Podknife - episode 9: Boise Philharmonic, musical cross-cutting, interview with Harry Weiss pt 1, inspiration for main themes by The Silent Film Music Podcast with Ben Model

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episode 9: Boise Philharmonic, musical cross-cutting, interview with Harry Weiss pt 1, inspiration for main themes

Podcast |: The Silent Film Music Podcast with Ben Model
Publisher |: Ben Model
Media Type |: audio
Podknife tags |: Arts,; Movies,; Music,; Performing Arts,; Soundtracks,; TV & Film
Categories Via RSS |: Arts,; Music,; Performing Arts,; TV & Film
Publication Date |: Feb 18, 2015
Episode Duration |: 00:43:59

Description
iTunes Summary

episode 9: Boise Philharmonic, musical cross-cutting, interview with Harry Weiss pt 1, inspiration for main themes WelcomeSilent Film Sound & Music ArchiveBoise, ID: working with Boise Philharmonic, playing at the historic Egyptian Theater, showing One Week to 700 5th-gradersRecording: Charley Chase in "Dog Shy", live in performance on the Robert-Morton theatre organ at the Egyptian in Feb 2014Rules of the Game: musical cross-cutting to help underscore scenes in early dramatic shortsRecording: Alice Guy-Blaché's "A Fool and His Money", on Steinway piano at MoMA in Feb 2015 Interview with nonagenarian silent film pianist Harry Weiss, part 1 A trick to come up with main themes for all those comedy shortsRecording: Max Davidson in "Don't Tell Everything", on Steinway D piano at Bruno Walter Auditorium, Silent Clowns Film Series Feb 14, 2015Upcoming performances: comedy shorts at the Palace in Stamford CT, Harold Lloyd in Westchester, Keaton at Wesleyan, The Marcel Perez Collection DVD, and more.Next episode: Harry Weiss, part 2.Closing

episode 9: Boise Philharmonic, musical cross-cutting, interview with Harry Weiss pt 1, inspiration for main themes Welcome Silent Film Sound & Music Archive Boise, ID: working with Boise Philharmonic, playing at the historic Egyptian Theater, showing One Week to 700 5th-graders Recording: Charley Chase in "Dog Shy", live in performance on the Robert-Morton theatre organ at the Egyptian in Feb 2014 Rules of the Game: musical cross-cutting to help underscore scenes in early dramatic shorts Recording: Alice Guy-Blaché's "A Fool and His Money", on Steinway piano at MoMA in Feb 2015 Interview with nonagenarian silent film pianist Harry Weiss, part 1 A trick to come up with main themes for all those comedy shorts Recording: Max Davidson in "Don't Tell Everything", on Steinway D piano at Bruno Walter Auditorium, Silent Clowns Film Series Feb 14, 2015 Upcoming performances: comedy shorts at the Palace in Stamford CT, Harold Lloyd in Westchester, Keaton at Wesleyan, The Marcel Perez Collection DVD, and more. Next episode: Harry Weiss, part 2. Closing click here to subscribe to podcast on iTunes If you cannot see the audio controls, your browser does not support the audio element

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