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Inside Tricycle's Summer 2021 Issue
Podcast |
Tricycle Talks
Media Type |
audio
Categories Via RSS |
Religion & Spirituality
Publication Date |
May 18, 2021
Episode Duration |
01:06:35
In the latest episode of Tricycle Talks, editor-in-chief James Shaheen sits down to talk with four contributors to Tricycle’s Summer issue out this May. First up are psychotherapist Mindy Newman and translator and musician Kaia Fischer. Together over the past year they have presented a series of teachings from a newly translated Tibetan sutra. Through their collaborative writing practice, Mindy and Kaia have been able to explore psychology and scriptural exegesis, Buddhist storytelling, and guru devotion in the Tibetan tradition.  Poet and short story writer Souvankham Thammavongsa is a rising star in the literary world. Born in a Lao refugee camp in Thailand and raised in Toronto, Thammavongsa is known for her nuanced reflections on immigrant and refugee experiences. In this episode, she joins us to talk about her family’s history, the power and limits of language, dislocation, and loss—themes woven throughout her short story How to Pronounce Knife, which appears in the current issue.  In his feature article, “The Land of Many Dharmas,” Kenneth Tanaka, a Jodo Shin Buddhist priest and professor emeritus of Buddhist Studies at Musashino University in Tokyo, discusses how, for the first time, Buddhists from virtually every tradition can be found living side by side in North American cities. He explores America as a site of unprecedented religious pluralism and asks what this means for the future, especially in light of the recent wave of anti-Asian violence. Also in this issue: Pamela Ayo Yetunde and Cheryl A. Giles—the editors of the anthology Black and Buddhist—discuss what the dharma and the experience of Black people in America can teach us about the nature of suffering and freedom; scholar Donald S. Lopez writes about how, for most of its history, Buddhist teachings have had little to offer social activism; and the photography of Burmese artist Nge Lay captures the collision of Myanmar’s past and present.

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