Plenty of songs purport to tell stories, and the narrative ballad of course has a long enough history that the two forms certainly aren’t alien. But how do our listening practices conditioned by pop music jibe with recognizing and understanding narrative?  Singer/songwriter and short story author Rod Picott joins Pretty Much Pop: A Culture Podcast hosts Mark Linsenmayer, Erica Spyres, and Brian Hirt to talk about classics by writers like Bob Dylan and Johnny Cash, formative nightmares like “Leader of the Pack” and “Escape (The Pina Colada Song), borderline cases like “Bohemian Rhapsody,” and more. We also consider how this form relates to musical theater, music videos, soundtracks, and commercials. We tried to stick to popular songs, but most of us are pretty old. You can listen and read the lyrics if you’re not following: * “Mack the Knife” by Bobby Darin* “The Long Black Veil” by Johnny Cash* “Coward of the Country” by Kenny Rogers* “Leader of the Pack” by The Shangri-Las* “Bohemian Rhapsody” by Queen* “Hurricane” by Bob Dylan* “Scenes from an Italian Restaurant” by Billy Joel* “Escape (The Pina Colada Song)” by Rupert Holmes (Watch him on Burt Sugarman’s Midnight Special. And yes, there was a Taco Bell commercial that used this.)* “Paradise by the Dashboard Light” by Meat Loaf (written by Jim Steinman). Read Tim Quirk’s extensive analysis of this disturbing song.* “Famous Blue Raincoat” by Leonard Cohen* “Jack and Diane” by John Cougar Mellencamp* “Glory Days” by Bruce Springsteen* “Fortunate Son” by Creedence Clearwater Revival* “Tiger Tom Dixon’s Blues” by Rod Picott Rod: BORN IN THE USA! Why these songs? Well, we found a few lists online: * “Inventory: 26 Songs That are Just as Good as Short Stories” from the AV Club* “15 Songs That Te...