On this week’s show, we return to the topic of hip-hop on the radio. While on Radio Survivor, we typically focus on non-commercial radio, like college and community stations; in this episode we look at why certain types of commercial radio stations were important to the growth in popularity of hip-hop music. Our guest, Amy Coddington, is Assistant Professor in the Department of Music at Amherst College and is writing a book about the history of hip-hop on commercial radio.

Show Notes:

• Amy Coddington’s website
• Podcast #145: Hip-Hop Radio Archive with guest Ryan MacMichael
• Podcast #152: The Longest Running Hip-Hop Radio Show in the World? with guest DJ A-L
• Community radio station KGNU is home to The Eclipse Show
• Racial Formation in the United States by Michael Omi and Howard Winant
• Backstory on “Walk this Way” from the Atlantic: “How Aerosmith and Run-DMC Begrudgingly Made a Masterpiece”
• Power 106 Los Angeles radio station
• Jason Tanz wrote the book: Other People’s Property: A Shadow History of Hip-Hop in White America
• Public Enemy’s “Rebel without a Pause” in the HipHop Archive and Research Institute
• Chuck D
• Paula Abdul’s Opposites Attract
• Amber Ruffin on rap lyrics being cut from radio edits of songs
• Snoop Dog
• Hot 97 radio station in New York
• Sugarhill Gang’s Rapper’s Delight (1979)
• Blondie’s Rapture (1980)
• Wham’s Wham! Rap (1982)
• Influential DJ Frankie Crocker of radio station WBLS
• The Pharcyde

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