This episode currently has no reviews.
Submit ReviewAbe Partridge, a folk artist from Mobile, Alabama, approaches Ferrill Gibbs, a podcaster from Texas, in mid 2020.
With his gigs canceled due to coronavirus, Abe spends time at serpent-handling churches across the Appalachians. He explains to Ferrill how originally, his plan was to paint the oft-ridiculed sect, but while taking in their frenetic services, he began to realize their songs were powerful, and possibly, undocumented.
Abe shares audio with Ferrill of a serpent handling preacher who tied Abe's hands with a Gibson guitar strap in a worship service. Also, Ferrill draws a connection to legendary music documentarians, John Avery and Alan Lomax.
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Special thanks this episode to: John Nova LomaxAndrew HamblinTaylor Hamblin
Abe Partridge, a folk artist from Mobile, Alabama, approaches Ferrill Gibbs, a podcaster from Texas, in mid 2020.
With his gigs canceled due to coronavirus, Abe spends time at serpent-handling churches across the Appalachians. He explains to Ferrill how originally, his plan was to paint the oft-ridiculed sect, but while taking in their frenetic services, he began to realize their songs were powerful, and possibly, undocumented.
Abe shares audio with Ferrill of a serpent handling preacher who tied Abe's hands with a Gibson guitar strap in a worship service. Also, Ferrill draws a connection to legendary music documentarians, John Avery and Alan Lomax.
Visit the website for bonus content!
And find us on social, too:
Special thanks this episode to: John Nova LomaxAndrew HamblinTaylor Hamblin
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