This episode currently has no reviews.
Submit ReviewToday’s date in 1913 marks the birthday of the American composer and musicologist George Perle, who won the Pulitzer Prize for music in 1986.
In a 1985 interview, Perle vividly recalled his first musical experience, an encounter with Chopin’s etude in F minor, played by an aunt.
“It literally paralyzed me,” said Perle. “I was extraordinarily moved and acutely embarrassed at the same time, because there were other people in the room, and I could tell that nobody else was having the same sort of reaction I was.”
In his own lyrical and well-crafted music, Perle employed what he called “12-tone tonality,” a middle path between rigorous atonality and traditional, tonal-based music.
Whether tonal or not, for Perle, music was both a logical and an emotional language. Perle once made this telling distinction between the English language and the language of music:
“Reading a novel is altogether different from reading a newspaper, but it’s all language. If you go to a concert, you have some kind of reaction to it. If the newspaper is Chinese, you can’t understand it. But if you hear something by a Chinese composer, if it’s playful, for instance, you understand.”
George Perle (1915-2009): Serenade No. 3; Richard Goode, piano; Music Today Ensemble; Gerard Schwarz, conductor; Nonesuch 79108
This episode currently has no reviews.
Submit ReviewThis episode could use a review! Have anything to say about it? Share your thoughts using the button below.
Submit Review