monica Castillo, freelance film critic and senior film programmer at the Jacob Burns Film Center.

The latest film releases include Arthur the King, One Life, The Animal Kingdom, and Little Wing. Weighing in are William Bibbiani, film critic and co-host of the podcasts Canceled Too Soon and Critically Acclaimed, and Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times. 

The latest film releases include Kung Fu Panda 4, Love Lies Bleeding, and American Dreamer. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Witney Seibold, contributor to SlashFilm and co-host of the podcast Critically Acclaimed. They also predict who will take home Oscars for Best Picture and Best Actress. 

The latest film releases are Dune: Part 2, Spaceman, Shayda, and Problemista. Weighing in are Alison Willmore, film critic for NY Magazine and Vulture, and Tim Grierson, Senior U.S. Critic for Screen International and the author of This Is How You Make a Movie.

The latest film releases include Drive-Away Dolls, About Dry Grasses, Perfect Days,  and Io Capitano. Weighing in are Alonso Duralde and Dave White, film critics and co-hosts of the movie podcast Linoleum Knife. 

The latest film releases are Bob Marley: One Love, Madame Web, Drift, and This is Me … Now. Weighing in are Shawn Edwards, film critic at Fox 4 News and co-founder of the African American Film Critics Association, and Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times. 

The latest film releases include The Taste of Things, Lisa Frankenstein, Skeletons in the Closet, and Suncoast. Weighing in are William Bibbiani, film critic and co-host of the podcast Canceled Too Soon and The Critically Acclaimed Network, and Monica Castillo, freelance film critic and senior film programmer at the Jacob Burns Film Center.

Critics review the latest film releases:  “Argylle,” “How to Have Sex,” “Scrambled,” and “Orion and The Dark.”

The latest film releases include Miller's Girl, Tótem, The Breaking Ice, and The Sweet East. Weighing in are Christy Lemire and Alonso Duralde, co-hosts of the YouTube channel Breakfast All Day.

The latest film releases are I.S.S., The End We Start From, The Kitchen, and Founder’s Day. Weighing in are Katie Walsh, film reviewer for the Tribune News Service, the Los Angeles Times, and The Wrap; and William Bibbiani, film critic and co-host of the podcast Canceled Too Soon and The Critically Acclaimed Network.

The latest film releases are Mean Girls, The Beekeeper, The Settlers, and The Book of Clarence. Weighing in are Shawn Edwards, film critic at Fox 4 News and co-founder of the African American Film Critics Association, and Alison Willmore, film critic for New York Magazine and Vulture.

The latest film releases include Night Swim, Occupied City, All of Us Strangers, and Good Grief. Weighing in are Witney Seibold, contributor to SlashFilm and co-host of the podcast Critically Acclaimed, and Amy Nicholson, host of the podcast Unspooled and film reviewer for the New York Times. 

The latest film releases are Aquaman and the Lost Kingdom, The Iron Claw, Ferrari, and The Color Purple. Weighing in are William Bibbiani, film critic and co-host of the Critically Acclaimed Network, and Shawn Edwards, a journalist for FOX 4 News in Kansas City.

The latest film releases are The Zone of Interest, American Fiction, Wonka, and Chicken Run: Dawn of the Nugget. Weighing in are Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie, and Alison Willmore, film critic for NY Magazine and Vulture.

The latest film releases are Poor Things, The Boy and the Heron, Origin, and Waitress. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day,” and Alonso Duralde, co-host of “Breakfast All Day.”

The newest film releases include Godzilla Minus One, Eileen, Silent Night, and Candy Cane Lane. Weighing in are Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times, and Witney Seibold, contributor to SlashFilm and co-host of the podcast Critically Acclaimed.

The latest film releases include Napoleon, Wish, Maestro, American Symphony, and Good Burger 2. Weighing in are William Bibbiani, film critic and co-host of the Critically Acclaimed Network, and Shawn Edwards, journalist for FOX 4 News in Kansas City, Missouri.

The latest film releases include The Hunger Games: The Ballad of Songbirds and Snakes, Next Goal Wins, Fallen Leaves, May December, and Saltburn. Weighing in are Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie, and Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times. 

Critics review the latest film releases: “The Marvels,” “Dream Scenario,” “It’s a Wonderful Knife,” “A Still Small Voice.”

The latest film releases include Priscilla, The Killer, What Happens Later, and Rustin. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day,” and Alonso Duralde, film critic and co-host of movie podcast Linoleum Knife.

The latest film releases are Five Nights at Freddy's, Pain Hustlers, The Holdovers, and Fingernails. Weighing in are Amy Nicholson, host of the podcast Unspooled and film reviewer for the New York Times, and Shawn Edwards, film critic at Fox 4 News and co-founder of the African American Film Critics Association.

The latest film releases are Killers of the Flower Moon, The Persian Version, More Than Ever, and Divinity. Weighing in are Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed,” and Carlos Aguilar, film reviewer for the Los Angeles Times and AV Club.

The latest film releases include Anatomy of a Fall, My Love Affair with Marriage, Silver Dollar Road, and The Mission. Weighing in are Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times, and Shawn Edwards, film critic for FOX-TV in Kansas City.

The latest film releases include The Exorcist: Believer, Cat Person, The Royal Hotel, and Dicks: The Musical. Weighing in are Tim Grierson, senior U.S. critic for Screen Daily, and Allison Willmore, film critic at New York Magazine and Vulture.

The latest film releases include The Creator, Saw X, Fair Play, and Dumb Money. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day, and Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times.

The latest film releases include “Flora and Son,” “Invisible Beauty,” and “The Origin of Evil.” Plus, “Stop Making Sense” is re-released in 4K IMAX. Hear reviews from Alonso Duralde and Dave White, film critics and co-hosts of movie podcast Linoleum Knife.

The latest film releases include “A Haunting In Venice,” “Cassandro,” “Rotting In The Sun,” and “A Million Miles Away.” Hear from  Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times; and Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed.”

The latest film releases are “Scrapper,” “El Conde,” “The Nun II,” and “My Big Fat Greek Wedding 3.” Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day,” and William Bibbiani, film critic for the Wrap and co-host of the Critically Acclaimed Network.

The latest film releases include “The Equalizer 3,” “Goldfish,” “The Good Mother,” “Nandor Fodor and the Talking Mongoose.” Weighing in are Katie Walsh, film reviewer for the Tribune News Service, the Los Angeles Times, and The Wrap; and Shawn Edwards, film critic for FOX-TV in Kansas City.

This week’s film releases include “Gran Turismo,” “Retribution,” “Golda,” and “Bottoms.” KCRW gets reviews from Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times; and William Bibbiani, film critic for The Wrap and co-host of the Critically Acclaimed Network of podcasts.

The latest film releases include “Blue Beetle” and “Strays.” KCRW gets reviews from Alison Willmore, film critic for New York Magazine and Vulture; and Witney Seibold, contributor to SlashFilm and co-host of the podcast “Critically Acclaimed.”

The latest film releases include “Jules,” “The Last Voyage of the Demeter,” “Medusa Deluxe,” “Men of Deeds,” and “Red, White, & Royal Blue.” KCRW gets reviews from Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel “Breakfast All Day;” and Carlos Aguilar, film reviewer for the Los Angeles Times and The A.V. Club.

The hero of Robert Eggers's "The Northman," a Viking warrior in 9th century Iceland, thinks of nothing but avenging the death of his father, whose death may recall the plot of "Hamlet." Rivers of blood are spilled along the way in a dark saga that also casts a light on our time.

The lovers in "Paris 13th District," a romantic comedy by the French director Jacques Audiard, don't necessarily want to live the erratic lives they're living. They'd rather be solidly grounded, with good jobs and a stable network of friends. Or would they?

A new Netflix documentary, "Return To Space," may come on like a promotional piece for SpaceX, and why not? Elon Musk's aerospace venture has achieved remarkable things since it was founded two decades ago. The film is more than that, though. It charts the beginning of a new era in space exploration, and also serves as a testament to the power of failing upward. Way upward.

Watching the Oscarcast in all its astonishing amateurism and then watching "The Contractor" for review is an unwelcome reminder of the state of the movie medium.

Previous years of ratings declines don't bode well for the popularity of this year's Oscars show. Have the Oscars, and the movies, lost their place of preeminence in the entertainment universe?

By now it's no spoiler to say that the teenage heroine of Pixar's "Turning Red" turns into a panda whenever her emotions get out of control. It's a shame most people will see the film only on Disney+, but it's worth seeing anywhere for its buoyant spirit and brilliant animation.

A new Batman movie is upon us, with Robert Pattinson in the title role. "The Batman" isn't one more origin story, and yay for that--here's to storytelling in the present tense--or a conventional action thriller. It's the Dark Knight seized by deeply dark thoughts about what he's doing with his life, and what difference it makes in a world of overwhelming evil.

A new "Cyrano" with Peter Dinklage has much to recommend it, but the film is diminished by a dreary score and banal songs.

Roland Emmerich's "Moonfall" contends that the moon is hollow, and sends it tumbling from orbit. Is the movie itself hollow or solid? A question for the ages that will nonetheless be answered here.

"Lunana: A Yak In the Classroom" is Bhutan's international-feature entry for the Oscars. It was shot at extremely high altitude with extremely modest resources, yet the result is affecting and thoroughly delightful.

In "Who We Are: A Chronicle of Racism in America," the documentary filmmakers Emily Kunstler and Sarah Kunstler conjure with surprising concepts--including the weight of cotton--to show how and why racism is, in their words, "our shared history."

Steven Spielberg's "West Side Story" starts with three annunciatory notes of the greatest score ever written for a Broadway musical comedy. What follows is partly a rethinking of the basic material, and a redressing of wrongs represented by the casting of previous productions, which was never representative at all. Mostly, though, it's an exultant new version of an American classic. 

Paolo Sorrentino's "The Hand of God" is much less serious than it sounds, though far from frivolous. It's a fond and funny piece of autobiography about his coming of age in 1980s Naples. 

"Cmon C'mon" is all over the place, like the 9-year-old at the center of Mike Mills's unusual road movie, but it's a special pleasure that manages to be simultaneously serious and marvelously funny.

In "Belfast," Kenneth Branagh's semi-autobiographical evocation of his childhood in Northern Ireland, the filmmaker, stage actor and writer is a bright-faced 9-year-old struggling to understand the sectarian violence raging around him and his tight-knit family.

Five years ago the Chilean director Pablo Larraín gave us "Jackie," a fictionalized portrait of Jacqueline Kennedy during and immediately after her husband's assassination. Now he's done a fictionalized--and mostly grim--account of a Christmas weekend the Princess of Wales spent in 1991 at Queen Elizabeth's Sandringham Estate.

Joanna Hogg's semi-autobiographical 2019 feature "The Souvenir" was rightly hailed as something perilously close to a masterpiece. Now she's done a sequel, "The Souvenir: II," which picks up where the first film left off. Sequels are risky, but there was no need to worry about this one.

"The Electrical Life Of Louis Wain" stars Benedict Cumberbatch as the Victorian-era illustrator who celebrated cats and believed he could feel electricity in the space around him. Claire Foy is Emily Richardson, the woman he loves, and the two stars in conjunction are a grand spectacle.

A filmmaking couple in Mia Hansen-Løve's wonderful "Bergman Island" spend a summer residency on the island off the coast of Sweden where Ingmar Bergman lived and made some of his most cherished films.

It's not your ordinary lamb, but then "Lamb" isn't your ordinary Icelandic indie film. It's a debut feature, by Valdimar Jóhannsson, that's extraordinarily well made, seriously strange and stars the superb Noomi Rapace, who was the fierce Goth hacker Lisbeth Salandar in the original Swedish version of "The Girl With the Dragon Tattoo."

It's been 15 years since we first saw him, and were startled by him, as James Bond in "Casino Royale" (which turned out to be one of the best Bonds ever.) Now Daniel Craig is playing Bond for the last time in "No Time To Die," which is very long, very uneven and, from time to time, greatly affecting.

What if the man who says "I'm Your Man" isn't a man? Maria Schrader's German-language sci-fi romance explores the shifting ground between hormones and silicon.

The 48th annual Telluride Film Festival took place actually, rather than virtually, at its accustomed site almost 10,000 feet up in the Colorado Rockies. Last year the festival went dark during the pandemic. This year it was an exuberant reminder, as always, that the movie medium is alive and, against heavy odds, well.

In the movie world the word "sequel" is usually a synonym for letdown. Not so with the new "Candyman," which calls itself a "spiritual sequel" to the 1992 slasher classic. The director, Nia DaCosta, and her colleagues--she wrote the screenplay with Jordan Peele and Win Rosenfeld--have transformed the material by rethinking what it said about race in America in the first place.

"Reminiscence," a futurist debut feature by Lisa Joy, the co-creator of "Westworld," may be best remembered for its stunning images of Miami at a time of catastrophic climate change, when rising sea levels have engulfed much of the city. The immensely complicated plot, on the other hand, is mostly mind-numbing.

Matt Damon is an Oklahoma oil-patch worker who travels to France to help his daughter, imprisoned in Marseille for a murder she claims she didn't commit. The film is a fictional reworking of the case of Amanda Knox, an American woman acquitted in 2015 of the charge of having killed her flatmate. The director and co-writer was Tom McCarthy, who did the investigative procedural "Spotlight."

Vacationers in a tropical resort age mysteriously in "Old," an inexplicably silly horror/slasher/sci-fi feature by M. Night Shyamalan.

"Roadrunner: A Film About Anthony Bourdain" captures the sweep of the chef-turned-TV-celebrity's life in captivating detail. It also struggles with the mystery of why, at what seemed to be the peak of his career, Bourdain committed suicide three years ago in his room in a French hotel.

Value "Black Widow," the latest addition to the Marvel Cinematic Universe, for what it is (a surprisingly intimate portrait of two sisters and their strange family, plus several elegant action sequences) rather than discounting it for what it isn't (another of Marvel's adventures in which cosmic forces are at work.)

The action master, who last directed an episode of "Fast and Furious" in 2013, is back with "F9: The Fast Saga," an action spectacular in which cars not only fly--that's so old-school--but go into orbit.

Retired? Not on your life, or hers. This indefatigable entertainment icon has recently finished a role in Steven Spielberg's new screen version of "West Side Story" (she won an Oscar for her work in the 1961 version.) Now she's the subject of a new documentary in which she looks back on her life, and forward to whatever the next gig may be.

Before Lin-Manuel Miranda brought his astonishing "Hamilton" to Broadway he created "In the Heights," a Broadway musical set in a Latino, mostly Dominican neighborhood of Washington Heights, in Upper Manhattan near the George Washington Bridge. Thirteen years after its opening, the show has finally made it to the screen in a production that's just what is needed to bring movie audiences back into the fold.

"The Conjuring" films have conjured billions of box-office dollars since the first one in 2013. But now, with the latest installment called "The Devil Made Me Do It," there's a sense of paranormal events winding down, which is a very normal fate for a blockbuster franchise.

"A Quiet Place II" picks up where the original--the very original original--left off. The post-apocalyptic world is still beset by blind monsters who listen for the tiniest sound, then turn the hapless human who made it into lunch.

You could say "The Dry," a fine Australian thriller, is partly about global warming. It's been almost a year without rain when Aaron Falk, a federal cop played by Eric Bana, drives northwest from Melbourne through parched lands to a funeral in the small town he left 20 years ago. The drought has changed everyone's life, Aaron's best friend seems to have killed his wife and son before taking his own life and Aaron himself remains under suspicion in the town for his girlfriend's death all those many years ago.

Usually the simplest part of reviewing a movie is designating its genre. The most straightforward description of “Riders of Justice,” in Danish with English subtitles, is a drama with intense action elements and darkly comic overtones. But a more accurate description is that it’s a deliciously absurdist, fundamentally serious, even philosophical enterprise that uses a superheated revenge plot to address our common need for making sense out of life.

Billy Crystal plays a comedy writer with dementia in "Here Today," and Tiffany Haddish is a singer and street performer who becomes his guardian angel, but the mirth is forced and the energy false.

The hero of "Moffie" is a closeted gay conscript in the South Africa of 1981. In addition to the killing arts, he and his fellow draftees are trained in racism and homophobia.

Versus films are a genre unto themselves. Now we have "Godzilla vs. Kong," an addition to the genre that isn't proud so much as inevitable. Or unavoidable.

In "Nobody," the star of "Better Call Saul" plays a placid suburbanite who discovers the pleasures of revenge.

"The Courier," a Cold War spy thriller starring Benedict Cumberbatch, is earnest to a fault. Meaning it's unaccountably dull, even though Cumberbatch gives another of his strong performances, this time in the role of Greville Wynne, a British civilian recruited by MI6 and the CIA to travel to the Soviet Union and make covert contact with a Soviet intelligence officer who wants to help the West avoid a nuclear war.

Working from the Nico Walker novel about the horrors of war and opioid addiction, Anthony Russo and Joe Russo have made a screen version that elevates, for better or the gritty source material into the epic journey of a troubled soul.

In "The Truffle Hunters," a new documentary by Michael Dweck and Gregory Kershaw, Italian men in their 60s, 70s and 80s do as they've done for decades--search the forests of the Alba region for precious white truffles. Their lives are happy and their health is fine, but their work is increasingly endangered.

"The United States vs. Billie Holiday" chronicles the U.S. government's war on Billie Holiday in the late 1940s, when the Bureau of Narcotics saw in the peerless, heroin-addicted singer a chance to racialize its so-called war on drugs. 

In Chloé Zhao's gorgeous "Nomadland," a woman in her 60s, played with gusto and intimations of grief by Frances McDormand, joins a transient population of older and just plain old Americans driving their vans and RV's around the American West in search of companionship, and gig work where they can find it. 

In Shaka King's remarkable "Judas and the Black Messiah," Fred Hampton and the Chicago Black Panthers struggle against racism in the late 1960's, unaware that the FBI has planted an informant in their midst.

"Little Fish" finished shooting many months before Covid-19 hit, but it gets some things right and other things very right, even though the virus in the movie attacks your memory instead of taking your life.

Sutton Hoo, in the English countryside in Suffolk, was the site of one of the most spectacular archaeological finds of the 20th century. Now that discovery has been dramatized--affectingly, and quite accurately--in a Netflix film called "The Dig."

Flawlessly acted by Dakota Johnson, Casey Affleck and Jason Segel, and beautifully directed by Gabriela Cowperthwaite, this movie about friendship and cancer--in that order--is funny and affecting in equal measure.

A documentary called "The Reason I Jump" is a stirring new addition to the movie genre--best exemplified by "The Miracle Worker"--about disabled people who can't express what they're thinking or feeling.

"Ma Rainey's Black Bottom" stars Viola Davis as the great blues singer of the title and Chadwick Boseman, brilliant in his final performance as the cornetist in a quartet that accompanies her. "White folk don't understand the blues," Ma says at one point. Their understanding will be enhanced by this powerful, ultimately shattering film version of the 1982 August Wilson play.

Are you willing to watch 130 minutes of unfounded self-delight for four minutes of terrific song and dance? Then "The Prom" is the film for you. The cast includes Meryl Streep, James Corden and Nicole Kidman, but there's little they can do to save this Netflix music from its own excesses.

The subject is love--between Eva Green's astronaut mother and her 7-year-old daughter, played affectingly by Zélie Boulant--and extremely well-founded separation anxiety, since Mom is soon to blast off for a one-year tour aboard the International Space Station.

Frederick Wiseman's documentary feature, "City Hall," is the latest in a remarkable string of 43 films about cultural and political institutions. It's more than four hours long, but fascinating at almost every point along the way, a testament to the ideal of civic governance and the complex pleasures of city life. 

"The Witches," Robert Zemeckis's remake of the 1990 version of the dark Roald Dahl novel, transfers the action from Norway and the United Kingdom to Alabama in the late 1960s. That's a good idea with one substantial reservation. Remaking a cult classic turns out to be a digital-effects extravaganza and too much of a good thing.