Shall I dare disturb the multiverse?

The following sequence has been recorded equally on both channels, but is out of phase.

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Corbusier, Descartes and design as method manifest

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The Fourth Dimension.

Digging deeper.

Preview of upcoming content.

In the hall of the Mountain Queen.

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For more, please visit www.t3xture.com, T3XTURE Archizine who sponsored this episode.

Under the volcano.

Conversation about building in Naples: www.buildingbeauty.net

www.buildingbeauty.net, a new school for architecture.

Introduction to the Glass Chain.

Patrik Schumacher is scurrilously controversial. His detractors are simply scurrilous.

As within, so without.

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Sullivan, Kant, Function

How the American id trumped the American ego ©

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Whiplash.

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Behind the camera.

A response to podcast member questions. Get membership benefits at www.lapsuslima.com. Send your own questions to: info@lapsuslima.com.

What do we men want?

Clients from hell, architechts from hell. Members unlock full audio at: www.Patreon.com/LapsusLima

The ways of nature, studied.

Reconfigurating space.

Layer cake.

Brexit though the gift shop.

Mónica presents a full and open Intermezzo. More developments soon.

Trigger warning: welcome.

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Can science test if art changes the world?

In which we discuss Andrew (not Louis) Sullivan's article on Plato, tyranny and the US election. Find the article here: http://nym.ag/1TN7P7x

Squaring the circle.

A preview of member content.

You say you want a revolution, well…

A preview of member content.

What Zaha never knew about Suprematism.

A preview of member content.

Onto the libidinal superhighway.

That skinwalker, timespace.

Have your aura re(a)d.

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A kaddish for rear-guard art.

On our first anniversary: it's alive!

Wright, around the corner.

How to turn any machine into a sea anemone.

As beyond, so below.

In which diamonds are forever in all sorts of new ways.

Days of future past.

Wood! The other white meat.

In which we set the groundwork from which to extract an architectural archaeopteryx.

Not opposite, not equal.

A little paradox: Two minds, about to incarnate, are prepared to be delivered from the aether. The obligatory administrative mistake from which all comedy and tragedy (and time) must spring has the mind of the painter set up in a future musician, and the mind of the musician planted into an eventual painter. Under more normal circumstances, Scriabin should have been Kandinsky, and Kandinsky, Scriabin.

In which Itten did his bit for colour theory.

In which we hit upon the world-system that best helps us explain Expressionism’s appetite for polar opposites and brilliant contrasts.

And verily we say unto you: Except you be converted and become as little children, you shall not enter this school.

In which we perform some religious spring-cleaning in and about the Bauhaus (and archive), and coin a neologism to describe an age-specific paraphilia.

In which, following many detours, we kick our survey of Expressionism into motion with a likeness of the life and work of Lyonel Feininger.

In which we explore the synaptic space between Expressionism and its shadow by way of Kurt Schwitters: liminal Dadaist, grey swan and king of the house (or of a certain sort of house, in any case).

In which we take a detour to examine Dada's scat. It still smells fresh! Interesting...

In which we study the impact of some shrapnel bombs set off by Dadaism.

The Bauhaus’ red-headed stepchild.

Circles upon circles and cellars below cellars.

Of lines and through-lines.

The conclusion to Muthesius’ “Wo stehen wir?”

With a shake of moulting feathers.

In which we track the industrial sources of High Modernism, and revise some salient moments in the Realpolitik of architecture.

Loos and some notes on a world without end.

The Modernist movement made this essay into a proud manifesto. But were they even listening?

We conclude our reading of Louis Sullivan’s “The Tall Office Building Artistically Considered” (and continue to experiment with the medium). Related images available at www.LapsusLima.com. Please review us on iTunes, and visit Lapsus Lima to sign up for exclusive members-only content.

We have all heard the phrase "form follows function," but what did Louis Sullivan mean by it when he wrote it in 1896? How has that meaning changed over time, and what can we learn today by returning to the source? Lapsus Lima's "A History of Architecture" podcast starts with an exploration of Sullivan's influential essay, "The Tall Office Building Artistically Considered." Please review us on iTunes, and support us at http://patreon.com/lapsuslima