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Sound Escapes: Mark Twain's Limpid Brook
Publisher |
BirdNote
Media Type |
audio
Categories Via RSS |
Natural Sciences
Science
Society & Culture
Publication Date |
Jun 24, 2020
Episode Duration |
00:25:46

“By modern standards, Mark Twain was really a switched-on listener,” says our Sound Escapes host, Gordon Hempton. “He brilliantly used sound in the crafting of his novels. Birds would sing at the right time of day and in the right situations. He would use thunderstorms to mark the locations of Jim and Huck's journey down the Mississippi.” In this episode of Sound Escapes, we’ll explore what made Mark Twain such an astute listener. 

Gordon was particularly inspired by a passage in Twain’s autobiography, in which he describes "a limpid brook" on his Uncle Quarles’ farm near the town of Florida, Missouri. Gordon recreated the sounds of that clear, melodious brook using stones gathered from the original site, which is now a dry creek bed.

"Sonically, we have the interplay between the brook itself and the bird song," Gordon explains. "And it's really an uplifting experience."

Let's listen...

Relax to the Sound of Cool, Clear Water

“By modern standards, Mark Twain was really a switched-on listener,” says our Sound Escapes host, Gordon Hempton. “He brilliantly used sound in the crafting of his novels. Birds would sing at the right time of day and in the right situations. He would use thunderstorms to mark the locations of Jim and Huck's journey down the Mississippi.” In this episode of Sound Escapes, we’ll explore what made Mark Twain such an astute listener. 

Gordon was particularly inspired by a passage in Twain’s autobiography, in which he describes "a limpid brook" on his Uncle Quarles’ farm near the town of Florida, Missouri. Gordon recreated the sounds of that clear, melodious brook using stones gathered from the original site, which is now a dry creek bed.

"Sonically, we have the interplay between the brook itself and the bird song," Gordon explains. "And it's really an uplifting experience."

Let's listen...

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