On today’s date in 2005, the Philadelphia Orchestra gave the premiere performance of a brand-new Percussion Concerto by the American composer Jenifer Higdon. The soloist was Colin Currie, a Scottish virtuoso for whom the work was tailor made. In program notes for her work, Higdon wrote, “When writing a concerto I think of two things: the particular soloist for whom I am writing and the nature of the solo instrument. In the case of percussion, this means a large battery of instruments, from vibraphone and marimba (the favorite instrument of soloist Colin Currie), to non-pitched smaller instruments like brake drums, wood blocks, or Peking Opera gongs. “Not only does a percussionist have to perfect playing all these instruments, he must make decisions regarding the use of sticks and mallets ... not to mention the choreography ... where most performers do not have to concern themselves with movement across the stage during a performance, a percussion soloist must have every move memorized.” Higdon’s new concerto proved popular with both audiences and the critics, and in 2010 the work won that year’s Grammy Award for Best Classical Contemporary Composition.