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Submit ReviewIf the name Henry Holden Huss doesn’t ring a bell, we’re not surprised – but in his heyday, around 1900, he was famous as a leading American concert pianist and composer. On today’s date in 1894, Huss was the soloist with the Boston Symphony for the premiere of his own Piano Concerto in B Major.
Now, piano concertos written in the key of B Major are not exactly thick on the ground, and Huss’s unusual choice was probably influenced by the “Liebestod” or “Love-Death” music from Wagner’s ultra-Romantic opera “Tristan and Isolde.” Certainly, Huss’s Piano Concerto is in a similarly ultra-Romantic vein.
In addition to his musical fame, Huss was justly proud of his ancestors: He was related on his father’s side to the early 15th century Protestant martyr John Huss and on his mother’s side to a member of George Washington’s staff. Like his contemporary, pianist-composer Edward MacDowell, Huss studied in Germany. Unlike the more famous but tragic short career of MacDowell, Huss enjoyed a long, healthy and productive creative life. In addition to his Piano Concerto, Huss wrote symphonic poems, chamber works, music for chorus, and, not surprisingly, a number of solo piano works. He died at the age of 91 in 1953.
Henry Holden Huss (1862–1953) — Piano Concerto, Op. 10 (Ian Hobson, piano; BBC Scottish Symphony; Martyn Brabbins, cond.) Hyperion 66949
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