Steve Pyke readily admits that his life in photography has been propelled largely by his fascination with the face. Born in England and now based in New York, Pyke first won notice for his distinctive close-up portrait style in the 1980s, with editorial work for the music press and magazines such as Britain's popular "style bible," The Face. In the intervening decades, Pyke's photographs have reached a wide audience through their publication in major magazines around the world and their exhibition in museums and commercial galleries. In 2004, Steve Pyke joined the New Yorker. "Working as a staff photographer at the New Yorker magazine gives me the immediacy of making portraits and seeing them appear in an editorial context," Pyke explains, "and this has always surprised and stimulated me." In tandem with his career in editorial photography, he has maintained a strong commitment to personally driven projects, including his portrait series documenting the world's leading thinkers and philosophers. A common thread running through both Pyke's editorial and personal work is his abiding interest in what a face can tell us. "The way we live our lives is etched into the landscape of our faces," Pyke observes. "We create the face with which we live." Recorded at NPG, May 2, 2009. Image info: Sir Ian McKellen / Steve Pyke / Gelatin silver print, 2007 / Published in the New Yorker, August 27, 2007 / Collection of the artist, courtesy Flowers Gallery, New York City / Copyright Steve Pyke