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How to Carve a Sundance Worthy Doc From Hours of Archival Footage
Publisher |
No Film School
Media Type |
audio
Podknife tags |
Filmmaking
Interview
Movies
TV & Film
Categories Via RSS |
TV & Film
Publication Date |
Sep 14, 2021
Episode Duration |
00:34:13
Matt Yoka, director, producer and editor of Whirlybird discusses why he made a film centered on high-speed chases and the family behind this medium of reporting and filmmaking, and how he mastered zen and the art of movie marketing during lockdown.  In this episode, we talk about… How Los Angeles Plays Itself sparked the creation of Whirlybird  Focusing on high-speed pursuits and providing an emotional character-focused experience vs. intellectual experience   45 minutes of beautiful VHS glitches  Matt’s experience at the Sundance Film Festival and Covid’s impact on marketing the film How excessive film-watching during quarantine inspired Matt as a filmmaker Why it’s almost impossible to end a documentary      Advice to approach filmmaking focused on the story you want to share with a “less is more” mindset  Links to Resources: Turn Cheap Miniatures Into Awesome Visual Effects https://www.youtube.com/watch?v=VMuf2bHdGrY Subscribe to our newsletter for news, contests, deals, and a FREE ebook at https://nofilmschool.com/screenwritingbook.  Check out our new video on lighting night shoots: https://www.youtube.com/watch?v=J66WWsCp7XE   You can read about all this and more at https://nofilmschool.com/. You can also check out our Gear Guides and Entertainment News on the right hand side. Please like us on Facebook, follow us on Twitter, and check us out on Instagram! Ask us questions at editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

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