Family conflict is a cinema staple. But recently Hollywood has come out with a slew of stories about parents and children confronting gaps in culture, generation and identity — from animated films like Encanto and Turning Red, to the recent miniseries Ms. Marvel and the indie hit Everything Everywhere All at Once. Vox entertainment critic Emily St. James calls the subgenre the "millennial parent apology fantasy." She shares with guest host B.A. Parker how the form came to be, what its limits are and how it could pave the way for new perspectives about trauma and family.