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Submit ReviewOn today’s date in 1962, Russian-born composer Igor Stravinsky returned to his homeland for the first time in nearly half a century. When he left in 1914, Czar Nicholas was still on the throne. By 1962, a lot had changed. For starters, Stravinsky’s music had been severely criticized in the Soviet Union. Tikhon Khrennikov, first secretary of the Soviet Composers’ Union, branded Stravinsky “the apostle of reactionary forces in bourgeois music.” Dimtri Shostakovich had condemned “the unwholesome influence of Stravinsky” and his “complete divorce from the true demands of our time.”
Whether Khrennikov or Shostakovich really believed this, or merely parroted the official party line, is debatable. But Stravinsky’s return to Russia proved a profoundly emotional experience for all concerned. The 80-year-old composer reconnected with old friends he had not seen in 50 years and relatives he had never met. And, yes, Stravinsky even met with Khrennikov and Shostakovich.
Stravinsky led the Moscow Symphony in his Symphonic Ode and Orpheus Ballet. Robert Craft, Stravinsky’s American assistant, then led the orchestra in Stravinsky’s revolutionary Rite of Spring — all to thunderous applause. For an encore, Stravinsky returned to conduct a quintessentially Russian score: his own 1917 arrangement of the Volga Boatmen’s Song.
Igor Stravinsky (1882 - 1971) — Ode (Cleveland Orchestra; Oliver Knussen, cond.) DG 4843064
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