On today’s date in 1693, a new opera based on an old legend had its premiere performance at the Académie de la Musique in Paris. The new opera was by the French Baroque composer Marc-Antoine Charpentier. The old legend was that of Medea, the sorceress who murdered her own children to avenge her abandonment by their father, the Greek hero, Jason. Charpentier’s “Médée” (to give his opera its French title) was well received by its first audiences. The most celebrated French soprano of her day sang the title role, but one contemporary critic, impressed by Charpentier’s achievement, wrote, “The emotions are so vivid, that even if the role were only spoken, the opera would not fail to make a great impression.” In the three centuries following Charpentier’s opera, many other musicians have taken up the Medea legend as well. In 1980, the American composer Jacob Druckman took themes from three famous Medea operas and worked these into a three-movement orchestral suite entitled “Prisms,” with Charpentier’s version of “Medea” having pride of place and quoted in the first movement of Druckman’s score.