Greetings, Script Apart listeners. Your mission today, should you choose to accept it – listen to the one and only David Koepp regale us with fascinating stories and insights from an astonishing three-decade career in Hollywood. Having written movies totalling over $9bn at the box office, David is a giant of the screenwriting world. Jurassic Park, Spider-Man, Carlito’s Way, Panic Room and War of the Worlds are just a few of the iconic films that David has penned over the years, making the decision of which movie of his to cover today a tricky one. We threw the question over to him to decide, and his pick of the bunch was 1996’s masterful Mission: Impossible – a Tom Cruise espionage epic that spawned five blockbuster sequels, with two more now on the way.

David’s Mission: Impossible was markedly different to the most recent instalments in the series. His adaptation of the 1960s TV series was a lean, patient spy slow-burn that had action and excitement, but thrived on tension and paranoia. It followed Ethan Hunt, a secret agent framed for the murder of his friends and colleagues following a botched mission in Prague. It’s full of the sort of storytelling smarts that is commonplace in David’s work, evident in everything from his 1989 debut Apartment Zero to last year’s collaboration with Steven Soderbergh, the Covid thriller KIMI. 

In this wide-ranging conversation, David tells me about the chaos that submerged Mission: Impossible at multiple points in its development, the explosive prison break scene that was cut from his screenplay for budgetary reasons, the artful exposition that’s a regular feature in his storytelling (seriously, study the Mr. DNA sequence in Jurassic Park if you don’t believe me) and how he approaches screenwriting versus his work as a novelist. Last month, he released Aurora, his second novel, about a solar flare that knocks the Earth’s electrical grid out and sends society into disarray. It’s soon to be made into a movie, with Katheryn Bigelow.

This episode will not self-destruct in five seconds – but you should still hurry to listen to it, because you don’t want to miss David’s incredible stories and advice for emerging writers. This was a one fun. Enjoy.Script Apart is hosted by horner.com/">Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.

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