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How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics
Publisher |
No Film School
Media Type |
audio
Podknife tags |
Filmmaking
Interview
Movies
TV & Film
Categories Via RSS |
TV & Film
Publication Date |
Nov 18, 2020
Episode Duration |
01:02:20
After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time film heroes: Ridley Scott. In fact, it was Scott's 1982 classic Blade Runner that made Emery fall in love with movies as visual art. Emery regales us with stories that you don't want to miss, everything from working with the Wachowskis and the incredible team they assembled, to the madness of The Island of Dr. Moreau. (Yes, he was on that set, too.) Emery's style and approach are distinct and he's been around the block, so pull up a chair and listen. Check out more interviews with great DP's: David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories 'Lovecraft Country' DP Michael Watson On Shooting During COVID-19 Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary Please email us any questions or comments at ask@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

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