The House that Jack Built isn’t getting a wide release until December 14th, but we went to a one night only showing of the director’s cut a month early at the
Cinema 21 in Portland. So this is a rare instance where we can provide a review well in advance of a wide release.
https://youtu.be/c6DuLPGZIoQ
The film tells the story of an unassuming, yet prolific serial killer named Jack. It's told through a series of 5 short vignettes of some of his notable kills. It’s told over the course of 12 years from the mid-late 70’s to the mid-late 80s and takes place in the rural Pacific NorthWest of the United States. Jack’s nom de guerre is Mr. Sophistication, which he writes on the grisly photos he takes of his victims.
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Throughout the film Jack's descriptions of his personal condition, problems and thoughts are told through a recurring conversation with the unknown "Verge". Jack views himself as a sophisticated man and the story is told through his own mixture of arrogant and narcissistic sophistry.
The House That Jack Built Review
If that sounds like a pretty pretentious serial killer movie, well, I’d be lying if I said it wasn’t. The film is directed by
Lars Von Trier, who also directed
all of those art house movies you meant to see but never got around to. Jack is played by
Matt Dillon, which is probably the best part of the movie. I thought he did a fantastic job portraying a psychopath pantomiming normal human facial expressions and when required had great comedic timing.
Jack acts as the films unreliable narrator, and tells the story of his failings and mental illness from his elevated perspective of himself and his “art”. Jack’s victims include the likes of
Uma Thurman,
Siobhan Fallon Hogan (that lady from MIB), and
Riley Keough among others. The death scenes where genuinely disturbing, and acted as punctuation for Jack’s ruminations.
Check Out Our Review of The Dead Don't Die!
https://www.horrormovietalk.com/2019/06/19/the-dead-dont-die-review/
I appreciated that they didn’t dwell on the fetishization of the killings themselves, they were handled more or less matter-of-factly which to me, makes them more impactful. It definitely delves into the distasteful and absurd ...