On this episode of the podcast, I have a fascinating conversation with musician and archivist
Dr. Louise Toppin about
The African Diaspora Music Project – a database she created to help singers and orchestras to diversify their repertoire of works by
African Diaspora composers. We talk about the inspiration behind the project, its future, and its present. I’m so excited for you to hear this conversation, along with two magnificent recordings of Dr. Toppin in performance. Listen at the link below or in your favorite podcast directory!
Louise Toppin is a noted performer, scholar and professor who specializes in the concert repertoire of African American composers. In the span of her career, more than 30 songs and 2 operas have been written expressly for her voice. In addition, she has sung the world premiere of 30 more songs and arias of contemporary composers. As the administrator of the George Shirley Vocal Competition for the past nine years and Videmus (a non-profit organization that promotes the concert repertoire of African American and women composers) for more than twenty-five years, she encourages the performance and scholarship of African American compositions by students and scholars through recordings, conference presentation, live performances, and lectures.
As a performer she has received critical acclaim for her operatic, orchestral, and oratorio performances throughout the United States, Czech Republic, Scotland, Japan, China, Uruguay, Colombia, Cuba, Sweden, the Caribbean, Bermuda, New Zealand, England, and Spain in such halls as Lincoln Center, Merkin Hall and Carnegie Hall (New York), Weill Recital Hall (New York), the Kennedy Center (Washington, DC), the Gran Teatre del Licieu (Barcelona), the Beijing Concert Hall, and the Shanghai Opera House and the International Albeniz Festival in Camprodon, Spain.
Music:Hold Fast to Dreams (Florence Price) – Louise ToppinSongs of the Season: II. Poeme d’Automne (Margaret Bonds) – Louise Toppin
Both selections from the album Ah! Love, But a Day
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