Paris Marx is joined by Grafton Tanner to discuss how social media constantly resurfaces the past, why film and television uses nostalgia to keep us engaged, and whether there’s a way to wield nostalgia in pursuit of a better world.Grafton Tanner is the author of “The Circle of the Snake: Nostalgia and Utopia in the Age of Big Tech” and “Babbling Corpse: Vaporwave and the Commodification of Ghosts.” Grafton is also writing  “The Hours Have Lost Their Clock: The Politics of Nostalgia” for Repeater Books, due out in October 2021. Follow Grafton on Twitter as @GraftonTanner.Tech Won’t Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Follow the podcast (@techwontsaveus) and host Paris Marx (@parismarx) on Twitter, and support the show on Patreon.Find out more about Harbinger Media Network at harbingermedianetwork.com.Also mentioned in this episode:

• Paris wrote about consolidation in the film and television industries.
• Disney lobbied to extend copyright terms and what it might mean when Mickey Mouse goes into the public domain.
• George Lucas describes how commercialism limits what kind of movies can be made (17:18-18:40).
• Hollywood is using AI to help decide which films get made.
• A Harry Potter television series is in early development at HBO Max.
• Books mentioned in this episode: “The Future of Nostalgia” by Svetlana Boym, “New Dark Age: Technology and the End of the Future” by James Bridle, “Protocol: How Control Exists After Decentralization” by Alexander Galloway, “The End of Forgetting: Growing Up with Social Media” by Kate Eichhorn, “Radical Nostalgia: Spanish Civil War Commemoration in America” by Peter Glazer, and “Left in the Past: Radicalism and the Politics of Nostalgia” by Alastair Bonnett.
• Movies and shows mentioned in this episode: Ready Player One, San Junipero (Black Mirror), eXistenZ, The Matrix, and The Merchants of Cool.

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