A lot of e-ink has been spilled about how the Internet has fundamentally altered content industries. TV, film, news, books; all are still experiencing growing pains. But, no other industry has experienced more trauma and volatility than music. One of the first victims of the electronic piracy epidemic, music companies, along with artists and policymakers, have been scrambling to find new solid strategies for success. Meanwhile, innovation has flourished in the form of new means of delivering content, new ways of connecting artists with fans, and evolving models for digital music sales and touring, all of which present countless opportunities and risks. Next spring, the Berklee College of Music and MIDEM, in association with the Berkman Center, are hosting the Rethink Music Conference, bringing together artists, industry representatives, policymakers, educators, and innovators to discuss this very issue: the future of creative works, their distribution, and the laws that regulate them. Berkman and Berklee have also announced a Call for Papers seeking innovative proposals to amend US policy regarding creation and distribution of musical works. And, Berklee and the Harvard Business School are offering a $50,000 award for the best new music business model. We sat down with two people who have been very involved in preparing for the event—Allen Bargfrede, a digital music lawyer and Assistant Professor in the Music Business Department at Berklee, and Chris Bavitz, Assistant Director of the Berkman Center’s Cyberlaw Clinic and Clinical Instructor and Lecturer on Law at Harvard Law School—to discuss what the Rethink Music Conference is all about.