[spb_text_block pb_margin_bottom="no" pb_border_bottom="no" width="1/1" el_position="first last"] SULLY - Does Your Movie Need An Antagonist? By Jacob Krueger [/spb_text_block] [divider type="standard" text="Go to top" full_width="no" width="1/1" el_position="first last"] [spb_text_block title="Sully - Does Your Movie Need An Antagonist?" pb_margin_bottom="no" pb_border_bottom="no" width="1/1" el_position="first last"] PLEASE NOTE: I recently had a very interesting conversation with Todd Komarnicki, who turns out to be as lovely a person as he is a writer. We talked about the true story behind Sully, and I want to take a moment to clarify that more was at work behind the scenes than the public knows, and that pressure was brought to bear by forces more interested in corporate financial interests than in human heroics. So in the spirit of running toward the truth, I wanted to make it clear that many of the events depicted in the movie may be more true than has been reported in articles used to research this podcast. Please take both sides into account as you listen, and as you learn from Sully. And thanks to Todd for reaching out to me so graciously and clarifying. This week we are going to be talking about Sully, the new Tom Hanks movie with a script by Todd Komarnicki. An interesting story about Todd Komarnicki: he doesn’t know this, but, it was actually Todd Komarnicki who introduced me to screenwriting, because it was Todd Komarnicki’s script, My Achilles Heart, that was the very first script that I ever read. I read the script when I was an intern at a pretty major production company, back when I was still in college. It was the first script I ever read, and it was never made, but I was so deeply moved by the script that I did the one thing that no coverage reader should ever do. I wrote “recommend” on my coverage for the very first script that I ever read. And I will never forget, because I was called into the office of the Executive, and mind you, it was my first day of my internship. I had never read a screenplay. I didn’t know what I was doing. Somebody had given me a piece of coverage and said, “Hey, read the script and do this.” And I read the script, and was deeply moved by it, and wrote “Recommend”. So this guy calls me into his office, this Executive, and he says, “This is your name. You are Jacob Krueger.” I said, “Yes.” He said, “You read the script. You wrote the coverage.”  I said, “Yes.” Then he said, “And you wrote ‘Recommend’ on this.” I said, “Yes. Wasn’t it great?” He said, “Yeah... I just read this script. Because when you write “Recommend” it means I have to read it. If you ever do this again, you are fired.” And I remember my shock, because I thought that I had discovered the diamond in the rough and apparently this Executive did not agree. But I actually still have a copy of My Achilles Heart. When I left my internship, I actually took the script with me. Even when I moved to New York, I carried that script with me. I don’t know if Todd Komarnicki will ever hear this Podcast, but I want you to know that your script deeply moved me, and in a way introduced me to screenwriting. I also want to tell the story because I want to talk a little bit about the experience that we, as screenwriters, have with coverage readers. Now it turns out that I actually do have pretty good taste in scripts, and I actually did have pretty good instincts with scripts, and probably somebody should make My Achilles Heart. If you are a producer and you are listening to this podcast, call Todd Komarnicki’s agent and try to get a copy of My Achilles Heart. Or maybe you shouldn’t. Because last time I read that script, I was a 19 year old wide-eyed intern! I had no business writing coverage on script at that point in my career! I didn’t know what I was doing. I didn’t even understand the needs of the producer I was reading for. I was working for a big budget production company,