Composer Emile Mosseri is a rising star in Hollywood. In the past few years he’s scored three major films: Joe Talbot’s drama ‘The Last Black Man in San Francisco’, Miranda July’s quirky heist movie, ‘Kajillionaire’, and most recently Lee Isaac Chung’s Golden Globe-winning ‘Minari’. Plus, on the small screen, he created the tense sound-world for the second season of Amazon’s ‘Homecoming’. In this episode he discusses the scores and sounds that he grew up with and how they filter into his music; the ways in which he has worked with different directors to bring their vision to life in sound; and how he keeps a thread running through his work.