Hello from Tammy’s fantasy vacation house! It’s just the three of us today, with two important topics.

First, the renewed media and political interest in the Wuhan “lab leak theory,” which had previously been treated as a conspiracy. This essay, published last month by science journalist Nicholas Wade, made a stink by arguing that a lab leak was a reasonable possibility. China’s renowned virologist Shi Zhengli (aka, “bat woman”) responded just this week, in an interview with covid-wuhan-lab-leak.html">the NYT, and Biden has promised to lead an international effort to reinvestigate Covid’s origins in China.

We review the “wild” vs. “lab leak” theories, fears of anti-Asian backlash in the US, anti-China geopolitics, the need for greater transparency among all nations for the sake of global public health and science (read this, by friend of the pod Yangyang Cheng), and the political backlash that may await experts and scientists who dismissed the lab theory (read Thomas Frank and Matt Yglesias on technocratic libs and social-media bubble-ology). 

Second, we revisit the classic documentary, Who Killed Vincent Chin? (1987, dirs. Christine Choy and Renee Tajima-Peña). We talk about the murder case, the film, and how these real-world and on-screen histories resonate today. We also discuss the recent controversy around, and cancellation of, a star-studded Vincent Chin podcast and new representations of Asian stories (including rumors of green-lit film and TV projects). Why do Hollywood Asian Americans keep forgetting (or willfully neglecting) to do their homework?

Reminder: If you’re into storytelling across media, join Jay, Andy, and Tammy (and other friends of the pod) on Saturday, June 26, for the Asian American Writers’ Workshop’s Page Turner conference! Register here, and use discount code: FRIENDOFAAWW!

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