As we've been exploring Asian American interracial cinema this season at Saturday School, we've covered a lot of heavy subject matter. But not everything related to cross-cultural storytelling is traumatic and existential. This week, we revisit the 1997 comedy "Fakin' da Funk," starring — are you ready for this? — Dante Basco, Pam Grier, Ernie Hudson, John Weatherspoon, Tatyana Ali, Margaret Cho, Kelly Hu, Amy Hill, Ron Yuan and more. Not bad for then-first-time filmmaker Tim Chey.  The movie (currently on YouTube)  follows a Chinese American adoptee Julian, played by Dante Basco, who is adopted by a Black family in Atlanta. The family moves to Los Angeles, and while everyone back in Atlanta understands Julian to be the adopted son of a well-loved preacher in the community, many of their South Central neighbors don't know how to respond to this new Chinese American kid on the block who is culturally Black. In a parallel subplot, Margaret Cho and Kelly Hu play Chinese exchange students who are actual outsiders to not only the Black community but America in general.  Yes, there are some gaps in logic you have to accept to enjoy this film, from "Dante Basco is Chinese American" and "Margaret Cho is a Chinese immigrant" to "A game of basketball can solve pretty much everything" to "Why is this film called 'Fakin' da Funk' when the entire premise is that the main character is NOT faking the funk?" Looking at it 30 years later, there's a lot that is cringe-worthy. But if you compare it to "Rush Hour," which came out a year later, there's at least a humanistic attempt to understand all these different perspectives (the Black community, the Chinese American adoptee, and the first-generation Chinese immigrant) and think about how everyone can overcome their ignorance and biases, and not only co-exist but love each other.