Laufey, the 25-year-old singer-songwriter, has risen to prominence by taking the trials of today’s dating world — casual relationships, no labels and seemingly endless swiping on apps — and turning them into timeless love songs.

Today, Laufey reads Coco Mellors’s essay, “love-an-anxious-person-tries-to-be-chill.html">An Anxious Person Tries to Be Chill,” which is about a woman trying to work through her deep-seated relationship anxieties and attachment issues in an on-again, off-again situationship. Laufey says she, too, has been an anxious partner. While she thinks a toxic relationship, like the one in the essay, can make for a great love song, she now knows secure relationships can make beautiful music, too.

The actor John Magaro is picky about whom he goes to dinner with. Magaro is an adventurous eater. So whether he’s buying offal from the butcher, making stews from the 1800s or falling in love over a plate of rabbit, he says it’s important to him that the people he shares a meal with are willing to be curious. For Magaro, it’s about more than personal preferences. Sharing a meal and connecting with other people, he says, is the bedrock of society.

Magaro played Arthur in “Past Lives,” one of our favorite movies last year. His character is constantly working to understand his wife on a deeper level. And Magaro sees that quality in “dinners-with-andrew.html">My Dinners With Andrew,” by Sara Pepitone, a Modern Love essay about food as a love language, and a series of dinners that make, and break, two relationships.

Over the last two decades, Esther Perel has become a world-famous couples therapist by persistently advocating frank conversations about infidelity, sex and intimacy. Today, Perel reads one of the most provocative Modern Love essays ever published: “love-sleeping-with-married-men-infidelity.html">What Sleeping With Married Men Taught Me About Infidelity,” by Karin Jones.

In her 2018 essay, Jones wrote about her experience seeking out no-strings-attached flings with married men after her divorce. What she found, to her surprise, was how much the men missed having sex with their own wives, and how afraid they were to tell them.

Jones faced a heavy backlash after the essay was published. Perel reflects on why conversations around infidelity are still so difficult and why she thinks Jones deserves more credit.

Esther Perel is on tour in the U.S. Her show is called “An Evening With Esther Perel: The Future of Relationships, Love & Desire.” Check her website for more details.

When Maya Hawke’s famous parents got divorced, she was just a little kid trying to navigate their newly separate worlds. Paparazzi aside, Maya’s experience of shuttling between two homes was still more common than the arrangement described in the essay Maya reads: “love-kinder-gentler-divorce.html">Our Kinder, Gentler, Nobody-Moves-Out Divorce,” by Jordana Jacobs.

By staying under one roof, Jacobs and her ex-husband spared their young son the distress of having to go back and forth. But this “dad upstairs, mom downstairs” arrangement also meant that Jacobs had to overhear her ex falling in love with his new partner.

Today, Hawke reflects on the bittersweet family portrait in Jacobs’s essay, and on divorce’s role in Hawke’s own upbringing.

Maya’s latest album, “Chaos Angel,” drops May 31.

Penn Badgley has made a career out of playing deeply troubled characters. From his role as Joe Goldberg on the Netflix series “You” to Dan Humphrey on “Gossip Girl,” Badgley has shown many times over how obsession and delusion can destroy love.

In his personal life, though, Badgley says he’s not doing too much brooding. He’s a father and a stepfather, and he opens up about the importance of being vulnerable with his kids. Badgley reads “them-watching-me.html">Watching Them Watching Me” by Dean E. Murphy, an essay about a father who can no longer hide his emotions from his sons after they all experience a devastating loss.

The chef Samin Nosrat lives by the idea that food is love. Her Netflix series, “Salt, Fat, Acid, Heat,” and the James Beard Award-winning cookbook that inspired it, were about using food to build community and forge connections. Since then, all of her creative projects and collaborations have focused on inspiring people to cook, and eat, with their friends and loved ones.

After the recent loss of her father, Samin has gained an even deeper understanding of what it means to savor a meal — or even an hour — with loved ones. This week, she reads an essay about exactly that: “love-you-may-want-to-marry-my-husband.html">You May Want to Marry My Husband” by Amy Krouse Rosenthal. It’s one of the most-read Modern Love essays ever.

Brittany Howard, the five-time Grammy Award-winning singer, makes vibrant, dynamic music about love.

As the frontwoman of the band Alabama Shakes, she was celebrated for the power and emotionality of her voice. When she began her solo career in 2019 with “howard-jaime.html">Jaime,” an album named after and dedicated to her older sister, who died at 13, Howard revealed new dimensions of her songwriting and herself.

Her latest album, “howard-what-now.html">What Now,” captures the intensity of processing the past and starting anew. Today, Howard reads a Modern Love essay about the courage it takes to fall back in love: love-nicely-packaged-pain-delivery-system.html">“Was She Just Another Nicely Packaged Pain Delivery System?” by Judith Fetterley.

Before Celeste Ng became a best-selling author, she had a side hustle selling miniatures on eBay — dollhouse-size recreations of food were her specialty. Even after the publication of “fires-everywhere-celeste-ng.html">Little Fires Everywhere,” “i-never-told-you-by-celeste-ng.html">Everything I Never Told You,” and, most recently, “ng-our-missing-hearts.html">Our Missing Hearts,” Celeste still makes tiny things — now, as a hobby. She’s come to realize the parallels between making small things and writing: Both give her a chance to look closely at the world.

Today, Celeste kicks off our special podcast series, which celebrates 20 years of the Modern Love column, by reading Betsy MacWhinney’s essay “a-daughter-back-from-the-brink-with-poems.html">Bringing a Daughter Back From the Brink With Poems.” She discusses her own deep-rooted relationship to poetry — and the lessons, large and small, that poems can offer parents and children in uncertain times.

When Daniel Jones started the Modern Love column in 2004, he opened the call for submissions and hoped the idea would catch on. Twenty years later, over a thousand Modern Love essays have been published in The New York Times, and the column is a trove of real-life love stories.

Dan has put so much of himself into editing the column over the years, but as he tells our host, Anna Martin, the column has influenced him, too. Today, Dan shares three Modern Love essays that have changed the way he thinks about love and relationships in his own life.

Also, Anna announces the beginning of a special series of episodes celebrating Modern Love’s 20th anniversary.

The Modern Love essays mentioned in this episode are:bouquet-of-fleeting-beauty-please.html?action=click&module=RelatedLinks&pgtype=Article">One Bouquet of Fleeting Beauty, PleaseNursing a Wound in an Appropriate SettingMy First Lesson in Motherhood

The New York Times’s film critic Alissa Wilkinson has a theory about movies: They’re all about relationships. No matter how big the action, the suspense and tension we experience when watching a film is often really about the feelings between the characters.

But romantic relationships often fall back on old tropes, like the long-suffering wife of an ex-cop who can’t resist that one last, risky case. (We all know her; she leaves teary voice messages urging him to be safe.) Some of this year’s Oscar-nominated films give us fresher portraits of love. Alissa and our host, Anna Martin, discuss the relationships that defy convention or easy definition, and push us to reconsider how we think about human connection, in three of those movies: “Poor Things,” “Maestro” and “Past Lives.”